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Ornamented Death
Jan 25, 2006

Pew pew!

Argali posted:

Why is the hardcover going for nearly $1,000 on Amazon?

It was published by Gollancz, a British publisher, so it was not (directly) available in the US. Further, Gollancz has a tendency to have tiny print runs for hardcovers from unproven writers, so that natural scarcity only adds to the price.

Finally, sellers on the Amazon Marketplace are often loving insane with their prices. There's a used copy for $60, and I see one copy on eBay for roughly the same.

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Mechafunkzilla
Sep 11, 2006

If you want a vision of the future...
Would The Time Machine count as a post-apocalyptic story?

gnarlyhotep
Sep 30, 2008

by Lowtax
Oven Wrangler

Mechafunkzilla posted:

Would The Time Machine count as a post-apocalyptic story?

I don't see why not. It deals with the remnants of humanity after some sort of world-changing event(s).

Mechafunkzilla
Sep 11, 2006

If you want a vision of the future...

gnarlyhotep posted:

I don't see why not. It deals with the remnants of humanity after some sort of world-changing event(s).

That's probably a good starting point, then. It's probably the first massively popular depiction of a far future "Earth as dystopic wasteland" in English fiction.

GoodluckJonathan
Oct 31, 2003

John Charity Spring posted:

Margaret Atwood's Oryx and Crake. A different kind of apocalypse from the usual, and it's a very personal tale that weaves together how the apocalypse actually happened and also what life is like after it.

Lots of stuff for students to examine, too, from all the commentary on consumerism and class issues to the religious parallels and themes.

Thirding this. Some of the students may be familiar with some of her other books, as I know The Handmaidens Tale is often taught in fiction classes. Oryx and Crake is a great, interesting post-apoc novel with lots of stuff to talk about.

Paragon8
Feb 19, 2007

The Passage by Justin Cronin

Chillmatic
Jul 25, 2003

always seeking to survive and flourish
Are there any good post-apocalyptic novels that don't involve:

1. Nuclear anything.

2. Aliens.

3. Vampires/monsters/mutants

?

John Charity Spring
Nov 4, 2009

SCREEEEE
Yes, and several have been mentioned in this thread. Like Margaret Atwood's books.

Sionak
Dec 20, 2005

Mind flay the gap.
Ray Bradbury has a short and sweet story called, "And Soft Rains will Fall." http://www.dennissylvesterhurd.com/blog/softrain.htm There is an animated version, but I couldn't find it with a quick youtube search.

Walter Miller, Jr. (the author of Canticle for Leibowitz) also put together an anthology of short post-apocalyptic stories in 1985 called "Beyond Armageddon." It includes a number of stories that would probably be suitable, many by well-known science-fiction authors. http://www.amazon.com/Beyond-Armageddon-Walter-Miller-Jr/dp/0803283156/ref=sr_1_5?ie=UTF8&qid=1357790591&sr=8-5&keywords=walter+miller

I'd also say Oryx and Crake is worth examining - it is a much more recent take on an apocalypse and feels very topical.

I don't know how far afield of traditional novels yhour friend would want to go, but life after an apocalypse is also a popular topic in a lot of comics and webcomics, many of which have less traditional approaches to the whole thing.

Sionak fucked around with this message at 16:27 on Jan 10, 2013

Chillmatic
Jul 25, 2003

always seeking to survive and flourish

John Charity Spring posted:

Yes, and several have been mentioned in this thread. Like Margaret Atwood's books.

I really, really cannot stand Atwood at all. Her dialogue is really bad, and the settings of hers that I've read(Handmaiden Tale, Oryx etc) are just drab low-budget Brave New World knockoffs where everything is vaguely dreary and "wrong" for some reason that the author never really explores. And subtlety isn't really her strongest suit, either.

I mean christ, in Oryx the lower class people live in a place called "Pleebland". :ughh:



quote:

I'd also say Oryx and Crake is worth examining - it is a much more recent take on an apocalypse and feels very topical.

How is it topical? I mean, I couldn't seriously tell you what kind of issues the book examined other than "technology and corporations are bad, life is poo poo, roll credits."

Argali
Jun 24, 2004

I will be there to receive the new mind

Chillmatic posted:

Are there any good post-apocalyptic novels that don't involve:

1. Nuclear anything.

2. Aliens.

3. Vampires/monsters/mutants

?

