Register a SA Forums Account here!
JOINING THE SA FORUMS WILL REMOVE THIS BIG AD, THE ANNOYING UNDERLINED ADS, AND STUPID INTERSTITIAL ADS!!!

You can: log in, read the tech support FAQ, or request your lost password. This dumb message (and those ads) will appear on every screen until you register! Get rid of this crap by registering your own SA Forums Account and joining roughly 150,000 Goons, for the one-time price of $9.95! We charge money because it costs us money per month for bills, and since we don't believe in showing ads to our users, we try to make the money back through forum registrations.
 
  • Post
  • Reply
worm girl
Feb 12, 2022

Can you hear it too?

itskage posted:

Sorry, not trying to offend, just exaggerating because I was annoyed at the blatant misrepresentation of my position.

At this point I am probably not alone in having no idea what your position is.

Adbot
ADBOT LOVES YOU

coolusername
Aug 23, 2011

cooltitletext

worm girl posted:

At this point I am probably not alone in having no idea what your position is.

itskage
Aug 26, 2003


itskage posted:

others start to jump in with strawmen or just pick parts of my responses to others out of context. Either maliciously or through ignorance.

So like did you just completely skip over these

itskage posted:

My position is that the perspective shift isn't as dramatic as people make it out to be, and inner monologue in this comic is rare, but Loup is doing it a lot.

itskage posted:


Let me make this clear for you:
1) We have a handful of pages through the last four chapters that don't follow annies POV. The people going "Why isn't Annie the main character anymore?" are over reacting or exaggerating so they have something to whine about.

2) A lot of Loup's parts use inner monoluge boxes which is actually a large departure from the norm. Yes there are parts that use them but they're infrequent. I thought this was a neutral observation. I don't know why people are arguing about this one. It does play into why people don't like the Loup parts so it's even more baffling people are stretching to disagree.

or are you doing the thing in the part I highlighted in bold?

Niavmai
Nov 27, 2011

itskage posted:

So like did you just completely skip over these



or are you doing the thing in the part I highlighted in bold?

you entered the thread with mock posts and sarcasm, it's completely unfair of you to act as though you've been reasonable and candid this entire time. your opinion is that other people are over reacting. okay. understood. great. moving on.

Joe Slowboat
Nov 9, 2016

Higgledy-Piggledy Whale Statements



Personally, my problem is that Annie is both less emotive in her behavior and less complex in her apparent motivations. One of the great strengths of the best chapters of the comic is the combination of apparently unflappable closed-off blankness from Annie and the way she nonetheless expresses a ton of character. She doesn’t react the way you would expect sometimes, but every reaction or lack of reaction feels telling and communicative. This is true for the vast majority of the comic after the first couple chapters of football heads, and it reaches illustrative heights in her relationship with Tony when she’s falling apart, freaking out, etc.

Even some of the beats I don’t personally like (Kat deciding she loves Tony offscreen) prompted really well-realized Annie reactions.

These reactions were a bit overstated but they center us in Annie’s perspective - her emotions jump off the page for us, we empathize with her. With the two Annies, we got to see both sides of her reactions and perspective at once, and each Annie was a bit simpler than single Annie artistically, but that’s fine; they worked as foils to each other. But when they merged, Annie stayed about as simple as either of them, and has only gotten less complex and reactive since. Her strongest feelings recently have been mildly but straightforwardly huffy about Aata, friendly in a moderate way towards Loup, and so on. Even the discussion with Aata mostly got her responding with broad ideological statements, there was no sense of where Annie fit into it other than listening and conversing. As much as the ‘spews tea’ reaction is a cartoon, it at least tells us ‘Annie had a strong reaction to this and that matters.’ Instead, her reaction matters only inasmuch as she communicates it to Loup.

Meanwhile… Loup is a literal cartoon. He’s constantly having wild expressive mutations and body language, we know what he’s thinking and doing, and he’s actually pretty boring. Despite in theory being as much of a divided and complex character as earlier Annie - split between Ysengrin and Coyote - in practice he’s just Coyote II: Teenage Edge, and can’t really carry our investment forward. But we’re being asked to care so much about him that his punching his girlfriend and her declaring she still loves him matters in terms of his emotional reaction, his internal state. He’s taken Annie’s place at the emotional center and he can’t hold it up, plus he’s unpleasant and uninteresting.

Twenty Four
Dec 21, 2008


isasphere posted:

None of this would be so bad if we at least had like a scene or two to show us what Annie actually thinks of Jerrek. Like, how does she justify the sudden closeness and confiding in him instead of other older friends she has? Does she recognize he has a crush on her? Why did they decide to invite him and Lana to trap Loup?

