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Arc Hammer
Mar 4, 2013

Got any deathsticks?
Lately my irritation has moved on from dumb cameos in Solo and Rogue One and more into the realm of every single Clone Wars character Filoni has ever touched finding their way into current star wars TV shows decades after the character sshould have retired. It was silly back in the old EU and it's silly now and it actively harms Mando S2 and Book of Boba Fett. Yeah Cad Bane was awesome to see in live action but he's really got nothing to do with the story they failed to tell besides being a surprise final boss fight.

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StashAugustine
Mar 24, 2013

Do not trust in hope- it will betray you! Only faith and hatred sustain.

Wasn't the Dr. Evazan cameo in R1 the result of a subplot that got entirely excised from the movie in rewrites

Jose Oquendo
Jun 20, 2004

Star Trek: The Motion Picture is a boring movie

Arc Hammer posted:

Lately my irritation has moved on from dumb cameos in Solo and Rogue One and more into the realm of every single Clone Wars character Filoni has ever touched finding their way into current star wars TV shows decades after the character sshould have retired. It was silly back in the old EU and it's silly now and it actively harms Mando S2 and Book of Boba Fett. Yeah Cad Bane was awesome to see in live action but he's really got nothing to do with the story they failed to tell besides being a surprise final boss fight.

This is going to venture into hot take territory but I think all the Filoni SW cartoons are trash and I hate that he's wormed his way into just bringing his cartoon poo poo to live action shows and ruining them.

DJ_Mindboggler
Nov 21, 2013

Hyrax Attack! posted:

Would be interested to hear your reasons for thinking Solo is superior. I thought Solo was a waste with a poorly cast lead, a plot checking boxes for how he acquired his name/allies/ship, and as others have observed the character is behaving wildly different than the immoral opportunist he was at the start of new hope. One of the most interesting parts of his background as an imperial is barely covered with deleted scenes and slapstick, and Donald Glover is good but can’t carry it alone.

To be fair I liked the train scene.

I'm really put off by the first part of R1, it's even more of a mess than Solo's bloated middle section imo. I actually liked the lead, and was shocked he did "immature Han Solo" way better than Glover's young Lando (which prior to release I had been really looking forward to). Han starts as naive and caring, I thought "guy becomes hardened and jaded by everyone he cares about betraying him" was an interesting character arc.

One complaint I saw with Andor was the lack of prominent aliens, Solo nailed it with both Rio and especially Chewbacca feeling like serious characters with their own motivations. Chewie/Han chemistry was really good, and a highlight of the film for me.

I agree that that there could have been more time spent fleshing out Solo's time as an imperial grunt, but it's better than Jyn's backstory, which is told entirely through exposition (outside of the quite good opening scene). Like, you're a thief who was raised by an extremist Rebel cell, that's an interesting backstory. Too bad we see none of that.

The train robbery is a fantastic set piece, better than a lot of the end of R1 imo (I'm a sucker for music with chanting, the robbery track "Marauders Arrive" was excellent in context).

The Han "Solo" name scene and the Darth Maul scene were laughable, no defending those.

Ultimately it's pure personal preference, I'd give R1 a 7 and Solo a 7.5.

Owlbear Camus
Jan 3, 2013

Maybe this guy that flies is just sort of passing through, you know?



Jose Oquendo posted:

This is going to venture into hot take territory but I think all the Filoni SW cartoons are trash and I hate that he's wormed his way into just bringing his cartoon poo poo to live action shows and ruining them.

Ahsoka works alright in live action and I could see Hera being okay with decent writing and with a good performance, but I am singularly uninterested in Ezras time travel space whale blue man group bullshit which is unfortunately the thread that he's desperate to resolve by introducing these characters.

Hell, I'm way more interested in the Dr. Aphra-verse making the live action jump.



RE: Solo I share a lot of complaints. I'd add that ending with him being a guy that sacrifices a payday to help the incipient Rebellion is injurious to his Star Wars 77 journey where he starts out as an amoral mercenary and sacrifices getting clear with his payday to turn the ship around and help the imperiled Rebellion. I don't know how I'd re-write it. Hell, make Enfys Nest sympathetic in some other way besides literally fighting the Empire.

