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Remulak
Jun 8, 2001
I can't count to four.
Yams Fan

Kesper North posted:

For example, he was given an undisclosed sum by James Cameron because "Avatar" and the ecology of Pandora is just a somewhat loose adaptation of Foster's 1975 novel Midworld.
First I’d heard this; did he also pay off Fred Pohl Poul Anderson for Call me Joe?

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Deptfordx
Dec 23, 2013

Looking at his bibliography and drat, you have to respect Alan Dean Fosters hustle when it comes to movie tie-ins.

I assume it's just a flat fee, I wonder how lucrative it is?

Edit: Found a fun interview

quote:

“I took it for two reasons,” says author Alan Dean Foster, about his decision to get into novelization writing, which has included everything from Star Wars: Episode IV to Terminator Salvation. “First, because I was a young writer and I needed to make a living. And because, as [a fan], I got to make my own director’s cut. I got to fix the science mistakes, I got to enlarge on the characters, if there was a scene I particularly liked, I got to do more of it, and I had an unlimited budget. So it was fun.”

Like many novelization writers, Foster is also an accomplished original fiction author, which is how he ended up falling into the movie tie-in game to begin with. The first novelization he wrote was for Luana, “basically a female Tarzan movie,” from Italy, made in 1968. Since Foster had a Master of Fine Arts in Film from UCLA, and since he had already written three original titles, his editor asked him to take a shot at doing the novelization. The request was easier said than done.

“I went down to the office of this sleazo producer who was four floors up and off Hollywood Boulevard and sat down to look at the film, which was all in Italian with no subtitles,” says Foster. “This left me in bad shape. I had no idea what to do.” Without even a script available to work from, Foster improvised, using a custom advertisement created by legendary science-fiction artist Frank Frazetta as his source material. Says Foster, “The star of the film who only appears on screen for about 10 minutes is this very little diminutive Vietnamese girl, and if you know anything about Frank Frazetta you’ll know that Frank did not paint very little diminutive Vietnamese girls. So my female Tarzan was a little bit more Tarzan-ish than in the films.”

It wouldn’t be the last time Foster encountered studio trouble while adapting a film. One infamous story involves his work on the novel for the first Alien movie. During the writing process, 20th Century Fox wouldn’t show him pictures of the alien, so Foster had to do the entire book without knowing what a Xenomorph looked like.

Deptfordx fucked around with this message at 11:43 on Oct 15, 2023

Selachian
Oct 9, 2012

Deptfordx posted:

Looking at his bibliography and drat, you have to respect Alan Dean Fosters hustle when it comes to movie tie-ins.

I assume it's just a flat fee, I wonder how lucrative it is?

Edit: Found a fun interview

ADF also wrote Splinter of the Mind's Eye, the very first Star Wars tie-in novel, in 1978. It's mostly forgettable, but it includes some romantic business for Luke and Leia that would get really awkward a couple years later.

Lex Talionis
Feb 6, 2011
I never really thought about this before but I guess before home video was common, a novelization was the only practical way to revisit the story of a movie you liked?

Since then I'm not sure there's much of a point, unless like me you were a kid who wasn't allowed to watch any movies rated higher than PG but was allowed to check out whatever he wanted from the library...

90s Cringe Rock
Nov 29, 2006
:gay:

TOOT BOOT posted:

The concept of novelizing a movie based on a written story is weird.
How many S.T.A.L.K.E.R. novels are there now? Mostly untranslated, iirc, which may be for the best.

Siivola
Dec 23, 2012

Lex Talionis posted:

I never really thought about this before but I guess before home video was common, a novelization was the only practical way to revisit the story of a movie you liked?

Since then I'm not sure there's much of a point, unless like me you were a kid who wasn't allowed to watch any movies rated higher than PG but was allowed to check out whatever he wanted from the library...

The novel can also fix a garbage movie one might for some reason want to like. Case in point, the Episode III novel rules and is all the prequel Star Wars needs. (But Clone Wars is a hood cartoon.)

Megazver
Jan 13, 2006

90s Cringe Rock posted:

How many S.T.A.L.K.E.R. novels are there now? Mostly untranslated, iirc, which may be for the best.

Around ~111 at the moment, apparently.

Chairman Capone
Dec 17, 2008

Deptfordx posted:

Looking at his bibliography and drat, you have to respect Alan Dean Fosters hustle when it comes to movie tie-ins.

I assume it's just a flat fee, I wonder how lucrative it is?