Yes, two excellent recent novels: The Dog Stars, which deals with the end of most of humanity by some kind of plague but doesn't focus on that (it's a very beautiful take on friendship and love); and The Age of Miracles, which gets into what happens when the earth stops rotating.

Flatscan
Mar 27, 2001

Outlaw Journalist

Chillmatic posted:

Are there any good post-apocalyptic novels that don't involve:

1. Nuclear anything.

2. Aliens.

3. Vampires/monsters/mutants

?

Shitloads. If you want one that is a very modern take on the apocolypse, I'd suggest Last Light by Alex Scarrow.

Fatkraken
Jun 23, 2005

Fun-time is over.

Chillmatic posted:

Are there any good post-apocalyptic novels that don't involve:

1. Nuclear anything.

2. Aliens.

3. Vampires/monsters/mutants

?

Plenty. I would actually say that outside cold war era nuclear paranoia, one of the most common apocalyptic scenarios is global pandemic, and in more modern times, environmental collapse.

There are probably two distinct classes of "apocalypse", one where depopulation IS the event and the natural world continues largely uninterrupted, thus survival is comparable to relearning hunter-gatherer skills and primitive farming, and the other where some force (aliens, war, volcanoes etc) is the cause of depopulation and creates a new natural order in which survival requires new skills that were not needed at other times in human history.


Anyway, my recommendation for one of the latter, The Genocides by Thomas M. Disch. Gigantic 600 foot plants start springing up everywhere, growing faster than they can be destroyed, overrunning human endeavours and agriculture and reducing the population to isolated pockets of survivours. The meat of the story is how people deal with this on a personal and interpersonal level. This being Disch, whose work is characterised by an undercurrent of existential despair, the answer is "not very well actually, and with lots of fighting".

Brian Aldiss' Greybeard is said to be good too, it's an example of depopulation without accompanying damage to much of the rest of the natural world (everyone becomes sterile because of botched nuclear testing). In a sparsely populated, lush and near human free world, most are distressed by the death of the human race but others take great joy in a reinvigorated natural world.

WastedJoker
Oct 29, 2011

Fiery the angels fell. Deep thunder rolled around their shoulders... burning with the fires of Orc.
My favourite post-apoc book of recent times has been alt.human by Keith Brooke.

I'm now going through Extinction Point by Paul Jones but I kind of think I want the female lead character to die in a horrible accident because she's terrible although the main idea behind the book is good.

Guy A. Person
May 23, 2003

Chillmatic posted:

How is it topical? I mean, I couldn't seriously tell you what kind of issues the book examined other than "technology and corporations are bad, life is poo poo, roll credits."

I think he meant "topical" in the sense that the issues it covers are more recent. Like there are clearly references to global warming, mass media and the internet, genetic engineering, etc. Not that these are completely new/unique topics but they feel like more "current" predictions of the future than you will read about in older stuff like Brave New World or 1984 or whatever.

quote:

I mean christ, in Oryx the lower class people live in a place called "Pleebland". :ughh:

I don't think it's literally called "Pleebland", that comes off more as an obnoxious nickname made up by snobby rich kids who live in the company owned suburbs, maybe their parents too.

elbow
Jun 7, 2006

Chillmatic posted:

I really, really cannot stand Atwood at all. Her dialogue is really bad, and the settings of hers that I've read(Handmaiden Tale, Oryx etc) are just drab low-budget Brave New World knockoffs where everything is vaguely dreary and "wrong" for some reason that the author never really explores.

The only Atwood book I've read is The Handmaid's Tale so I don't know about Oryx, but I don't see how you could say that the world in HT is wrong for unexplored reasons; it's pretty obvious what is wrong with the world, even if the history of how society came to be that way isn't fully explained.


