quote:

Whether due to rifts cleaved in the writers’ room, or secret ambitions, often one member of a double act begins to work on side projects. When someone is lured away by a career in Hollywood (Joe Cornish, who worked with Adam Buxton as Adam and Joe), or a hosting gig on TV, the jilted comic can feel a triple death: of a partnership, a brand, even a future.

In 2006, Andy Zaltzman and John Oliver, who were at the time writing their third Edinburgh show together, travelled to London to audition for a role on Jon Stewart’s The Daily Show. Only Oliver, however, was called to a second audition. “When they offered him the job, unfathomably, John chose to go and work on the world’s leading satirical TV show rather than speak to 30 people in a tiny room in Edinburgh,” Zaltzman tells me over a Diet Pepsi in a London pub. After the swift departure of Oliver, who now presents HBO’s primetime political talkshow Last Week Tonight, Zaltzman was left to write and, two weeks later, perform the Edinburgh show alone. “It was difficult because I had nothing to replace this wonderful working relationship and friendship,” Zaltzman says.

The year after Oliver left for America, Zaltzman “bumbled along” performing political standup. Then they were offered the opportunity to record a weekly topical podcast, the Bugle. Oliver agreed to rejoin the double act (albeit via a telephone line) as co-host. “It worked well straight away,” says Zaltzman. “There hadn’t been any great falling out, so in that sense it was easy for us to work together again.”

The podcast, a satirical take on the week’s news, ran from 2007 to 2014 without a break. It then had a hiatus while Oliver focused on launching his new TV show; he soon found that the show was taking up too much of his time, and the Bugle came to an end in 2015. Then in 2016, Zaltzman relaunched it without Oliver, instead partnering with a roster of comedians including Nish Kumar and Hari Kondabolu.

“To lose [Oliver] after having worked so closely for years left a void,” says Zaltzman. “But my frustration was not with his success. I like to think I haven’t become a bitter, twisted, resentment-fuelled showbiz cliche. But maybe there is a residual awkwardness about the different paths we’ve taken.”