No, authors get residuals for novelizations. Foster himself was just at the center of a lawsuit against Disney by the Science Fiction Writers of America because they decided to just stop paying residuals to novelization authors after they bought Lucasfilm and 20th Century Fox.

https://www.sfwa.org/2020/11/18/disney-must-pay/

There were other authors involved as well, and from memory a number of 90s Star Wars EU authors had just stopped being paid residuals by Disney after the Lucasfilm purchase.

Deptfordx
Dec 23, 2013

Selachian posted:

ADF also wrote Splinter of the Mind's Eye, the very first Star Wars tie-in novel, in 1978. It's mostly forgettable, but it includes some romantic business for Luke and Leia that would get really awkward a couple years later.

I'm old enough to have read it as a kid between Star wars and Empire coming out.

CaptainRat
Apr 18, 2003

It seems the secret to your success is a combination of boundless energy and enthusiastic insolence...
I was confused about why anyone could be confused about whether or not Alan Dean Foster wrote non-adaptation material, since that was where I remembered encountering him. Then I realized I was thinking of Craig Shaw Gardener.

pradmer
Mar 31, 2009

Follow me for more books on special!
Snow Crash by Neal Stephenson - $1.99
https://www.amazon.com/dp/B000FBJCJE/

Artemis by Andy Weir - $2.99
https://www.amazon.com/dp/B06Y55SB48/

Arsenic Lupin
Apr 12, 2012

This particularly rapid💨 unintelligible 😖patter💁 isn't generally heard🧏‍♂️, and if it is🤔, it doesn't matter💁.


If you like cyberpunk at all, Snow Crash is one of the places it starts. Excellent worldbuilding, funny, inspired way way too many tech guys. Stephenson cannot write an ending for sour owl jowls, so be warned.

withak
Jan 15, 2003


Fun Shoe
Snow Crash rules.

Kestral
Nov 24, 2000

Forum Veteran

Arsenic Lupin posted:

If you like cyberpunk at all, Snow Crash is one of the places it starts. Excellent worldbuilding, funny, inspired way way too many tech guys. Stephenson cannot write an ending for sour owl jowls, so be warned.

Snow Crash is a reaction to the point of parody of cyberpunk, so it’s hard to say that’s where it starts. Go back about 15-20 years or so from Snow Crash, possibly more depending on where you draw the line.

That said, yes, Snow Crash is great.

Awkward Davies
Sep 3, 2009
Grimey Drawer

Kestral posted:

Snow Crash is a reaction to the point of parody of cyberpunk, so it’s hard to say that’s where it starts. Go back about 15-20 years or so from Snow Crash, possibly more depending on where you draw the line.

That said, yes, Snow Crash is great.

I always thought Neuromancer was considered the first, but reading the Wikipedia article it sounds like the term was first used in 1980, four years before Gibson wrote Neuromancer.

However it also says

quote:

About that time in 1984, William Gibson's novel Neuromancer was published, delivering a glimpse of a future encompassed by what became an archetype of cyberpunk "virtual reality", with the human mind being fed light-based worldscapes through a computer interface. Some, perhaps ironically including Bethke himself, argued at the time that the writers whose style Gibson's books epitomized should be called "Neuromantics", a pun on the name of the novel plus "New Romantics", a term used for a New Wave pop music movement that had just occurred in Britain, but this term did not catch on. Bethke later paraphrased Michael Swanwick's argument for the term: "the movement writers should properly be termed neuromantics, since so much of what they were doing was clearly imitating Neuromancer".

Trainee PornStar
Jul 20, 2006

I'm just an inbetweener

Strategic Tea posted:

I absolutely love Mortal Engines!

Top economists say municipal darwinism is the only stable model for a society and who am I to argue?



I read the book after watching the film, I really liked the film but struggled with the book.

I usually enjoy the book better so have no idea whats going on here.

Haystack
Jan 23, 2005





I like Snow Crash because it really nailed how loving stupid the future would be.

Kestral
Nov 24, 2000

Forum Veteran

Awkward Davies posted:

I always thought Neuromancer was considered the first, but reading the Wikipedia article it sounds like the term was first used in 1980, four years before Gibson wrote Neuromancer.

I was under that impression for the longest time too, and in fairness Neuromancer is the thing that defined the genre. The pre-Neuromancer cyberpunk stuff is often pretty rough, but it can be fascinating reading. Neuromancer's influence was so powerful that elements of the genre were completely occluded by it and are now essentially lost.

pseudorandom name
May 6, 2007

At a minimum, Rudy Rucker predates William Gibson.

