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Eiba
Jul 26, 2007


Open Source Idiom posted:

Eh, didn't they both just spend a generation of life in cryosleep? Seems like being told you'll die in a century and a half is more meaningful when it's common to spend decades napping.

Both characters looked about the same age tbh, so it could be relatively soon for them. Something that could happen (or almost happen) at the end of this season, maybe the next.
Well, yeah. It makes enough sense to the viewer in context, but I still thought it was funny since it was presented as such a big dramatic twist but it is just the furthest thing from an immediate issue imaginable since it happens in 150 years.

stephenthinkpad posted:

No that's the best part.
I will say, I can respect that it would be really funny from a nihilistic "this show sucks and I wish something would happen" perspective, but I had actually been feeling happy with how nuanced and compelling the politics had been in the immediately preceding board room scene.

Though personally I will never respect the move of building up a character as unlikable/annoying to make their death less sympathetic. It reminded me of a random character in Star Trek Discovery who was really obnoxiously patronizing to the main character and then got comically killed by an asteroid before the end of the episode. And all the characters were treating it with the weight of a colleague dying, but the audience was clearly supposed to be satisfied at this rude guy loving dying.

Unless we're talking literal Nazis getting their faces melted off, I really do not appreciate that dehumanizing move being pulled for people we just kind of vaguely disapprove of. Personal hangup of mine.

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Mokotow
Apr 16, 2012

I thought I heard it in the episode and wasn’t sure, so I went back and checked… The Cleric says he’s the only one alive who has seen the previous Vault opening with Seldon, and if you go back, he’s actually there as a kid in season 1, which makes him 150 years old. They never mention people living that long anywhere, do they? He doesn’t look a day over 60 anyhow.

wode
Dec 8, 2015
It's Claric, and one assumes a combo of Foundation tech and cryosleep during long journeys of proselytization

LinkesAuge
Sep 7, 2011

Eiba posted:

Nah. Introducing him earlier makes sense considering this story is way more serialized and interconnected than the books. If he's gonna be a huge villain of a continuous story it doesn't work as well to have him just pop up in the last third.

This version also doesn't look goofy. That's a weird interpretation. He's a generic tough guy, sure, but that's okay. The audience was shown a big scary violent guy with psychic powers killing everyone. That's fine? It's effective for what it is. Book readers know that there's a lot more going on with him- there's a reason he hates people, and he's somehow putting on a deceptive front. Even in the books we were introduced to the concept of the Mule as a warlord and eventually learned there was more nuance to it. I don't know why introducing him as a warlord in this show is a red flag or bad or anything.

Of all the legitimate issues with this show, this doesn't really rank in my mind. They're doing it differently and that's fine.

Or at least the narrative implications are fine. The psychic visions of the future are what's kind of silly.

I also laughed at the shocking revelation at the end of the episode: "In 150 years... you will die!" Like, drat, that's a pretty god run. I'd be pretty happy if someone told me that.

I explicitly said the problem is that there was no setup, no introduction, not that he was introduced too early and I stand with my comment on him looking goofy. He literally looked like a satirical version of a "scifi villain" including Mad Max armor, hand gun etc. He wouldn't look out of place in some C-tier SciFi movie.
That isn't helped by the fact that he is chasing our protagonist alone on foot for some reason, acting more like a henchman than a big bad (that whole scene was awkward and just poor "action"), it's just one cliche after another.

