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WAFFLEHOUND posted:To be fair, the sequencer on the A4 is great, I just would want that as the main sequencer all around. That's why Audio Damage copied it and is releasing it for EuroRack with all of the A4 sequencer's features and more: http://www.analogindustries.com/b1873/The+New+poo poo/
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# ¿ Jun 14, 2014 13:31 |
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# ¿ May 14, 2024 21:59 |
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ExiledTinkerer posted:Seemingly relevant to folks here: An IndieGoGo project that just barely made their goal awhile back seems to have actually released their intended album---said album being largely wrought from synths both vintage and/or ludicrously expensive/rare(I think nearly every single one in the Equipment infographic has had the requisite lust/hate thrown at it here in the thread) in the spirit of Blade Runner. Thanks a lot, now I just spent all night with a brass patch and some reverb.
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# ¿ Jun 18, 2014 05:30 |
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Maybe try a G flat instead
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# ¿ Jun 20, 2014 07:27 |
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I use TaskRabbit and I'm paying a fortune for lovely modular noodling
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# ¿ Jul 1, 2014 05:05 |
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Saw him ---^ (AtomTM) live in Boulder, Co. That dude is amazing. Nothing but him, 2 video screens and an MPC 3000. One of the video screens was displaying the MPC's VGA output, so it was almost like watching live coding. Senor Coconut is some great poo poo as well.
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# ¿ Jul 10, 2014 23:27 |
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a_big_dog posted:Definitely - I've already written a thing to sort-of emulate this Jim O'Rourke track which almost certainly uses SC - https://www.youtube.com/watch?v=BsZD-MBRMU0 - which was kinda the reason I wanted to jump in. Hmmph, I didn't know Jim O'Rourke was into SC. Huge Sonic Youth fan, but I've not explored any of his other work until hearing that track above, which I dig. I've not played with Supercollider directly, only through Overtone. Overtone is fun because it's Clojure which supports functional programming and multi-threading, which are things I play with at my day job, but musical. Lately I've been playing with sample buffers in Max/MSP and ChucK. The sounds that can be made by resizing a sample buffer, going from a loop to a single hit to grains. I'd be curious to hear what sort of techniques you used to emulate that O'Rourke track.
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# ¿ Jul 25, 2014 17:45 |
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a_big_dog posted:Ahhh, haven't touched Clojure - I've mostly found SuperCollider pretty simple so far because it's quite Ruby-ish and my day job is Ruby web development. Cool stuff thanks. Sup fellow Ruby buddy. I'm currently writing distributed systems using Celluloid and JRuby, fun stuff! I wouldn't recommend a dedicated SC thread, but maybe an SC, Overtone, PD, Max/MSP, ChucK, STK and other music programming thread. I know that the Max/MSP thread recently got eaten up by archives, and it had posts every so often.
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# ¿ Jul 26, 2014 20:56 |
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The Modulus front panel reminds me of the Andromeda A6
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# ¿ Jul 28, 2014 20:17 |
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http://www.eowave.com/instruments.php?prod=78 http://www.paia.com/ProdArticles/dual-ribbon-howto.htm I've always been curious about that Eowave one, and about the seemingly simple process of building one myself. I really like that sound myself. A bit of reverb and you are in space instantly.
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# ¿ Aug 3, 2014 04:00 |
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Don't you know that you should never get rid of any electronics or wires, lest you might need them??
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# ¿ Aug 10, 2014 21:18 |
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Dongo's Bongos
renderful fucked around with this message at 22:40 on Aug 19, 2014 |
# ¿ Aug 19, 2014 22:32 |
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The Harvestmen
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# ¿ Aug 20, 2014 18:02 |
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lol you guys know there's no creativity in this one right?
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# ¿ Aug 20, 2014 21:12 |
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toadee posted:Another Synthember bonus that I pooped out in about an hour after work. I bet the levels are all lovely because I can't mix for poo poo and I didn't care and also there's a Bleep Labs Thingamagoop solo so track is automatically dope. uh, gently caress yes
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# ¿ Oct 2, 2014 19:36 |
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Nice farts. They remind me of the fartiest song I know. I heard this in an interesting state of mind and could not stop laughing. https://soundcloud.com/adeodat-warfield/deborah
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# ¿ Oct 9, 2014 19:37 |
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Because OSCtober: https://soundcloud.com/renderful/am-i-ready-for-space I left a Max patch I was working on running all night, and the above is what it was doing in the morning. I added reverb, eq and compression in Live. renderful fucked around with this message at 18:03 on Oct 11, 2014 |
# ¿ Oct 10, 2014 21:05 |
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BKPR posted:e: apparently the M01 supports Streetpass AND up to eight players. I'm very curious, but need to go and buy a 3DS to try it.
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# ¿ Oct 24, 2014 18:34 |
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https://www.youtube.com/watch?v=hYxlqTpZ-24 Really good stuff. FM does icy vibes well. Also digging the more literal crunchy/noisy ice sounds.
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# ¿ Oct 27, 2014 06:09 |
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KORG volca sample, sampling SDK released as open source: http://createdigitalmusic.com/2014/11/meet-korgs-new-sample-sequencing-volca-sampling-open-developers/ This will allow anyone to create a sampling app that can input samples to the volca. I want to create a sampling app with no microphone that just generates samples based on DSP/Math. Additive synthesis ahoy!