More on topic, someone recently asked for recommendations for post-apocalyptic and dystopian novels in the book recommendation thread, and I posted this list from the book club that I run. A lot of these are dystopian, and most of the books recommended in this thread are listed in here as well. I've not read everything on this list but I have highlighted my own favorites:

elbow posted:


A Canticle for Leibowitz (Walter M. Miller Jr.)
A Clockwork Orange (Anthony Burgess)
A Plague of Angels (Sheri S. Tepper)
Alas, Babylon (Pat Frank)
Blind Faith (Ben Elton)
Blindness (Jose Saramago)
Boneshaker (Cherie Priest)
Brave New World (Aldous Huxley)
Cat’s Cradle (Kurt Vonnegut)
Childhood's End (Arthur C. Clarke)
Dr. Bloodmoney (Philip K Dick)
Earth Abides (George R Stewart)
Fahrenheit 451 (Ray Bradbury)
Flood (Stephen Baxter)
Good Omens (Terry Pratchett and Neil Gaiman)
Greybeard (Brian W Aldiss)
Heroes and Villains (Angela Carter)
How I Live Now (Meg Rosoff)
I Am Legend (Richard Matheson)
Idlewild (Nick Sagan)
Immobility (Brian Evenson)
In the Country of Last Things (Paul Auster)
Kingdom Come (J.G. Ballard)
Lord of the Flies (William Golding)
Make Room! Make Room! (Harry Harrison)
Never Let Me Go (Kazuo Ishiguro)
Nineteen Eighty-Four (George Orwell)
On the Beach (Nevil Shute)
Oryx and Crake (Margaret Atwood)
Player Piano (Kurt Vonnegut)
Ready Player One (Ernest Cline)
Robopocalypse (Daniel H Wilson)
Shades of Grey (Jasper Fforde)
Swan Song (Robert McCammon)
The Age of Miracles (Karen Thompson Walker)
The Children of Men (P.D. James)
The Children’s Hospital (Chris Adrian)
The Chrysalids (John Wyndham)
The City of Ember (Jeanne DuPrau)
The Day of the Triffids (John Wyndham)
The Death of Grass (John Christopher)
The Dog Stars (Peter Heller)
The Drought (J.G. Ballard)
The Drowned World (J.G. Ballard)
The Giver (Lois Lowry)
The Handmaid’s Tale (Margaret Atwood)
The Hunger Games (Suzanne Collins)
The Knife of Never Letting Go (Patrick Ness)
The Last Man (Mary Shelley)
The Last Policeman (Ben H Winters)
The Long Tomorrow (Leigh Brackett)
The Long Walk (Stephen King)
The Passage (Justin Cronin)
The Plague (Albert Camus)
The Purple Cloud (MP Shiel)
The Road (Cormac McCarthy)
The Running Man (Stephen King)
The Scarlet Plague (Jack London)
The Sheep Look Up (John Brunner)
The Stand (Stephen King)
The Ticket That Exploded (William S. Burroughs)
The Time Machine (HG Wells)
The War of the Worlds (HG Wells)
The Windup Girl (Paolo Bacigalupi)
The Year of the Flood (Margaret Atwood)
Tomorrow, When the War Began (John Marsden)
We (Yevgeny Zamyatin)
World War Z (Max Brooks)
Y: The Last Man (Brian K. Vaughan and Pia Guerra)
Zone One (Colson Whitehead)

Fallorn
Apr 14, 2005
Um Y: The Last Man comic more or less is post apoc. I know its a comic but it explores the ideas pretty well.

Zola
Jul 22, 2005

What do you mean "impossible"? You're so
cruel, Roger Smith...

elbow posted:

The only Atwood book I've read is The Handmaid's Tale so I don't know about Oryx, but I don't see how you could say that the world in HT is wrong for unexplored reasons; it's pretty obvious what is wrong with the world, even if the history of how society came to be that way isn't fully explained.


More on topic, someone recently asked for recommendations for post-apocalyptic and dystopian novels in the book recommendation thread, and I posted this list from the book club that I run. A lot of these are dystopian, and most of the books recommended in this thread are listed in here as well. I've not read everything on this list but I have highlighted my own favorites:

You're missing Kim Stanley Robinson's The Three Californias Trilogy, consisting of The Wild Shore, The Gold Coast and Pacific's Edge.

CuddleChunks
Sep 18, 2004

Sionak posted:

Ray Bradbury has a short and sweet story called, "And Soft Rains will Fall." http://www.dennissylvesterhurd.com/blog/softrain.htm There is an animated version, but I couldn't find it with a quick youtube search.