And again to repeat my issue here: The audience knows nothing about him except that he is "bad". There is no context to his role in the story, that he even is supposed to be a warlord (a warlord of what?`what faction? why is there a warlord etc.), what "power" he actually has (but let's just throw in the concept of mentalist and not bother in setting that up), WHY he is "bad", what he does etc.
He is literally just a generic bad guy whose name even has to be told through pure exposition, we don't even get his name organically. So that whole scene isn't even really an introduction to the Mule, it's more of an exposition dump because the whole scene with him only serves as macguffin to get their version of the Second Foundation plotline going including their "time skip" shenanigans. So not only is the "introduction" of the Mule wasted, they also hardly manage to properly setup the Second Foundation which is also just treated as a story macguffin. The Second Foundation is important because the exposition says so, not because it's in any way or shape explored.
Also note that the big "oh no!" moment wasn't the Mule or the Second Foundation, it's that Salvor is dead. So the story doesn't even give these two central elements enough attention, it's suddenly about "how did Salvor end up dead there". The way the Second Foundation is treated is also a big disappointment. If you wanted to have a big mystery/twist, the Second Foundation could have been that but it looks like they need the Second Foundation to keep Gael/Salvor relevant/busy which is a shame.

That's also another problem I have with this whole scene. Gael (or Salvor) meeting the Mule isn't earned (yet). The audience has no context for the Mule and the characters don't even have any relationship with him so you are wasting his introduction because there has been no setup, the stakes aren't clear. The villain meeting the protagonists should always be a big moment in your story but here the Mule is only part of a flashforward that is too short to actually build him up as proper villain and too long for him being just a mysterious/distant threat.
In this case NOT naming him at all would have actually been the better choice. Introduce the vague threat of someone, even obscure "our" view of him and make him a mystery for the time being (even the "fake" Mule version). Focus on exploring the powers Gael/Salvor have and what they mean for their "plan", what the Second Foundation is and what role it has to play and develop the First Foundation INCLUDING the upcoming conflict because within that the Mule can naturally be introduced, that's where the audience should meet him first, not directly through our protagonists. That way you tease this new threat and when they actually meet it has some weight (no matter which version of the Mule).

Though all the issues stem from the fact that we have two "useless" protagonists that are disconnected from the rest of the story and a lot of plot padding has to happen due to that. It's obvious that both of them will be integrated within the Second Foundation part of the story but I already dread that. Not only because both are the worst part of the show but because their characters and how the story treats them conflict with the whole idea of the (Second) Foundation.
Having said that the way Seldon's plan is depicted is also a complete mess by this point and I doubt that the core premise of the (original) story is even clear to the audience. The show already treats everything as if it would depend on individual actions and that its part of some kind of magic mathematical prophecy and the whole societal development angle gets lost in this, it's all about the actions of Seldon himself, Gael and Salvor and thus undermining a big part of the core concept before it could even develop within the story (you also lose something in regards to the psychohistory as "religion" angle and the irony in there if the story treats these predictions as godlike prophecies including "chosen ones").
Even how they present things going wrong feels more "multiverse"/different timeline-shenanigans than what the real idea behind "psychohistory" was (and you have to properly establish what psychohistory in its essence is before you can subvert it later, the way they portray it currently the Mule won't stand out from any other "random" event/character).

sure okay
Apr 7, 2006





I never read the books and I don't know who this Mule guy is but his show representation is goofy as gently caress with his dumb Dr Robotnik glasses and Iron Man blaster that doesn't even kill when hitting the target.

"But he didn't want to kill he wanted info" well the show says he failed there too. Also we didn't see him kill anyone just a bunch of Terminator walking.

This show has a blank check budget it doesn't know what to do with, and I think as a metacommentary about how Apple is sort of sighing dejectedly going, "I think we made too much money" is way more interesting than the show itself.

Multi-Cleon is still a fun ride but LOL at that dinner party laying it all out. Nu-Cleopatra is basically the audience pointing out all the massive holes in all of Empire's plans (or divergence from plans). What IS Brother Dawn gonna do exactly? Twitch stream? Maybe shoulda thought of that beforehand?

Mokotow
Apr 16, 2012

sure okay posted:

I never read the books and I don't know who this Mule guy is but his show representation is goofy as gently caress with his dumb Dr Robotnik glasses and Iron Man blaster that doesn't even kill when hitting the target.

"But he didn't want to kill he wanted info" well the show says he failed there too. Also we didn't see him kill anyone just a bunch of Terminator walking.