Owlbear Camus fucked around with this message at 00:10 on Dec 1, 2022

Narsham
Jun 5, 2008

Rochallor posted:

This is by far the biggest problem with Rogue One. Once it finally settles down it's really quite good, but the first hour is an absolute loving mess.

There is still some excellent writing in it: Krennic is maybe the best villain the series has ever produced and digital Tarkin's line, "We need a statement, not a manifesto" is Andor-tier dialogue, but before that we have to jump between like six different planets.

Vader is good to great, and I love the implicit relationship between him and Tarkin, where they don't have a scene together but you still get a strong sense of how well they work together.

There's a focus on character you don't see as much elsewhere, perhaps because all the new characters have to have their entire arcs in this one movie. And I think that, like most of the good post-Lucas content, it makes you rethink certain elements of the original films. In particular, you can ask why the Death Star doesn't have at least a small fleet escorting it; Rogue One makes it clear that's a political and power decision in the same way you see Krennic and Tarkin trying to hold political control over the Death Star itself; if Tarkin had allowed an accompanying fleet, Vader would have been in command, but with Vader as a passenger on the Death Star he's effectively a subordinate.

theflyingexecutive
Apr 22, 2007

Panzeh posted:

Rogue One was rewritten a lot but i don't know if the first half, even the old first half was really worth saving- it just doesn't work so well, it would have served the film to just be an action-adventure piece with the characters in place rather than the weird checkboxes of making sure everyone had their arc.

It was weird when they switched Jyn from being a fugitive from the Rebellion to being a fugitive from the Empire, especially because they kept the line of the Rebel Officer dressing her down for all her crimes. Isn't doing crimes against the Empire a good thing? Watching Rogue One after Andor makes it feel like watching the last episode of each arc, where you're told by the music and performances that you're supposed to feel things about various characters' sacrifices, but you don't really have enough context to do so.

Gilroy definitely made the best of a bad situation; there's only so much of a $250m movie you can reshoot. Solo was half pandering callbacks to the OT and half transparently laying the foundation for the Han Solo Cinematic Universe to the detriment of telling a compelling story. It's a shame Disney got cold feet about Lord and Miller telling a breezy and fun Han Solo origin story, so it was kinda fun watching them eat poo poo at the box office.

Rochallor
Apr 23, 2010

ふっっっっっっっっっっっっck

Owlbear Camus posted:

Ahsoka works alright in live action and I could see Hera being okay with decent writing and with a good performance, but I am singularly uninterested in Ezras time travel space whale blue man group bullshit which is unfortunately the thread that he's desperate to resolve by introducing these characters.

Hell, I'm way more interested in the Dr. Aphra-verse making the live action jump.

I really didn't like the live action Ahsoka, I don't like the actor but the costume looks bad, like Halloween costume bad. I don't think it's just a live action thing either, since Shaaki Ti looks alright in the prequels. There's just something off about it. I'm in agreement that you should keep the cartoon characters to a minimum. Cad Bane looked neat, I guess, but it was awful having to pretend he was Boba Fett's long-anticipated nemesis.

I love Dr. Aphra, but there’s no way they wouldn't screw her up on the screen, let's be real.

Servetus
Apr 1, 2010

Hyrax Attack! posted:

What were your guesses about what they were building in the prison? At first I thought it was K2S0’s model and Cassian would reprogram one for an escape, then I thought they were probe droids, then during the reveal before the camera zoomed out thought they were TIE cockpits.

I thought it might be a component of either an AT-ST, or a small Turbolaser mount. It looked like there could be powered joints to allow what was on top to both rotate and tilt. Just a simple piece of war materiel that the empire needs loads of.

No Mods No Masters
Oct 3, 2004

Probably star wars is a better setting the less everything revolves around thos death stars. The end credits scene isn't a mortal sin for the show or anything but I do kind of hate it

Owlbear Camus
Jan 3, 2013

Maybe this guy that flies is just sort of passing through, you know?



No Mods No Masters posted:

Probably star wars is a better setting the less everything revolves around thos death stars. The end credits scene isn't a mortal sin for the show or anything but I do kind of hate it

Gilroy's probably a little too diplomatic to admit it, but I wonder if that's the one studio note he had to shut up and take.