Kalman
Jan 17, 2010

Awkward Davies posted:

I always thought Neuromancer was considered the first, but reading the Wikipedia article it sounds like the term was first used in 1980, four years before Gibson wrote Neuromancer.

However it also says

Bethke’s Head Crash (which was him satirizing the genre ~15 years after he named it) is a fun read.

DACK FAYDEN
Feb 25, 2013

Bear Witness

Haystack posted:

I like Snow Crash because it really nailed how loving stupid the future would be.
somehow Snow Crash has aged incredibly because we got IRL half-assed versions of two of the seemingly least plausible plot points between that time when Hobby Lobby bought Babylonian artifacts and "accidentally" funded ISIS and that time when 4chan started a cult of an Egyptian frog god because they thought it was funny

aside from the sex scene I mean, that's hosed up still

Lead out in cuffs
Sep 18, 2012

"That's right. We've evolved."

"I can see that. Cool mutations."




Kestral posted:

Snow Crash is a reaction to the point of parody of cyberpunk, so it’s hard to say that’s where it starts. Go back about 15-20 years or so from Snow Crash, possibly more depending on where you draw the line.

That said, yes, Snow Crash is great.

Yeah this.

I remember hearing people in the early 2000s refer to it as "post-cyberpunk".

It is still great.

Arsenic Lupin
Apr 12, 2012

This particularly rapid💨 unintelligible 😖patter💁 isn't generally heard🧏‍♂️, and if it is🤔, it doesn't matter💁.


Kestral posted:

Snow Crash is a reaction to the point of parody of cyberpunk, so it’s hard to say that’s where it starts. Go back about 15-20 years or so from Snow Crash, possibly more depending on where you draw the line.

You're quite right. :doh:

Hiro Protagonist
Oct 25, 2010

Last of the freelance hackers and
Greatest swordfighter in the world
Has anyone read the full Machineries of Empire series? The first book is Ninefox Gambit. How is it? I've been curious about it for a sec, but I occasionally see some mixed reactions.

sebmojo
Oct 23, 2010


Legit Cyberpunk









Haystack posted:

I like Snow Crash because it really nailed how loving stupid the future would be.

see also: southland tales. it feels like a documentary now.

StumblyWumbly
Sep 12, 2007

Batmanticore!

Hiro Protagonist posted:

Has anyone read the full Machineries of Empire series? The first book is Ninefox Gambit. How is it? I've been curious about it for a sec, but I occasionally see some mixed reactions.

I enjoyed the first book, but dropped the second around 30% through. The author tried to portray the main character as a strategic genius, but its all space magic bullshit with no real rules, so it felt like a narcissist describing their hypothetical D&D game.
The first book was carried forward on the audacity of the space magic bullshit tho.

pseudorandom name
May 6, 2007

All of SF is magic bullshit with no real rules.

I read all of it and liked it, although it suffered from the magic bullshit getting explained and the explanations being kind of lame.

anilEhilated
Feb 17, 2014

But I say fuck the rain.

Grimey Drawer
Yeah. I think Ninefox Gambit is still a pretty good read, but the other two are entirely skippable.

fritz
Jul 26, 2003

Hiro Protagonist posted:

Has anyone read the full Machineries of Empire series? The first book is Ninefox Gambit. How is it? I've been curious about it for a sec, but I occasionally see some mixed reactions.

I was generally positive on it but I don't think it really stuck the landing, and systematic torture is a major plot point.

branedotorg
Jun 19, 2009

Awkward Davies posted:

I always thought Neuromancer was considered the first, but reading the Wikipedia article it sounds like the term was first used in 1980, four years before Gibson wrote Neuromancer.

However it also says

yeah, Tiptree Jnr, Bethke, Rudy Rucker, even Vinge did it first and Pat Cadigan, Sterling, Walter Jon Williams were contemporary. My comicbook friends were obsessed with Judge Dredd and 2000AD

I was about 13 when I borrowed the mirror shades anthology from the library and that hooked me. it's probably the definitive short story collection of that first wave.

https://en.wikipedia.org/wiki/Mirrorshades

there was good stuff still being written in the 90s like Melissa Scott, Nancy Kress, Jack Womack, Effinger but it sort of petered out in the early 2000s

Hiro Protagonist
Oct 25, 2010

Last of the freelance hackers and
Greatest swordfighter in the world
Oh cool, speaking of Ninefox Gambit, apparently Yoon Ha Lee wrote a tabletop RPG for the setting which is being released next week. That could be interesting to see.

