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bellows lugosi
Aug 9, 2003





jay muhlin

bellows lugosi fucked around with this message at 22:55 on Jan 18, 2013

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bellows lugosi
Aug 9, 2003

Johan Willner



bellows lugosi
Aug 9, 2003

Bryan Schutmaat




bellows lugosi
Aug 9, 2003

let's talk about some good photos


Untitled by Kurt Manley, on Flickr


In a Supermarket, Portland by austin granger, on Flickr


Oyster Shells, Nahcotta, Washington by austin granger, on Flickr

bellows lugosi
Aug 9, 2003

Tim Simmons



bellows lugosi
Aug 9, 2003

Guido Mocafico




Robert Voit


bellows lugosi
Aug 9, 2003

What do you mean?

bellows lugosi
Aug 9, 2003

They aren't even trees

bellows lugosi
Aug 9, 2003

Nicolai Howalt




bellows lugosi
Aug 9, 2003

short version: you're looking at the theme

bellows lugosi
Aug 9, 2003

Sadie Wechsler



bellows lugosi
Aug 9, 2003

Bottom Liner posted:

That's a pretty dickhole assumption, especially since I actually do a lot of fine art and show in galleries and festivals in between paid jobs. Artist statements are usually bullshit and everyone knows it. Get over yourself. I like a lot of those photos and enjoy hearing the story behind the work, but a lot of that is wordy fluff.

I really wish you'd stop posting your terrible opinions in a good thread.

bellows lugosi
Aug 9, 2003

Bottom Liner, can I read a statement about your art? I'd like to hear something written by someone free of pretention.



Ed Ruscha.

bellows lugosi
Aug 9, 2003

Every Building on the Sunset Strip is awesome. I bet he does a lot of fine art and show in galleries and festivals in between paid jobs.

bellows lugosi
Aug 9, 2003

Evan Stenram


bellows lugosi
Aug 9, 2003


14-02 by k.kunstadt, on Flickr

bellows lugosi
Aug 9, 2003

http://dirtylaundrymag.com/article/bryan-schutmaat/

bellows lugosi
Aug 9, 2003

Probably the same thing.

bellows lugosi
Aug 9, 2003

I love surrealist Flickr garbage!







bellows lugosi
Aug 9, 2003

Wow that's amazing. Love the tones. Great concept too

bellows lugosi
Aug 9, 2003

No need for snark here friend

bellows lugosi
Aug 9, 2003

Wow. Mind = Blown. Incredible shots.

bellows lugosi
Aug 9, 2003

There's plenty of garbage artists in the world, Brooke Shaden included.

bellows lugosi
Aug 9, 2003

poopinmymouth posted:

It's especially hilarious because one can clearly see that you assume all 50,000 flickr followers these white teens have are ignorant buffoons, but of course your 3 admirers are serious artists who know what good photography is.

I would literally get more out of looking through a 4th grader's notebook of Lisa Frank stickers than look through Reichstag's body of work, but he gets to piss over any photo that has even a modicum of joy or passion in it, and everyone else rushes to either fellate his opinions, or be the new cheerios pisser of the day. Oh unless it's a boring film shot, then we all are supposed to go gaga. Bonus if it's grainy or of 3rd world poverty porn.

Garbage opinion from a garbage apologist.

bellows lugosi
Aug 9, 2003

Awkward Davies posted:

I think they're well executed, but I don't find them interesting in any way.

This is exactly my view. They're well executed and good looking yet I still find them shallow and repetitive and I think it's quite a stretch to call them "awesome."

bellows lugosi
Aug 9, 2003

somnambulist posted:

At least someone gets it. I dont want this thread to turn into a back and forth every time someone posts something that appeals to them. Some people dont find editorial photography interesting, why piss in their cheerios when they post that? A lot of people like Brooke Shadens work, and because the photography police on this forum hate it isnt going to change those opinions.

Anyway, I just wanted to clarify, im done discussing this.