Ugh, reading is for *squares*. Why not listen to the story as broadcast on Dimension-X: http://www.thetwilightzonenetwork.com/home/2011/6/7/dimension-x-there-will-come-soft-rainszero-hour.html :v:

Sionak
Dec 20, 2005

Mind flay the gap.

Guy A. Person posted:

I think he meant "topical" in the sense that the issues it covers are more recent. Like there are clearly references to global warming, mass media and the internet, genetic engineering, etc. Not that these are completely new/unique topics but they feel like more "current" predictions of the future than you will read about in older stuff like Brave New World or 1984 or whatever.


I don't think it's literally called "Pleebland", that comes off more as an obnoxious nickname made up by snobby rich kids who live in the company owned suburbs, maybe their parents too.

Exactly what I meant, yes. I didn't grow up with the threat of nuclear annihilation, so post-apocalyptic books about a nuclear wasteland don't seem quite as likely. But, a future where the world has become gradually warmer and genetic engineering has gone crazy? That is a very logical extension of trends that we can see right now.

Chillmatic, if the book didn't work for you, that's one thing, but even the "corporations are evil and hold too much power" is an interesting contrast to the "governments will destroy us" subtext of most apocalyptic fiction of the 80s and earlier. For a class looking at different schools of thought on fictional apocalypses, I think it'd be really cool to see how the attitudes change over time.

Personally, I really appreciated how much research Atwood put into the biological side of things, too.

I also got the impression that no one who lived outside the compounds referred to it as "Pleebland" - a lot of the scientists are pretty callous, so that didn't really jump out at me at all.

Sionak fucked around with this message at 18:57 on Jan 18, 2013

Paddyo
Aug 3, 2007
I read a pretty good one back in the day called "The Last Ship". It was about a US Navy destroyer participating in a nuclear strike and dealing with the aftermath. As you can imagine it had a tone very similar to "On the Beach", but that's not a bad thing.

xBeanx
Jul 10, 2004

"No matter how good you are at something, there's always about a million people better than you."
I would add "One second after" to this list. I might even add the hater series by Moody.

redreader
Nov 2, 2009

I am the coolest person ever with my pirate chalice. Seriously.

Dinosaur Gum
I'm surprised nobody has mentioned Gene Wolfe's "the book of the new sun", in which the sun is fading due to <spoiler>, and the earth is unable to support as large a population as it did before. This is set in the far future.

This book was sort of based on Jack Vance's "tales of a dying earth". The omnibus I have of that also contains the 2 cugel books "eyes of the overworld" and ... whatever the other one is called. The jack vance world is magical, hilarious, and yes! it does contain sort-of mutants! Hooray!

Mammon Loves You
Feb 13, 2011
Would 'City' by Clifford Simak count? It's pretty different, with evolved dogs telling legends about the end of humanity.

Raged
Jul 21, 2003

A revolution of beats
I just finished "On the Beach". I'm absolutely stunned by it. Even though it was written almost 60 years ago it holds up very very well for the subject matter. It is just so horrifying.

freebooter
Jul 7, 2009

The Death of Grass has only been mentioned once or twice but for a university level class it's absolutely vital. The reason, I think, is because it's the only post-apoc book (to my knowledge; I may be wrong) where the protagonists, who are portrayed as generally good people, choose to kill other good people just to take their food and survive.

Most post-apoc fiction - even something as (rightfully) critically acclaimed as The Road - is full of generic Mad Max marauders/bandits/scavengers/whatever. You know, bad men (and they're always men) who will kill you just for your stuff, rape your wife, etc. There never seems to be much thought given as to why these people became like that. They're just the bad guys. Even in The Road, a big deal is made about the fact that the man and his boy are "good people," "carrying the flame" etc, and the man only ever kills in self defence. The man and the boy very conveniently always manage to find enough food to live on, and so being "good people" is easy for them (well, to a given definition of easy).

And that's why, even though the writing itself isn't phenomenal, The Death of Grass is a really important book in the genre. If anybody knows of others where the same scenario happens, though, let me know.

RBA Starblade
Apr 28, 2008

Going Home.

Games Idiot Court Jester

quote:

The man and the boy very conveniently always manage to find enough food to live on, and so being "good people" is easy for them (well, to a given definition of easy).