Well said. I have a feeling that all of these plot points will do a repeat of what has happened often lately and remain unanswered to get "resolved" offscreen with a time jump where some characters barely acknowledge it beyond "well of course all that happened, now, moving forward..."

isasphere
Mar 7, 2013

Twenty Four posted:

Well said. I have a feeling that all of these plot points will do a repeat of what has happened often lately and remain unanswered to get "resolved" offscreen with a time jump where some characters barely acknowledge it beyond "well of course all that happened, now, moving forward..."

I'm going to laugh if what happens next is that Lana is sworn to secrecy and they both keep Annie believing Jerrek is just Jerrek.

Nuns with Guns
Jul 23, 2010

It's fine.
Don't worry about it.

Joe Slowboat posted:

Personally, my problem is that Annie is both less emotive in her behavior and less complex in her apparent motivations.

I agree with your post as a whole. I don't think inner monologues were ever central before, but it felt like there was more complexity, both to how information was conveyed and how Annie and Kat reacted to it. Lately, we've had people appear, say or do something to Annie, and she reacts with shock or annoyance. It just kind of feels like her emotional arc has ended and stabilized when the two Annies merged. On its own that could be interesting. Exploring how coming to terms with a lot of emotionally fraught issues would be great! But it feels more like the comic just jumped to a different emotional center instead of extrapolating out from how Annie's grown.

I don't really have anything else to say about the past few pages. I just read them and made the Marge Simpson "Mmmmmm..." sound in real life.

itskage posted:

This is the fun part of pushing back against the negative death cult in a thread where others start to jump in with strawmen or just pick parts of my responses to others out of context.

Personally, I wouldn't take Splicer or Potsticker as representative of some wider death cult movement in the thread and I don't agree with a lot of stuff they say. If there's going to be death cults, could we at least have a few different warring cult factions? Maybe with different patron deities who offer different domains and associated bonuses?

Nuns with Guns fucked around with this message at 19:34 on Oct 9, 2022

FronzelNeekburm
Jun 1, 2001

STOP, MORTTIME
Keep the scene going by saying, "Death, and..."

Kesper North
Nov 3, 2011

EMERGENCY POWER TO PARTY
Ssssssssssymbolism.

Darth TNT
Sep 20, 2013
Love this page. Very pretty.

Sway Grunt
May 15, 2004

Tenochtitlan, looking east.
Yeah this is a beautiful page.

Unless I'm missing him I don't see Loup anywhere. Jerrek, yes, but not Loup. Which is interesting considering Coyote and Ysengrin are both there. I don't know if this means anything for the future but I kinda hope so tbh.

Fragrag
Aug 3, 2007
The Worst Admin Ever bashes You in the head with his banhammer. It is smashed into the body, an unrecognizable mass! You have been struck down.
Interesting Zimmy and Gamma are on the Forest side of the panel, opposite Jeanne(?)

coolusername
Aug 23, 2011

cooltitletext
This page makes me remember why I loved this comic so much, the art is gorgeous and the symbolism/mystery to be interpreted is there.

Blasmeister
Jan 15, 2012




2Time TRP Sack Race Champion

Fragrag posted:

Interesting Zimmy and Gamma are on the Forest side of the panel, opposite Jeanne(?)

I think that might be Tony? (one visible arm, ‘cracked’ face).

Commiserations to Idra for not making it to a couple’s panel

Blasmeister fucked around with this message at 10:24 on Oct 10, 2022

Podima
Nov 4, 2009

by Fluffdaddy
Smitty's eyebrows made me chuckle. I also notice we don't see Jones on here, alas! Interesting person to leave out - unless the lower right corner angel (?) is meant to be her?

Potato Salad
Oct 23, 2014

nobody cares


Podima posted:

Smitty's eyebrows made me chuckle. I also notice we don't see Jones on here, alas! Interesting person to leave out - unless the lower right corner angel (?) is meant to be her?

Corner Kelley Angel is Robot as seen within the minds of newly reborn robots.

There Bias Two
Jan 13, 2009
I'm not a good person

What an absolutely gorgeous page!

catapede
Jul 1, 2018

Eatin' fish leaves
Gettin' strong
Really love this page. Hard to pick a favorite part.



Fragrag posted:

Interesting Zimmy and Gamma are on the Forest side of the panel, opposite Jeanne(?)

Yeah, that is interesting. Wonder if they leave to the forest on their own or if they go there to hide (or neither lol).

Faust IX
Nov 6, 2009
Yeah, this is a beautiful page. Lots of tiny little detail for everyone to look over a fifth and sixth time, keeping the sun and moon symbolism going between the fire/natural and biomechanical/man-made, the mirroring of Zeta and Gamma with Jeanne, and so many other things.