This show has a blank check budget it doesn't know what to do with, and I think as a metacommentary about how Apple is sort of sighing dejectedly going, "I think we made too much money" is way more interesting than the show itself.

Multi-Cleon is still a fun ride but LOL at that dinner party laying it all out. Nu-Cleopatra is basically the audience pointing out all the massive holes in all of Empire's plans (or divergence from plans). What IS Brother Dawn gonna do exactly? Twitch stream? Maybe shoulda thought of that beforehand?

Hard to talk about this without spoilers but you shouldn’t really (light spoiler) read too much into how the Mule looks.

Kill All Cops
Apr 11, 2007


Pacheco de Chocobo



Hell Gem

sure okay posted:

This show has a blank check budget it doesn't know what to do with, and I think as a metacommentary about how Apple is sort of sighing dejectedly going, "I think we made too much money" is way more interesting than the show itself.

The latest ep of VFX artist reacts is with Foundation VFX supervisors and its very precisely not a blank check budget show that makes some scenes look goofy as gently caress. That said, it really doesn't excuse the writing

theblackw0lf
Apr 15, 2003

"...creating a vision of the sort of society you want to have in miniature"
I swear half this show is some of the best sci-fi I’ve experienced in a long loving time; and the other is pretty mind numbingly boring.

To the shows credit though the best parts of the show are completely made up for the show.

Tiggum
Oct 24, 2007

Your life and your quest end here.


Eiba posted:

This version also doesn't look goofy.

He definitely does. He wouldn't look out of place in something like Farscape, but here he looks ridiculous.

Tiggum fucked around with this message at 04:10 on Jul 23, 2023

Open Source Idiom
Jan 4, 2013

Tiggum posted:

He definitely does. Be wouldn't look out of place in something like Farscape, but here he looks ridiculous.

The Monks vs Cowboys material was the most Farscape thing I've seen since Farscape IMO

Penitent
Jul 8, 2005

The Lemonade Man Can
Wait, when did Gaal trap Seldon's consciousness in the Prime Radiant? Was that shown in happening in Season 1?

Also, Gaal can suddenly quantum leap her consciousness into the future?? Is that in the books??

This show serves all over the road at times.

edit: Removed show spoiler tags

Penitent fucked around with this message at 04:20 on Jul 23, 2023

Open Source Idiom
Jan 4, 2013

Penitent posted:

Wait, when did Gaal trap Seldon's consciousness in the Prime Radiant? Was that shown in happening in Season 1?

Also, Gaal can suddenly quantum leap her consciousness into the future?? Is that in the books??

This show serves all over the road at times.

Word to the wise, if it's aired then it's not a spoiler. Sort of makes it confusing to separate all the book chat (which people are avoiding) from show chat.

In terms of your first question though, when Gaal overrode Hari's control of her ship last season she effectively trapped him for hundreds of years. It happened in the last third of the season, but I can't remember which specific episode.

He was always in the cube, I think. She just made it so he couldn't control the rest of the ship for a (long) while, with unintended knock on effects.

Tiggum
Oct 24, 2007

Your life and your quest end here.


Penitent posted:

Is that in the books??
Safe bet that nothing happening in the show this season is from the books, I reckon.

stephenthinkpad
Jan 2, 2020
So Seldon is an immortal consciousness indistinguishable from an AI? Why does he care about being trapped for a few years? Time has no meaning to him.

Open Source Idiom
Jan 4, 2013
I guess because time does have meaning for him?

I dunno why you'd assume it doesn't tbh. It's not like this is real science any more than Black Mirror is.

Boris Galerkin
Dec 17, 2011

I don't understand why I can't harass people online. Seriously, somebody please explain why I shouldn't be allowed to stalk others on social media!

Penitent posted:

Wait, when did Gaal trap Seldon's consciousness in the Prime Radiant? Was that shown in happening in Season 1?