I haven't read it in a while but I thought that a fairly big point in The Road is that the man is not a good person. He just thinks he is. His talk about "carrying the flame" is his justification for what he does for himself and the boy.

freebooter
Jul 7, 2009

I don't recall him ever doing anything that would need justifying, though. Off the top of my head -

He shoots the guy who discovers them early on, who's about to call the others. Self defence. He flare-guns the guy who shoots him with an arrow. Again, self defence. And he leaves the thief naked on the road - a bit more iffy, but done in retaliation rather than something premeditated.

Whereas in Death of Grass they walk into a farmhouse and murder the family living there in order to take their food. The family fights back, but the protagonists were definitely the ones who instigated it.

I've read a fair bit of post-apocalyptic fiction and have never seen such a stark choice presented - either you kill others for resources, or die yourself. I'm sure there are other examples of that which I simply haven't read, though.

The reason I thought of this recently was that I read The Dog Stars, which is a great book, but follows a number of genre tropes. It makes no sense to me that after a plague wipes out 99% of the population, people would kill for resources. There would be more than enough to go around.

elbow
Jun 7, 2006

freebooter posted:

I don't recall him ever doing anything that would need justifying, though.

There's also the scene where they discover the basement full of people but they lock the door, leaving them in there. I should also add that The Road, unlike a lot of other post-apocalyptic stories, does have women as bad guys.

freebooter posted:


The reason I thought of this recently was that I read The Dog Stars, which is a great book, but follows a number of genre tropes. It makes no sense to me that after a plague wipes out 99% of the population, people would kill for resources. There would be more than enough to go around.

I read this recently as well, but I didn't get the impression from the book that lots of people were killing for resources. The protagonist mentions a few times that they were attacked, but that only happened 2-3 times per year, and could well have been because they had a working plane and a strong homebase. And later on in the book when he flies out and approaches the old man and the woman, they're defending their property because it's their farm and they have livestock. Sure, they could have found more food elsewhere, but it makes more sense to stay in one place and have a sustainable little farm.

You're definitely right in saying that the post-apocalyptic genre is riddled with these tropes, but you may have named some bad examples. Definitely interested in reading Death of Grass now, though.

Armed Neutrality
May 8, 2006

BUY MORE CRABS

freebooter posted:

It makes no sense to me that after a plague wipes out 99% of the population, people would kill for resources. There would be more than enough to go around.

It makes perfect sense to me. Many of these stories take place years after a catastrophic event. Even assuming that whatever event it is that happened quickly and didn't result in a few weeks of everyone frantically using up hoarded food, the cans of food will eventually rust and become inedible, once common things like salt and medicine can be impossible to find depending on location, vehicles and machinery become broken beyond repair, ammunition, guns and even knives become increasingly unusable. Humans can't even conduct themselves in a civilized way when Walmart sells a flatscreen tv for 40% off, they're not going to be much better when it comes down to survival. I think there are more than enough opportunistic, lovely humans out there to ensure that society breaks down completely if something like this were to happen.

unl33t
Feb 21, 2004



freebooter posted:

The Death of Grass has only been mentioned once or twice but for a university level class it's absolutely vital. The reason, I think, is because it's the only post-apoc book (to my knowledge; I may be wrong) where the protagonists, who are portrayed as generally good people, choose to kill other good people just to take their food and survive.

Most post-apoc fiction - even something as (rightfully) critically acclaimed as The Road - is full of generic Mad Max marauders/bandits/scavengers/whatever. You know, bad men (and they're always men) who will kill you just for your stuff, rape your wife, etc. There never seems to be much thought given as to why these people became like that. They're just the bad guys. Even in The Road, a big deal is made about the fact that the man and his boy are "good people," "carrying the flame" etc, and the man only ever kills in self defence. The man and the boy very conveniently always manage to find enough food to live on, and so being "good people" is easy for them (well, to a given definition of easy).

And that's why, even though the writing itself isn't phenomenal, The Death of Grass is a really important book in the genre. If anybody knows of others where the same scenario happens, though, let me know.