It really doesn't seem like a "post credit cookie" kind of show, and one can imagine the thought process of "fine, I'll give them this to get my way in everything else. It's after the credits so it's not really part of the vision."

theflyingexecutive
Apr 22, 2007

Man I have beyond zero interest in seeing any more cartoon characters appear in future live-action bits. You'd be intentionally hamstringing future projects with all the baggage of a character's plot lines from kids' cartoons, which definitely seems like a step backwards from what Andor is doing.

I was convinced (trolled?) into watching some of Rebels and boy howdy 90s me would have eaten that poo poo up, but definitely not now.

mdemone
Mar 14, 2001

Owlbear Camus posted:

Gilroy's probably a little too diplomatic to admit it, but I wonder if that's the one studio note he had to shut up and take.

It really doesn't seem like a "post credit cookie" kind of show, and one can imagine the thought process of "fine, I'll give them this to get my way in everything else. It's after the credits so it's not really part of the vision."

It was completely obvious what they were making from the beginning of the prison arc. I don't know how much harder they could have said "slave labor building individual components to something enormous" when the show is famously set a few years before Yavin.

Cheesus
Oct 17, 2002

Let us retract the foreskin of ignorance and apply the wirebrush of enlightenment.
Yam Slacker

Owlbear Camus posted:

It really doesn't seem like a "post credit cookie" kind of show, and one can imagine the thought process of "fine, I'll give them this to get my way in everything else. It's after the credits so it's not really part of the vision."
If Gilroy really did think out everything as Luna said, surely he thought out what the prisoners were building.

It also sounds like he feels strongly about the show leading into Rogue One, so why not connect the Death Star to it?

I thought it was neat to see the explaination for what the prisoners were building and the foreboding of what's to come, especially from the "blind" Death Star that we see finally completed and activated in RO.

No Mods No Masters
Oct 3, 2004

The empire builds a lot of enormous mechanical things in a big loving galaxy. It wasn't obvious unless you have star wars brain

Burning_Monk
Jan 11, 2005
Mad, Bad, and Dangerous to know
Narratively it made the most sense.

Mulva
Sep 13, 2011
It's about time for my once per decade ban for being a consistently terrible poster.
Fascism tries to make you complicit in your own destruction. This is just making the metaphorical actual, and also giving a little more weight to their break out. Everything matters. Every little bit of rebellion, big or small, is a step towards freedom. If that work camp didn't break free could the Death Star have been finished even slightly faster? Because it's a question of days, if everything didn't come together just how it did it might never have worked out in the end.

Doctor Spaceman
Jul 6, 2010

"Everyone's entitled to their point of view, but that's seriously a weird one."
At first I thought we were never going to find out what they were making but when Andor said "Whatever we're making here, it's clearly something they need." it pretty much had to the be the Death Star.

2house2fly
Nov 14, 2012

You did a super job wrapping things up! And I'm not just saying that because I have to!

Mulva posted:

Fascism tries to make you complicit in your own destruction. This is just making the metaphorical actual, and also giving a little more weight to their break out. Everything matters. Every little bit of rebellion, big or small, is a step towards freedom. If that work camp didn't break free could the Death Star have been finished even slightly faster? Because it's a question of days, if everything didn't come together just how it did it might never have worked out in the end.
yeah even in the original movie they only really stand a chance against the Death Star because it's only just ready to go


theflyingexecutive posted:

It was weird when they switched Jyn from being a fugitive from the Rebellion to being a fugitive from the Empire, especially because they kept the line of the Rebel Officer dressing her down for all her crimes. Isn't doing crimes against the Empire a good thing?

He doesn't dress her down, he recites a list of reasons why the Empire is mad at her and then says "but if they knew your real name they'd get REALLY mad". Carrot and stick: we could expose you to the Empire but we haven't... yet.

karmicknight
Aug 21, 2011

No Mods No Masters posted:

The empire builds a lot of enormous mechanical things in a big loving galaxy. It wasn't obvious unless you have star wars brain

Star Wars brain aka knowing basic facts about where the main character of the show ends up.

No Mods No Masters
Oct 3, 2004

karmicknight posted:

Star Wars brain aka knowing basic facts about where the main character of the show ends up.

Yeah, thinking that because he died on a mission related to the death star, a random prison he got sent to 5 years before that had to be related to it also is pretty textbook star wars brain

Fighting Trousers
May 17, 2011

Does this excite you, girl?
Or just dramatic irony.