I asked this after the first episode and the people itt were just as confused as I/you are.

Boris Galerkin
Dec 17, 2011

I don't understand why I can't harass people online. Seriously, somebody please explain why I shouldn't be allowed to stalk others on social media!

stephenthinkpad posted:

So Seldon is an immortal consciousness indistinguishable from an AI? Why does he care about being trapped for a few years? Time has no meaning to him.

There was a Black Mirror episode about this.

Solitary confinement is legit torture.

stephenthinkpad
Jan 2, 2020

Boris Galerkin posted:

There was a Black Mirror episode about this.

Solitary confinement is legit torture.

Good cyberpunk stuff that talks about using machines to emulate a conscious pay attention to the computer and the energy required to run the emulation. It uses a poo poo tons of energy. So if your copy is inside a machine, there should be an option to let the machine use much less cpu which to the emulated conscious feels like pressing the fast forward button and letting time go by 10x to 100000x faster.

It's just like the idea of making a machine feeling physical pain, yes you can design a machine to do that but you would have to go out of your way to mimic this human feeling.

Snowmanatee
Jun 6, 2003

Stereoscopic Suffocation!

Tiggum posted:

Safe bet that nothing happening in the show this season is from the books, I reckon.

Yes. If it's not clear to viewers who haven't read the books, this isn't an adaptation like Dune or early GoT or LotR where exact scenes from the original are recreated, maybe even with the same dialogue. It's more of a complete reimagining, where general plot arcs and character names were taken, but the actual content of the original work was completely thrown out.

Mokotow
Apr 16, 2012

I mean that’s fine in essence, but as it stands, two out of three of the plots are a bit poo poo.

Snowmanatee
Jun 6, 2003

Stereoscopic Suffocation!
The good one is the one they invented 100% for the show, which is a bit baffling. Like grappling with adapting the Foundation IP is poisoning their critical thinking and writing talent, but when the writer’s room is allowed to be wholly original they thrive.

Mr. Apollo
Nov 8, 2000

How did Demerzel know that the knife Cleon was slashed with had poison in it?

theblackw0lf
Apr 15, 2003

"...creating a vision of the sort of society you want to have in miniature"
When I started the show I was hopeful that it would explore systemic reasons why empires fall. Sadly that’s not the case. I was wondering though how much the actual books explore it.

Zlodo
Nov 25, 2006

Caros posted:

Sadly, I'm sure you're right.

Theory edit: So Demerzel was likely behind the murder attempt, yeah? Keep him from destroying the dynasty with the whole 'kids' idea? She'd be someone in a position to do all of that, she was the one to initiate the sexual relationship which gave her the oppertunity. There is the issue of her keeping him alive once he was wounded, but that could just be an rear end covering once it was clear that the plot had failed.

Even the whole. 'Look at me' moments before he was expected to be murdered screams of her feeling bad about it.


if it was that she could just have snapped his neck while they were loving and thawed a fresh cleon and noone would be the wiser

anyway I forgot about how "maths = space magic" in this dumb show, it's almost as "so bad its good" as raised by wolves at this point :allears:

Snowmanatee
Jun 6, 2003

Stereoscopic Suffocation!

theblackw0lf posted:

When I started the show I was hopeful that it would explore systemic reasons why empires fall. Sadly that’s not the case. I was wondering though how much the actual books explore it.

Not really, no. The book positions it as just like an inevitable rule of nature that all empires fall into complacency/stagnation, without getting into details. I also really want to get into the weeds on the logistics of the empire, and why/how it's shrinking. The throwaway line that it's 4x smaller than it was at the peak during the reign of the Empress in the mural was tantalizing. Unfortunately the show doesn't seem interested in exploring that either.

Mr. Apollo posted:

How did Demerzel know that the knife Cleon was slashed with had poison in it?

Android vision/sensors is the simple answer. But there's also the possibility she hired the assassins, and there's an internal conflict playing out against her programming where she's simultaneously trying to kill Cleons/Empire while unable to stop herself from protecting them.