I grew up a child of the 80's near obsessed with post-apocalyptic works, and this seemed fairly common place? A Boy and His Dog is the only thing that immediately comes to mind, but as I said that seemed fairly common place. Now, The Death of Grass may have pre-dated all of these works, so the book may still be historically significant for that, but it doesn't seem like it'd be all that rare a scenario.

tonytheshoes
Nov 19, 2002

They're still shitty...
A book I enjoyed that I haven't seen much talk about is Pure by Julianna Baggott. The cover makes it look like some terrible YA chick-lit, but it's actually an intriguing post-apoc/dystopian book with some of the more creative ideas I've seen in this genre--including people fused with objects, the ground itself, and even other people and twisted into weird monstrosities. I'll just paste the description from Amazon.com because I'm at work, but this was a grim one. Some of the revelations were telegraphed a little too much, but it was a quick, worthwhile read.

quote:

We know you are here, our brothers and sisters . . .
Pressia barely remembers the Detonations or much about life during the Before. In her sleeping cabinet behind the rubble of an old barbershop where she lives with her grandfather, she thinks about what is lost--how the world went from amusement parks, movie theaters, birthday parties, fathers and mothers . . . to ash and dust, scars, permanent burns, and fused, damaged bodies. And now, at an age when everyone is required to turn themselves over to the militia to either be trained as a soldier or, if they are too damaged and weak, to be used as live targets, Pressia can no longer pretend to be small. Pressia is on the run.

Burn a Pure and Breathe the Ash . . .
There are those who escaped the apocalypse unmarked: Pures. They are tucked safely inside the Dome that protects their healthy, superior bodies. Yet Partridge, whose father is one of the most influential men in the Dome, feels isolated and lonely. Different. He thinks about loss--maybe just because his family is broken; his father is emotionally distant; his brother killed himself; and his mother never made it inside their shelter. Or maybe it's his claustrophobia: his feeling that this Dome has become a swaddling of intensely rigid order. So when a slipped phrase suggests his mother might still be alive, Partridge risks his life to leave the Dome to find her.

When Pressia meets Partridge, their worlds shatter all over again.

NmareBfly
Jul 16, 2004

I posted my food for USPOL Thanksgiving!


redreader posted:

I'm surprised nobody has mentioned Gene Wolfe's "the book of the new sun", in which the sun is fading due to <spoiler>, and the earth is unable to support as large a population as it did before. This is set in the far future.

I'm not sure if I would really call the setting post apocalyptic. It's so far into the future that it's basically a different planet entirely. There's a lot of decayed and crumbling structures but that's more because earth's been lived in to untold years than because of any of the number of apocalypses it's probably been through.

What about Marooned in Realtime? There's a very discreet apocalypse that wipes out all but something like 300 people, but it's all completely off screen to the point that the characters only have vague theories as to what actually happened. People have devices that can create stasis fields and jump them ahead as many years as they want (or don't want,) sort of like the forwards time machine like that one episode of Futurama. Humanity vanishes during one such hop.

As the book progresses they keep getting further and further into the future, but since it all focuses on a single group of survivors it never looses the feeling that the wound is still fresh. Well, some of them have been around for quite some time but the mood is there. The story itself is basically a murder mystery with a grizzled detective and everything, but the survivors have to make all sorts of fun post-apocalypse survival decisions. There's plenty of advanced technology so the question isn't so much one of survival as it is 'what the hell do we do now?'

It's also a sequel, but I didn't know that the first time I read it and it's still one of my all time faves.

freebooter
Jul 7, 2009

elbow posted:

There's also the scene where they discover the basement full of people but they lock the door, leaving them in there. I should also add that The Road, unlike a lot of other post-apocalyptic stories, does have women as bad guys.

Not noble, sure, but IIRC letting them out would alert the people who lived there that they were around. And they aren't the ones who put them there in the first place.

My main point was that the man and the boy always conveniently find enough food from scavenging in old supermarkets or whatever (or the miraculous bunker) and never actually have to make the hard choice of taking from others.

quote:

I grew up a child of the 80's near obsessed with post-apocalyptic works, and this seemed fairly common place? A Boy and His Dog is the only thing that immediately comes to mind, but as I said that seemed fairly common place. Now, The Death of Grass may have pre-dated all of these works, so the book may still be historically significant for that, but it doesn't seem like it'd be all that rare a scenario.