The Coyote Tooth-Knife that can cut anything matching the Etheric Arrow that bound Jeanne/her lover to the Annan Waters is an interesting one.

But I think the bottom five panels are the most important, and it's for a different reason that hasn't been pointed out here, to the best of my knowledge from what i...gained...from the past few pages of arguing.

Left side Coyote, mirroring is the AI Angel. Let's just take this as a very (easily seen) view of gods in the Court. Coyote from the forest and the wilds, the Angel from the court and the robots.
Left side Ysengrin, mirroring is the Robots. Continuing this flow, these are beings who have received a newfound life because of their god. Ysengrin was a wolf who got that amazing tree bod from a deal with the devil you know, the Robots receiving the gift of "life" from their Angel/Kat over the decade, starting as tiny little chips that end up becoming more and more Human.

They meet in the center with something really cool: a super hosed up "find yourself out" moment where Lana saved Loup's life by taking him off the train to the Star Ocean, something he straight up admits is DEATH. His inner monologue straight up says it while he's fighting with himself: he doesn't want to DIE.

No matter how goofy looking the previous pages might have looked, there is nothing goofy in that panel there where the two sides meet. Forest and Court, Loup and Lana, in the same lovers robes as every other couple. I'm pretty sure this is the point where we can -actually- consider Loup as a completely different character than either Coyote or Ysengrin (despite having some memories of them), with individual...well, everything. Agency. Tom may have many ways to depict "love" in his art, but it's never really had to happen to a character who has never experienced it before in its collective lifetimes like that. The panel of how Robot understood love is beautiful and has been posted to death (still worth posting again), but that was back when Robot was...well. Early Young Proselytising Robot. Now there are newborn robots so much more complex out of the gate when they're "born" into their body that there is a very real chance Kat outdid herself and made them as close to human as she could. You know, "God building you in their image" sort of thing, except getting it far too right.

And Shell tells everyone the Robots, the Non-Humans, the Etheric Users, and the Etheric-Tuned can't join the Court where they're going...

And the panel mirroring from Loup and Lana is The Star Ocean.

Long Story Short: Everything in the moonlight and the stars is something that can be taken away to the New World. Kat included. (but not Pas. I wonder why...). Everything on earth, making up almost all of the rest of that page, is excluded from the actual over-arching plot from...years ago, when Coyote told young young Annie that the Court was "Man's way of reaching the stars" or something along those lines (with the fingerprint on the moon incident if you want to look back that far). The Shadow Men have been trying to sap power directly from Coyote over years (see Shell explaining just how far they were willing to go in that endeavor sprinkled all throughout bits and pieces here) to power that Rift to through the Star Ocean, needing the power of a god to finish it on this side. They won't have any more ether on the other end with their new hosts.

Faust IX fucked around with this message at 15:20 on Oct 10, 2022

Strep Vote
May 5, 2004

أنا أحب حليب الشوكولاتة
Symbolism pages look pretty and mean nothing. The writing can't cash this check.

isasphere
Mar 7, 2013

Faust IX posted:


Long Story Short: Everything in the moonlight and the stars is something that can be taken away to the New World. Kat included. (but not Pas. I wonder why...). Everything on earth, making up almost all of the rest of that page, is excluded from the actual over-arching plot from...years ago, when Coyote told young young Annie that the Court was "Man's way of reaching the stars" or something along those lines (with the fingerprint on the moon incident if you want to look back that far). The Shadow Men have been trying to sap power directly from Coyote over years (see Shell explaining just how far they were willing to go in that endeavor sprinkled all throughout bits and pieces here) to power that Rift to through the Star Ocean, needing the power of a god to finish it on this side. They won't have any more ether on the other end with their new hosts.

Nice post!

The Court was described differently, though:

"Why... It is man's endeavor to become god!" (unsure on the capitalization)

Which is a bit more yikes on the hubris scale.

Strep Vote posted:

Symbolism pages look pretty and mean nothing. The writing can't cash this check.

I'm reminded uncomfortably of HBomberguy's video on BBC's Sherlock, about how the story lived on continuous promises and hints of a great plot that was just around the corner.

isasphere fucked around with this message at 18:35 on Oct 10, 2022

Oxxidation
Jul 22, 2007
traditionally these splash pages haven't been about events to come so much as stylishly recapping the story so far

Niavmai
Nov 27, 2011

Oxxidation posted:

traditionally these splash pages haven't been about events to come so much as stylishly recapping the story so far

no, absolutely not. every one of these has had quite a bit of foreshadowing.