The art-is-pretentious police are constantly out in full force. What's the point in having a discussion forum if discussion is discouraged?

bellows lugosi
Aug 9, 2003

Some dumb pretentious art by some idiot who can't even host a workshop: Eirik Johnson











bellows lugosi
Aug 9, 2003

I'd rather kill myself before looking at Fernando Brito's "Your Steps Were Lost in the Landscape"





bellows lugosi
Aug 9, 2003

Some more cliquish garbage from Robert Adams, who has only been admired because of his fantastic ability to take poo poo photos for idiots:









All from the series A Question of Hope.

bellows lugosi
Aug 9, 2003

Saint Fu posted:

I am genuinely interested in hearing why you find these awesome. Could you please explain what these photos mean to you personally?

I'm not particularly good at writing analysis so I'll take a quote from an article about the original installation:

quote:

Half of the exhibition’s pictures depict the tree stumps and carcasses shorn on the hillsides of the Coast Range by the logging industry’s giant mechanical snippers and bulldozers. Rendered in grimly exacting grays, the images quite knowingly recall the human carnage documented by battlefield photographers such as Timothy O’Sullivan (the Civil War) and W. Eugene Smith (World War II). To describe the challenge of photographing a clearcut, in fact, Adams invokes a pledge he once heard from Smith, regarding images of the corpse-strewn beaches of the Pacific theater: “I vowed I would not make patterns.” Adams’s photographs project a similar gravity of despair and purpose.

“If you’ve ever walked in these places,” Adams says, “you see how few birds there are. You can smell the herbicide. The devastation—the indiscriminate devastation—is beyond words.”

The exhibition’s other half portrays the Pacific Ocean, mostly waves and beaches rendered in the same high-key grays, shot from vantage points that make them feel like the Great Plains rolling outward from the foothills of the Rockies. These photographs, in sharp contrast to the bleak clearcut images and their implicit political commentary, are quite simply about beauty. The ocean, Adams writes in an introduction to the exhibit, “seems to me to carry a promise ... no matter how enigmatic its terms are.”

As an exhibit and as a book I quite honestly enjoy being presented with harrowing images of human destruction leading into simple, pure images of the nearby coastlines that pave a hopeful path away from the morbid.

bellows lugosi
Aug 9, 2003

try it with a lime posted:

I've admittedly never really read anything about Hopper or his intent, but to me I always felt the normality of his scenes ruminated a crushing sense of dissociation and detachment with the world. I might just be projecting my own emotions onto their work, but I get a lot of that out of Di Corcia (and Crewdson to a lesser extent).

To me, Hopper has always felt much more voyeuristic and attached.

bellows lugosi
Aug 9, 2003

rcman50166 posted:

I swear I'm not trolling and genuinely want to know, but isn't the only real requirement of art to invoke emotion?

I think one of the fundamental problems with this thread is people assuming that a challenge to the quality of a photo is a challenge to the status as 'art'. Something can be garbage and art. They aren't mutually exclusive.

bellows lugosi
Aug 9, 2003

xzzy posted:

Or you know, it's art they don't like.

Nothing wrong with that.

xzzy posted:

In principle I agree, but it doesn't work on a forum because it turns in to that disaster we had to deal with over the last couple pages.

Active discussion is a "disaster?"

bellows lugosi
Aug 9, 2003

Posting more bad photos from the art world circlejerk that can't actually produce anything good in my favorite thread.

Austin Granger











bellows lugosi
Aug 9, 2003

Gregg Segal's None of the Above. Here's some context, nerds

bellows lugosi
Aug 9, 2003

They're all just staged on a tabletop. Grab some moss and start shooting.

bellows lugosi
Aug 9, 2003

Setting up a table outside isn't particularly difficult.

bellows lugosi
Aug 9, 2003

bellows lugosi
Aug 9, 2003







from Todd Hido's "Excerpts from Silver Meadows"

bellows lugosi fucked around with this message at 07:57 on May 20, 2014

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bellows lugosi
Aug 9, 2003

BrosephofArimathea posted:

I unironically love Brooke Shaden's work. And she seems nice and genuinely passionate about making her arts, if a bit wrapped up in the whole ~*foLLoW yOuR dReAmZ*~ that seems to be a common theme amongst the creativelive/seminar selling crowd.

historical context

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