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# ¿ Nov 19, 2014 18:38 |
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A Winner is Jew posted:Both of the tracks I submitted are made from like 90% VST's so I don't think it's that big of a deal. I think he's using the term computer music in the academic sense. Max Matthews and so on. Algorithmic composition, robots which think before they fart. renderful fucked around with this message at 07:12 on Nov 29, 2014 |
# ¿ Nov 29, 2014 06:49 |
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Bought! Great job, guys. Really digging it so far.
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# ¿ Dec 4, 2014 05:49 |
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I'm about to lose my mind to this ympektid track. Also Sizone's synth crickets and the loving rinse by ten fingers ten toes... Insane all of it
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# ¿ Dec 4, 2014 17:54 |
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sofullofhate posted:especially the Bell Labs / Desert M / tftt / Flipperwaldt tracks. Dotcom, you did a fantastic job. Yes
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# ¿ Dec 4, 2014 20:52 |
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Flipperwaldt posted:I love it and I wish they would have cloned Marvin Gaye to sing some poo poo over it. soulful black man telling us how sexy we are, with tons of verb edit: I'm actually doing my own voiceover to my wife while this plays right now renderful fucked around with this message at 00:52 on Dec 15, 2014 |
# ¿ Dec 15, 2014 00:42 |
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Your Computer posted:Anyone know of any similar bands to Kraftwerk, what with the all-electronic, kinda minimal approach? I honestly have no idea what to even search for, it's something I've always been interested in but never really.. found. The quirky kind of "futuristic" bleeps and bloops but with a melody. Last.FM, Spotify and Wikipedia has failed me and I don't know where else to look. The less vocals the better (vocoders allowed.) It's the kind of music I wanted to make when I got into synthesizers, it's certainly got a special place in my heart...but I only just remembered because of bonerjamz http://en.wikipedia.org/wiki/Berlin_School_of_electronic_music http://en.wikipedia.org/wiki/D%C3%BCsseldorf_School_of_electronic_music Then continued in early Detroit techno. The early Warp Records stuff feels like a continuation of this. Things like Bochum Welt, early Aphex Twin/Polygon Window, Autechre, and everything else in the Artificial Intelligence series: http://en.wikipedia.org/wiki/Artificial_Intelligence_%28series%29 Also, definitely check out Yellow Magic Orchestra for Japan's take on it. renderful fucked around with this message at 20:02 on Dec 21, 2014 |
# ¿ Dec 21, 2014 19:57 |
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DCO's apparently get a reset pulse every so often to get their pitch in line. You can still have patch memory with a VCO, with the same potential for drifting as a VCO, so long as you aren't constantly fixing the pitch.
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# ¿ Jan 22, 2015 19:38 |
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AxeBreaker posted:You'll learn more from actually playing with each knob than you ever would from actually building it.
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# ¿ Jan 28, 2015 06:08 |
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Are the titles a joke about this DJ Dan??
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# ¿ Feb 9, 2015 03:49 |
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What we need is more Seapunk https://www.youtube.com/watch?v=DfuH-rPvJoo
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# ¿ Feb 18, 2015 18:16 |
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A MIRACLE posted:so with those modular sequencers with all the switches and stuff what determines the pitch of a step? I can't really get my head around these things A knob allows you to select a voltage per step. There are usually multiple voltages per step. One of those can be pitch.
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# ¿ Mar 11, 2015 20:51 |
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Sjoewe posted:Okay. I couldn't get any of them to work in 64-bit. All run pretty okay in 32 tho. M1 works great in 64 bit Live.
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# ¿ Mar 13, 2015 17:47 |
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The ESQ-1's lack of real time parameters editing is annoying and definitely not the way any of my other synths work. Other synths, I can send realtime MIDI data(or use the menu/knobs) to change the osc waveforms, osc pitch and filters, and hear realtime feedback on a single note/drone. On the ESQ-1, you have to retrigger the note to hear a change. You can get realtime feedback with the filter on the ESQ-1, if you map it to the MOD-wheel, however. Sadly they don't allow you to map all of the parameters to the modulation wheel. I believe that their split/voice stealing implementation is what causes this. renderful fucked around with this message at 06:06 on Mar 26, 2015 |
# ¿ Mar 26, 2015 06:01 |
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Right, but I want be able to play a patch live, using any of the controls. I should be able to push up the resonance on different parts of the note, every time I trigger it without setting some kind of random envelope. I should be able to make a single drone and change the parameters of that single note forever(or until the envelope runs out). I'll stop crying that an old digital synth does not have features of an analog, tho.
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# ¿ Mar 26, 2015 19:07 |
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Music that comes out later is supposed to be better? Voodoo Ray is less hardcore than either of those tracks and about 1000x better, anyway.
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# ¿ Jun 24, 2015 04:14 |
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Ah I see. Good point. It is a very similar song. I think that same lineage gave us Higher State of Conciousness and Sandstorm.
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# ¿ Jun 24, 2015 16:45 |
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disarm the bomb!
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# ¿ Jun 30, 2015 00:00 |
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# ¿ May 14, 2024 21:59 |
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This is my favorite source of drum patterns. I have a printed book from a Kickstarter campaign years ago: http://funklet.com/ renderful fucked around with this message at 21:07 on Jul 28, 2015 |
# ¿ Jul 28, 2015 21:05 |