Butterfly Valley
Apr 19, 2007

I am a spectacularly bad poster and everyone in the Schadenfreude thread hates my guts.

No Mods No Masters posted:

Yeah, thinking that because he died on a mission related to the death star, a random prison he got sent to 5 years before that had to be related to it also is pretty textbook star wars brain

My poster have you heard of dramatic irony

E: beaten

Vinylshadow
Mar 20, 2017

Speaking of irony...

https://twitter.com/starwars/status/1598123950428409856

No Mods No Masters
Oct 3, 2004

For me one of andor's big successes was making the universe feel big again, like there were places and events that mattered that weren't connected just so to things we've seen already. I think the end credits scene pulls it back in the other direction somewhat, not fatally but more than I'd like.

Acting like "dramatic irony" is a defense in and of itself doesn't get very far. For example if having dramatic irony is good in and of itself, you might end having to go to bat for utter poo poo like the obi wan show a lot more than you probably want to. Because that show was full of it, used terribly

No Mods No Masters fucked around with this message at 02:28 on Dec 1, 2022

Sash!
Mar 16, 2001


The Star Destroyer forcing itself through the nebula in Solo is one of my favorite visuals

Arc Hammer
Mar 4, 2013

Got any deathsticks?
Nemik's manifesto is basically the perfect argument for telling new stories with new people rather than relying on callbacks.
https://www.youtube.com/watch?v=xaSagLYg7Bw

Random acts of insurrection, whole armies, batallions, that have no idea that they've already enlisted in the cause.

Rebellion can come from anywhere, and so can the stories star wars tells. It's a big galaxy. Make it bigger, disney. There's more than just Jedi and death stars.

No Mods No Masters
Oct 3, 2004

Star wars prequels as a whole have just abused dramatic irony nearly to the point of death. Personally I would say make things that are good on their own merits like this show for a few years before even attempting that device again, maybe by then it can feel earned again

Mr. Grapes!
Feb 12, 2007
Mr. who?
Andor seemed like they finally understood that one of the reasons people liked Star Wars 1977 is that it showed them NEW THINGS and that was cool.

I was happy to finally see a planet that wasn't Tattooine. It was bizarre that we've been re-doing Tattooine and the Death Star over and over and over again instead of just going loving bonkers and using their unlimited CGI budgets to just put us on other planets like why can't we have a show on the fungus planet that we see some Jedi get murdered in?

I would be happy if every subsequent Star Wars show had zero characters from any other Star Wars thing. The best thing about Andor was that I could finally relax and watch the show and not have to anticipate recoiling and barfing in my mouth a bit when they bring in Glorp Shitto from whatever lame cartoon she was in.

If there's an origin story I'm interested in, it is Jabba the Hutt. How does a slimy slug man come to live on a desert planet? The sand gets everywhere!

No Mods No Masters
Oct 3, 2004

Sorry to keep posting about this but now that I'm chewing on it, I've come to the bad realization that "woaaah man everything is like, connected to the death star" was literally where episode 3 saw fit to leave off 17 years ago. I feel like whether you like the prequels or not that should be a little troubling, especially if you would say one of the good things about this show was bringing in new things

mllaneza
Apr 28, 2007

Veteran, Bermuda Triangle Expeditionary Force, 1993-1952




Mr. Grapes! posted:

I was happy to finally see a planet that wasn't Tattooine. It was bizarre that we've been re-doing Tattooine and the Death Star over and over and over again instead of just going loving bonkers and using their unlimited CGI budgets to just put us on other planets like why can't we have a show on the fungus planet that we see some Jedi get murdered in?
everywhere!

Mandalorian had some variety and I think the show benefited from it. I especially liked the ringworld they showed in S2, that's a very sci fi concept and it looked great.

Hirsute
May 4, 2007

No Mods No Masters posted:

For me one of andor's big successes was making the universe feel big again, like there were places and events that mattered that weren't connected just so to things we've seen already. I think the end credits scene pulls it back in the other direction somewhat, not fatally but more than I'd like.