Haven't read that one yet. But see what I mean? You can only name one. I do think there are probably a few others (and would like to hear more) but it does seem proportionally slim. Most apocalyptic fiction seems to focus on the barbarity that is inflicted upon the protagonists, rather than the idea that the barbarity would rise in everyone.

Definitely read The Death of Grass. It's not Pulitzer-winning prose or anything, but I would definitely rank it alongside John Wyndham's best stuff.

Also, can you guys discussing The Book of the New Sun wrap stuff in spoiler tags? I'm literally halfway through the first book and have to keep averting my eyes when I see you mention it. I'm normally not that finicky about spoilers but this book, so far, is a really great example of world-building/detail-dropping and I don't want to ruin anything.

unl33t
Feb 21, 2004



freebooter posted:


Haven't read that one yet. But see what I mean? You can only name one. I do think there are probably a few others (and would like to hear more) but it does seem proportionally slim. Most apocalyptic fiction seems to focus on the barbarity that is inflicted upon the protagonists, rather than the idea that the barbarity would rise in everyone.

Eh, that was just the first to come to mind and it has been 30 years and many drinks since then. I'll try to think of some more examples if you're really interested in it. Also, I think generally speaking it does show the barbarity rising in everyone, usually the heroes are only "good" compared to the villains they're fighting-they're still pretty barbaric by current societal standards-see Mad Max for a good example.

freebooter
Jul 7, 2009

Mad Max, while awesome, is more of a visual action comic book feast rather than a serious, thoughtful post-apocalyptic narrative.

And I mean that in the nicest way possible. I watched the first Mad Max for the first time since I was a kid recently, and I never realised what a wonderfully creative, hilarious film it is. The closest comparison I can think of is The Fifth Element, in that both movies don't really take themselves seriously while simultaneously taking themselves really seriously. The homo-erotic biker gang, the cigar-chomping chief of police, the very fact that this is ostensibly the real world pre-apocalypse and yet the police have turned into the leather-clad "Maximum Force Patrol." And it's all played deadpan. It's brilliant.

Hyrax Attack!
Jan 13, 2009

We demand to be taken seriously

Thank you for all your suggestions, my friend appreciated the contributions and ideas. On his class syllabus he went with the following four books (along with a lot of essay reading) :

Cormac McCarthy, The Road

Margaret Atwood, Oryx and Crake

Richard Matheson, I Am Legend

Walter Miller, A Canticle for Leibowitz

Project1
Dec 30, 2003

it's time

RBA Starblade posted:

It also inspired Metro 2033 by Dmitry Glukhovsky. Really nails the "I'll never feel happiness again" aspect of the genre and has a pretty interesting take on life after the apocalypse, with a few thousand survivors subsisting in the Moscow metro after nuclear war.

Unfortunately, I think Glukhovsky just isn't a very good writer. Love his ideas, but the execution leaves something to be desired. And it's not the Russian-ness putting me off, either, I love reading Russian books. I'm reading it right now, and it kinda reads like something a teenager might have written.

So apart from Roadside Picnic, which I just finished and really enjoyed, are there any other "localised apocalypse" kind of books? Where a local area has been rendered uninhabitable or dangerous, but the rest of the world is more or less unaffected?

Nettle Soup
Jan 30, 2010

Oh, and Jones was there too.

I know this is over, but nobody mentioned "Z for Zachariah". It was the first book I ever read from this genre, and while I didn't think a huge amount of it at the time, it left a mark on me that's never really gone away.

Last year I ended up reading a ton of post-apocalypse books, pretty much all of them modern, some were great, most, not so much. The only one I can truly recommend is "A Land of Ash", a collection of short stories, all interlinked.

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Concurred
Apr 23, 2003

My team got swept out of the playoffs, and all I got was this avatar and red text

Nettle Soup posted:

I know this is over, but nobody mentioned "Z for Zachariah". It was the first book I ever read from this genre, and while I didn't think a huge amount of it at the time, it left a mark on me that's never really gone away.

Last year I ended up reading a ton of post-apocalypse books, pretty much all of them modern, some were great, most, not so much. The only one I can truly recommend is "A Land of Ash", a collection of short stories, all interlinked.

Heh, reading this thread and I wondered why nobody mentioned Z For Zachariah. One of the first books of the genre that I've read and while it's a young adult book, it deals with pretty grown themes.

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