Hiro Protagonist fucked around with this message at 22:50 on Oct 15, 2023

Kestral
Nov 24, 2000

Forum Veteran

StumblyWumbly posted:

I enjoyed the first book, but dropped the second around 30% through. The author tried to portray the main character as a strategic genius, but its all space magic bullshit with no real rules, so it felt like a narcissist describing their hypothetical D&D game.
The first book was carried forward on the audacity of the space magic bullshit tho.

I finished the series and regretted doing so, because I have the same feelings on it as you do. To expand on this for Hiro Protagonist, the whole thing that makes the setting weird and distinctive is that the technology for their space travel and warfare is based on adherence to a calendar system (and its associated festivals, sacrifices, etc.) and the use of battle formations that somehow channel the power created by the calendar. Conceptually it could work, it's got a lot of neat bits to it, but it's let down by the author's tendency to just let every problem be solvable by calendrical space-magic, because calendrical space magic always works in the way the plot needs it to work in order for the Special Genius to win.

It never sold the premise for me, and I kept waiting for the payoff because people insisted the series got better as it went on. It didn't, at least to my mind, although it does have enough fun scenes per book that I was able to avoid DNFing the series. If I had to do it over again I would have spent my time elsewhere, however.

Trainee PornStar
Jul 20, 2006

I'm just an inbetweener

pseudorandom name posted:

All of SF is magic bullshit with no real rules.

I read all of it and liked it, although it suffered from the magic bullshit getting explained and the explanations being kind of lame.

On a tangent, this kinda sums up starwars for me.

Stupid_Sexy_Flander
Mar 14, 2007

Is a man not entitled to the haw of his maw?
Grimey Drawer

Selachian posted:

ADF also wrote Splinter of the Mind's Eye, the very first Star Wars tie-in novel, in 1978. It's mostly forgettable, but it includes some romantic business for Luke and Leia that would get really awkward a couple years later.

It also had vader tanking a hit from a starship heavy cannon I think.

Cursed Cocktails was good. Lil weird at the ending, but good.

Bilirubin
Feb 16, 2014

The sanctioned action is to CHUG


Haystack posted:

I like Snow Crash because it really nailed how loving stupid the future would be.

It was a little on the nose in predicting the Hobby Lobby cuneiform obsession

But I love a hot n ready pizza!

(e. spoiler tags added because someone else did as well above but like it gives anything away, come on)

xiw
Sep 25, 2011

i wake up at night
night action madness nightmares
maybe i am scum

Cpig Haiku contest 2020 winner
Saevus Corax Deals with the Dead is out, I had a good time like usual, but it's absolutely More KJ Parker and you'll probably know by now if you want more of that.

Hiro Protagonist
Oct 25, 2010

Last of the freelance hackers and
Greatest swordfighter in the world
Given the mixed reception to Machineries of Empire, are there any recent space opera series that people would recommend? Or individual books, I'm not too picky.

buffalo all day
Mar 13, 2019

Hiro Protagonist posted:

Given the mixed reception to Machineries of Empire, are there any recent space opera series that people would recommend? Or individual books, I'm not too picky.

I assume you’ve read Vinge and Iain M Banks? Does Becky Chambers count?

Lex Talionis
Feb 6, 2011

Hiro Protagonist posted:

Given the mixed reception to Machineries of Empire, are there any recent space opera series that people would recommend? Or individual books, I'm not too picky.
I just started the third book of Adrian Tchaikovsky's Final Architecture trilogy so I can't fully vouch for how it ends yet but the first two books were solid. I don't think it's gotten as much praise as his Children of Time trilogy and...well, to be honest it's not quite as good, but it hits the spot. It's sort of mid-career David Brin mixed with Star Wars with just a hint of the ol' Becky Chambers.

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Stuporstar
May 5, 2008

Where do fists come from?

Lex Talionis posted:

I just started the third book of Adrian Tchaikovsky's Final Architecture trilogy so I can't fully vouch for how it ends yet but the first two books were solid. I don't think it's gotten as much praise as his Children of Time trilogy and...well, to be honest it's not quite as good, but it hits the spot. It's sort of mid-career David Brin mixed with Star Wars with just a hint of the ol' Becky Chambers.

Everything to do with Aklu the Unspeakable makes the whole series incredible :allears:

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