Open Source Idiom
Jan 4, 2013
I also think it's Demezel, but it's a play to put distance between Empire and Dominion. She wants to scupper the marriage, either out of love for Empire or jealousy or control, or some mix of things. Or possibly something to do with the previous dynasty.

I also think the attempt was more important than success. If Cleon dies, he won't remember -- dead Cleons remember everything but the dying. So the near death is potentially an essential part of the ploy. Perhaps it's more motivating.

thats not candy
Mar 10, 2010

Hell Gem
i thought this episode was actually fairly decent :shobon:

mule was sufficiently silly too and the whole scene felt like 90s-00s grungy cheap scifi tv which does nice things to my brain

i think ella-rae smith was a good cast for the new queen lady

Rappaport
Oct 2, 2013

theblackw0lf posted:

When I started the show I was hopeful that it would explore systemic reasons why empires fall. Sadly that’s not the case. I was wondering though how much the actual books explore it.

According to Asimov, he was inspired by Gibbon's Decline and Fall of the Roman Empire, and while the show has a hard time reflecting it, the thesis was that (book spoilers here-on out) the fringes of the Empire would fall into decline first, and the "barbarians" would begin plundering their neighbours, while the core kept rotting and stagnating. Hence Hari Seldon and psychohistory, and the two Foundations trying to Canticle to Leibowitz civilization in the former and trying to mentally steer things in the latter case. The whole saga ends with Demerzel, or R. Daneel Olivaw, making sure humanity forms "Galaxia", which is a sort of telepathic joint organism of all of humanity, because all previous human societies failed in some way or another and R. Daneel is forced by the laws of robotics to look after humanity. Asimov hints that "Galaxia" needs to be formed because humanity has not met aliens yet, but they might, but he never got around to writing that since, you know, he died.

SCheeseman
Apr 23, 2003

Is Planet Mexico in the book

Snowmanatee
Jun 6, 2003

Stereoscopic Suffocation!
Yeah that was actually the only scene in the series they took from the books with complete accuracy. It was uncanny seeing it brought from page to screen.

Mr.Misfit
Jan 10, 2013

The time for
SkellyBones
has come!
So if I get this correctly, they've moved the entire 2nd Foundation to another planet entirely completely missing the premise of WHY it was placed on the original world, and combined the plot of the end of the religion with the foundation war as Empire is calling Bel Riose for an ultimately futile war gesture? Also why even have Jared Harris in your show, if you're not using him other than to stand in the background and stand there, mouth closed looking on....

Also the Mule was dumb. Sorry, but a galaxy-level threat able to bend populace and military with his super-strength mind powers and he goes out by himself to kill people with guns and fists? lol.

DaveKap
Feb 5, 2006

Pickle: Inspected.



This show is the next best thing we have to silly sci-fi ever since Raised By Wolves got cancelled. Shame it's not even close, though.

I had to laugh at a couple of parts that weren't supposed to be laughed at. Specifically, when Gaal says she saw most of the galaxy had already fallen I was like "Yeah? You got all that from the 1 block of destroyed city around you? drat." And then when she told Salvor she was dead, in the future, in 150 years, in a timeline they are actively trying to change, I laughed because it didn't make sense to be episode-ending, secret-keeping dramatic about it. If those events actually happen, then you already failed a thousand other ways, I don't think it matters much that you saw her dead.

It's nice this show has more Jared Harris chewing scenery (when given the chance) than I expected it to after the first season seemed to get him for a dozen lines before shoving him off. Now that he's an immortal cyber god, I suspect we should see a lot more of him this season, right?

Hey Gaal's actress, pretend you're holding onto a spaceship control stick as your vessel is thrust up against a giant wave in the ocean!

Uhhh.... .....sure.