Acting like "dramatic irony" is a defense in and of itself doesn't get very far. For example if having dramatic irony is good in and of itself, you might end having to go to bat for utter poo poo like the obi wan show a lot more than you probably want to. Because that show was full of it, used terribly

I actually liked how they linked Andor to the Death Star, showing how he was a tiny part of this massive effort the Empire was making to construct a superweapon. It makes the premise of the Death Star a little more realistic to me by showing the actual logistics involved. Like of course the Empire would be using prison labor for it, and throwing people in prison for nothing to provide a steady supply of labor. Andor is just one of who knows how many millions of people involved in a galaxy-wide Manhattan Project essentially

No Mods No Masters
Oct 3, 2004

Hirsute posted:

I actually liked how they linked Andor to the Death Star, showing how he was a tiny part of this massive effort the Empire was making to construct a superweapon. It makes the premise of the Death Star a little more realistic to me by showing the actual logistics involved. Like of course the Empire would be using prison labor for it, and throwing people in prison for nothing to provide a steady supply of labor. Andor is just one of who knows how many millions of people involved in a galaxy-wide Manhattan Project essentially

I do kind of like some of that too. I guess I'm not a fan of going there at all, but if we really have to, they did show the labor involved in the construction in a fairly fresh and intelligence respecting way, and the visuals of the assembly in space I also find pretty cool. That did feel like a refinement from the equivalent stuff in revenge of the sith, at least, I guess

well why not
Feb 10, 2009




I hope a Jedi shows up in S2 (dead, after being hanged by rebels)

Love Rat
Jan 15, 2008

I've made a psycho call to the woman I love, I've kicked a dog to death, and now I'm going to pepper spray an acquaintance. Something... I mean, what's happened to me?

Rochallor posted:

This is by far the biggest problem with Rogue One. Once it finally settles down it's really quite good, but the first hour is an absolute loving mess.

There is still some excellent writing in it: Krennic is maybe the best villain the series has ever produced and digital Tarkin's line, "We need a statement, not a manifesto" is Andor-tier dialogue, but before that we have to jump between like six different planets.

I didn't find it messy so much as jumpy. It all coheres perfectly fine, it just moves too quickly and doesn't do a great job establishing characters. The overall story arc is perfectly fine.

And even with those flaws, I still think it's better than just about any movie outside the OT. It just is, on technical merit alone.

Love Rat fucked around with this message at 04:34 on Dec 1, 2022

Love Rat
Jan 15, 2008

I've made a psycho call to the woman I love, I've kicked a dog to death, and now I'm going to pepper spray an acquaintance. Something... I mean, what's happened to me?

No Mods No Masters posted:

Sorry to keep posting about this but now that I'm chewing on it, I've come to the bad realization that "woaaah man everything is like, connected to the death star" was literally where episode 3 saw fit to leave off 17 years ago. I feel like whether you like the prequels or not that should be a little troubling, especially if you would say one of the good things about this show was bringing in new things

Andor's fate is tied to the Death Star. Since all this is a prelude to Rogue One and much of season 2 will involve the Death Star, it kind of makes sense. Sure, the parts didn't have to be Death Star parts, but if referencing the Death Star is a serious issue for someone they're gonna have have a real problem with season 2.

Arc Hammer
Mar 4, 2013

Got any deathsticks?

well why not posted:

I hope a Jedi shows up in S2 (dead, after being hanged by rebels)

But not like an actual neck snap hanging. Just a dumb "hang him from cables" execution like thar weak poo poo in Kenobi.

No Mods No Masters
Oct 3, 2004

I don't deny when you drill all the way down my core issue is I really wish this wasn't a prequel. I'm certainly not crazy about the idea that season 2 has to take us up to the second rogue one starts.

I should probably just be satisfied that they managed an entire season of andor not being Dramatically Ironically Fated Death Star Guy under that constraint, minus 30 bad seconds

No Mods No Masters fucked around with this message at 05:06 on Dec 1, 2022

apatheticman
May 13, 2003

Wedge Regret
I forget where I heard it but it resonated.

Andor is the first confident (live action?) Star Wars since the original trilogy.

Everything else has blatant call backs in an attempt be like "pwease like me I did a good job it has the thing you want".

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Sash!
Mar 16, 2001


I still like the Mandalorian better.

In a lot of ways, it captures the Star Wars energy in a way that's more fun. It is an adventure story about a dude on adventures, getting into trouble and making friends along the way. It could have been a saturday afternoon serial.

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