Strep Vote posted:

Symbolism pages look pretty and mean nothing. The writing can't cash this check.

:emptyquote:

Nuns with Guns
Jul 23, 2010

It's fine.
Don't worry about it.

Oxxidation posted:

traditionally these splash pages haven't been about events to come so much as stylishly recapping the story so far

Yeah, the treatises pages use a lot of symbols to allude to characters and events that happened in the preceding chapters. And there's usually some overarching symbolism borrowed from Alchemy, the Kabbalah, or some other mysticism thing that might allude to something in the future or convey some thing about the nature of the characters. I'm not sure I like this one as much as a few of the prior treatises:

https://gunnerkrigg.fandom.com/wiki/Bonus_Pages#Treatises

It's a nice picture, very stylish and detailed. Though I do think it being made of little stained glass windows is a bit cramped. It doesn't feel like there's much room for new imagery and what we have is similar to what's already been on a lot of the prior treatises.

Twenty Four
Dec 21, 2008


It's a really pretty page, I like it very much. There's a good amount to take in here. I'm not the best at interpreting visuals though, so I'm interested to hear other's views on it.

Unfortunately, it also likely means "story finally comes to a resolvable plot point, end scene, things happen offscreen, time jump" as I guessed earlier.

Really though, I always enjoy these types of pages.

Captain Oblivious
Oct 12, 2007

I'm not like other posters
It's a very pretty page and I like it a lot but

Strep Vote posted:

Symbolism pages look pretty and mean nothing. The writing can't cash this check.

Yeah.

Patware
Jan 3, 2005

if there's actual for-real symbolism here aside from just 'forest stuff is over here and court stuff is over here,' which doesn't even seem completely consistent, i'm not seeing it.

it's good art aside from a goof with annie's eyes but it doesn't really mean anything

Joe Slowboat
Nov 9, 2016

Higgledy-Piggledy Whale Statements



This is pretty but the frames being mostly dead space and having this many characters and depictions means that it just feels like “here’s everything that’s in motion right now” rather than “here are involved symbolic relationships.”

Also I don’t like that this makes Loup having a lovesplosion the literal final page of the volume. It means Loup really was the main character for volume 9.

Riot Bus
Jan 8, 2020
It amuses me that all of the characters in the outer panels are wearing robes except for Zimmy and Gamma who are just dressed normally.

YaketySass
Jan 15, 2019

Blind Idiot Dog

Joe Slowboat posted:

This is pretty but the frames being mostly dead space and having this many characters and depictions means that it just feels like “here’s everything that’s in motion right now” rather than “here are involved symbolic relationships.”

Also I don’t like that this makes Loup having a lovesplosion the literal final page of the volume. It means Loup really was the main character for volume 9.

also he's holding Lana on this page, great stuff

Worthleast
Nov 25, 2012

Possibly the only speedboat jumps I've planned

It's absolutely meant to be the ceiling of the Sistine Chapel.

Looking forward to post-apocalyptic Tea tomorrow.

Splicer
Oct 16, 2006

from hell's heart I cast at thee
🧙🐀🧹🌙🪄🐸

Worthleast posted:

Looking forward to post-apocalyptic Tea tomorrow.
Isn't that just Britain now

Coxswain Balls
Jun 4, 2001

Where is City Face

Fragrag
Aug 3, 2007
The Worst Admin Ever bashes You in the head with his banhammer. It is smashed into the body, an unrecognizable mass! You have been struck down.
City Face transcends the Court and Forest. City Face was, is and always will be City Face.

Splicer
Oct 16, 2006

from hell's heart I cast at thee
🧙🐀🧹🌙🪄🐸

Coxswain Balls posted:

Where is City Face
He ate a weird bagel and turned into that court spirit thing.

pik_d
Feb 24, 2006

follow the white dove





TRP Post of the Month October 2021

Coxswain Balls posted:

Where is City Face

He lives on in my avatar

Kesper North
Nov 3, 2011

EMERGENCY POWER TO PARTY

Worthleast posted:

It's absolutely meant to be the ceiling of the Sistine Chapel.

Looking forward to post-apocalyptic Tea tomorrow.

Maybe it's not post-apocalyptic. Maybe it's the world after humanity leaves via the Star Ocean

Tiny Myers
Jul 29, 2021

say hello to my little friend


Coxswain Balls posted:

Where is City Face

the Court needed a source of power for the Star Ocean...

:ohdear:

Adbot
ADBOT LOVES YOU

Darth TNT
Sep 20, 2013

Coxswain Balls posted:

Where is City Face

Kat turned him into a Tic-Toc.

  • 1
  • 2
  • 3
  • 4
  • 5
  • Post
  • Reply