Open Source Idiom
Jan 4, 2013

DaveKap posted:

I had to laugh at a couple of parts that weren't supposed to be laughed at. Specifically, when Gaal says she saw most of the galaxy had already fallen I was like "Yeah? You got all that from the 1 block of destroyed city around you? drat."

She read her future self's mind.

SCheeseman
Apr 23, 2003

Open Source Idiom posted:

She read her future self's mind.

The show did a bad job communicating that. Maybe a rapid fire succession of nice matte paintings of galactic destruction rather than running around a generic destroyed city set being chased by a 1990s cyberpunk movie bad guy? They could have been a bit more abstract with the future-seeing depiction in general, going as literal as they did only made the whole sequence look incredibly cheap.

SCheeseman fucked around with this message at 09:47 on Jul 25, 2023

Phenotype
Jul 24, 2007

You must defeat Sheng Long to stand a chance.



Mr.Misfit posted:

Also the Mule was dumb. Sorry, but a galaxy-level threat able to bend populace and military with his super-strength mind powers and he goes out by himself to kill people with guns and fists? lol.

actually if you rewatch i believe you'll find that it was actually a sweet wrist launcher

Open Source Idiom posted:

She read her future self's mind.

fffff ok this makes sense but I totally didn't get that either, I thought she'd projected herself there somehow

Open Source Idiom
Jan 4, 2013
Like, it's the most insane nonsense I've seen since "change the future to save the past" or whatever, but she was talking about, essentially, time travelling by accessing the past memories of her future self. So she's technically experiencing a memory of being beaten up by the new villain, which would presumably encompass all other facts relevant to her future self's context. That memory could be all of thirty seconds old though.

theblackw0lf
Apr 15, 2003

"...creating a vision of the sort of society you want to have in miniature"
So I’m not really following why Brother day wants this marriage. 1. How does this specific alliance benefit empire? 2. How does having actual children help fix the lineage issue that has been caused by the divergence of the clones?

Phy
Jun 27, 2008



Fun Shoe
I was wondering where I knew the new Warden from, turns out the guy played Bill Tench in Mindhunter

Hi Mr McCallany, we'd like to offer you the part, you're going to be a little histrionic for most of your screen time, and then- well, do you remember the "Two Weeks" scene in Total Recall?

E: also I know this is some nitpicker's guide to star Trek poo poo but I like how the ship could self-repair a two meter hole in the pressure hull, but couldnt clear off a patch of coral the size of my noodly little forearm

Phy fucked around with this message at 21:06 on Jul 25, 2023

Eiba
Jul 26, 2007


theblackw0lf posted:

So I’m not really following why Brother day wants this marriage. 1. How does this specific alliance benefit empire? 2. How does having actual children help fix the lineage issue that has been caused by the divergence of the clones?
To be honest, I'm really not sure about this either. I'm especially confused why Dawn is even vaguely okay with this. Isn't this basically signing his death sentence? To her credit the prospective bride directly asked him about this and he evaded the question with the (legitimately funny) line that he'd be gaining a sister prompting the response "is that what it'd be?"

If I had to make a guess that ultimately made sense, I think Day is playing the Hegemony. It's already implied he killed the rest of her family in a zeppelin accident (lol), so all he needs to do is have a kid, kill her, and his kid is in charge of this Hegemony, and is presumably loyal through blood ties/indoctrination or whatever. In this case the prospective bride's awareness and cynicism about the whole deal is kind of ironic (in a good way), as she's calling out all these inconsistencies and weaknesses, but ultimately Empire still has the power to bend the situation to their will.

Or else Day has really lost it and thinks genetic dice rolls are the way forward after the two thousand year experiment of the eternal Cleon is proving to have a time limit after all. That's less interesting, and seems like an obviously bad idea, but seems to be the surface implication at the moment.

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Phenotype
Jul 24, 2007

You must defeat Sheng Long to stand a chance.



I think the idea of moving to a more traditional dynasty just means they don't have to keep pretending the original line of Cleon is still pure and unadulterated.

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