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jay muhlin bellows lugosi fucked around with this message at 22:55 on Jan 18, 2013 |
# ¿ Jan 18, 2013 20:49 |
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# ¿ May 14, 2024 19:05 |
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Johan Willner
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# ¿ Feb 13, 2013 00:33 |
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Bryan Schutmaat
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# ¿ Feb 15, 2013 23:10 |
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let's talk about some good photos Untitled by Kurt Manley, on Flickr In a Supermarket, Portland by austin granger, on Flickr Oyster Shells, Nahcotta, Washington by austin granger, on Flickr
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# ¿ Feb 18, 2013 01:38 |
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Tim Simmons
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# ¿ Feb 18, 2013 02:47 |
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Guido Mocafico Robert Voit
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# ¿ Feb 27, 2013 19:29 |
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What do you mean?
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# ¿ Feb 27, 2013 23:56 |
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They aren't even trees
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# ¿ Feb 28, 2013 00:03 |
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Nicolai Howalt
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# ¿ Mar 12, 2013 23:26 |
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short version: you're looking at the theme
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# ¿ Mar 14, 2013 23:11 |
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Sadie Wechsler
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# ¿ Mar 25, 2013 20:19 |
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Bottom Liner posted:That's a pretty dickhole assumption, especially since I actually do a lot of fine art and show in galleries and festivals in between paid jobs. Artist statements are usually bullshit and everyone knows it. Get over yourself. I like a lot of those photos and enjoy hearing the story behind the work, but a lot of that is wordy fluff. I really wish you'd stop posting your terrible opinions in a good thread.
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# ¿ May 14, 2013 22:13 |
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Bottom Liner, can I read a statement about your art? I'd like to hear something written by someone free of pretention. Ed Ruscha.
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# ¿ May 14, 2013 22:40 |
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Every Building on the Sunset Strip is awesome. I bet he does a lot of fine art and show in galleries and festivals in between paid jobs.
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# ¿ May 14, 2013 22:53 |
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Evan Stenram
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# ¿ Sep 12, 2013 17:21 |
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14-02 by k.kunstadt, on Flickr
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# ¿ Sep 13, 2013 22:16 |
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http://dirtylaundrymag.com/article/bryan-schutmaat/
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# ¿ Sep 17, 2013 06:26 |
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Probably the same thing.
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# ¿ Jan 12, 2014 21:19 |
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I love surrealist Flickr garbage!
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# ¿ Feb 25, 2014 17:33 |
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Wow that's amazing. Love the tones. Great concept too
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# ¿ Feb 25, 2014 17:34 |
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No need for snark here friend
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# ¿ Feb 25, 2014 18:37 |
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Wow. Mind = Blown. Incredible shots.
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# ¿ Feb 25, 2014 19:54 |
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There's plenty of garbage artists in the world, Brooke Shaden included.
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# ¿ Feb 26, 2014 00:21 |
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poopinmymouth posted:It's especially hilarious because one can clearly see that you assume all 50,000 flickr followers these white teens have are ignorant buffoons, but of course your 3 admirers are serious artists who know what good photography is. Garbage opinion from a garbage apologist.
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# ¿ Feb 26, 2014 01:59 |
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Awkward Davies posted:I think they're well executed, but I don't find them interesting in any way. This is exactly my view. They're well executed and good looking yet I still find them shallow and repetitive and I think it's quite a stretch to call them "awesome."
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# ¿ Feb 26, 2014 17:30 |
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somnambulist posted:At least someone gets it. I dont want this thread to turn into a back and forth every time someone posts something that appeals to them. Some people dont find editorial photography interesting, why piss in their cheerios when they post that? A lot of people like Brooke Shadens work, and because the photography police on this forum hate it isnt going to change those opinions. The art-is-pretentious police are constantly out in full force. What's the point in having a discussion forum if discussion is discouraged?
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# ¿ Feb 26, 2014 21:40 |
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Some dumb pretentious art by some idiot who can't even host a workshop: Eirik Johnson
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# ¿ Feb 26, 2014 21:59 |
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I'd rather kill myself before looking at Fernando Brito's "Your Steps Were Lost in the Landscape"
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# ¿ Feb 26, 2014 22:14 |
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Some more cliquish garbage from Robert Adams, who has only been admired because of his fantastic ability to take poo poo photos for idiots: All from the series A Question of Hope.
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# ¿ Feb 26, 2014 22:21 |
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Saint Fu posted:I am genuinely interested in hearing why you find these awesome. Could you please explain what these photos mean to you personally? I'm not particularly good at writing analysis so I'll take a quote from an article about the original installation: quote:Half of the exhibition’s pictures depict the tree stumps and carcasses shorn on the hillsides of the Coast Range by the logging industry’s giant mechanical snippers and bulldozers. Rendered in grimly exacting grays, the images quite knowingly recall the human carnage documented by battlefield photographers such as Timothy O’Sullivan (the Civil War) and W. Eugene Smith (World War II). To describe the challenge of photographing a clearcut, in fact, Adams invokes a pledge he once heard from Smith, regarding images of the corpse-strewn beaches of the Pacific theater: “I vowed I would not make patterns.” Adams’s photographs project a similar gravity of despair and purpose. As an exhibit and as a book I quite honestly enjoy being presented with harrowing images of human destruction leading into simple, pure images of the nearby coastlines that pave a hopeful path away from the morbid.
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# ¿ Feb 26, 2014 23:59 |
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try it with a lime posted:I've admittedly never really read anything about Hopper or his intent, but to me I always felt the normality of his scenes ruminated a crushing sense of dissociation and detachment with the world. I might just be projecting my own emotions onto their work, but I get a lot of that out of Di Corcia (and Crewdson to a lesser extent). To me, Hopper has always felt much more voyeuristic and attached.
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# ¿ Feb 27, 2014 00:30 |
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rcman50166 posted:I swear I'm not trolling and genuinely want to know, but isn't the only real requirement of art to invoke emotion? I think one of the fundamental problems with this thread is people assuming that a challenge to the quality of a photo is a challenge to the status as 'art'. Something can be garbage and art. They aren't mutually exclusive.
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# ¿ Feb 27, 2014 04:40 |
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xzzy posted:Or you know, it's art they don't like. Nothing wrong with that. xzzy posted:In principle I agree, but it doesn't work on a forum because it turns in to that disaster we had to deal with over the last couple pages. Active discussion is a "disaster?"
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# ¿ Feb 27, 2014 17:27 |
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Posting more bad photos from the art world circlejerk that can't actually produce anything good in my favorite thread. Austin Granger
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# ¿ Feb 27, 2014 19:27 |
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Gregg Segal's None of the Above. Here's some context, nerds
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# ¿ Mar 12, 2014 18:09 |
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They're all just staged on a tabletop. Grab some moss and start shooting.
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# ¿ Apr 18, 2014 23:22 |
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Setting up a table outside isn't particularly difficult.
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# ¿ Apr 19, 2014 01:25 |
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# ¿ May 18, 2014 19:33 |
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from Todd Hido's "Excerpts from Silver Meadows" bellows lugosi fucked around with this message at 07:57 on May 20, 2014 |
# ¿ May 20, 2014 07:54 |
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# ¿ May 14, 2024 19:05 |
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BrosephofArimathea posted:I unironically love Brooke Shaden's work. And she seems nice and genuinely passionate about making her arts, if a bit wrapped up in the whole ~*foLLoW yOuR dReAmZ*~ that seems to be a common theme amongst the creativelive/seminar selling crowd. historical context
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# ¿ May 20, 2014 07:55 |