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i have a paia fatman that i promised to give to relative_q and god drat it i am going to get it to him
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Feb 20, 2015 06:27
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im OG sampler dude. i have an akai s2800 and an emu e6400 all scsi'd up and poo poo. they sound so good. i havent done any music stuff since we moved though, i'd like to get back into it but i gotta get a bass first
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Feb 20, 2015 06:28
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i should actually buy a copy of renoise
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Feb 20, 2015 19:28
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yeah trackers rule and i do all my 'PRODUCED" stuff strictly in renoise now. i used a copy of cubase 3.55 for loving years, then bounced around through various crap, settled on renoise only thing that sucks is it has *poo poo* midi sync so I can't use it as drums backing for my Ableton stuff, which is all driven off my bass
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Feb 20, 2015 22:09
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i cant help but think that the very cheapest microcontroller with a 16 bit DAC either in it or hanging off the side would be an excellent midi to $WEIRDOLDCONTROLSYSTEM interface
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Feb 21, 2015 03:25
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BattleMaster posted:i soldered together a board with an LM386 audio amp on it and tested it with my function generator last night learn the 555 and it will keep you busy for months, no poo poo
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Feb 21, 2015 03:47
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echinopsis posted:is ableton still ok ableton's looper is integral enough to my live music thingy that yeah i beat the hell out of it since my crackhead tenants trashed all my poo poo i have to build a new pedalboard but i can do it better this time
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Feb 21, 2015 04:48
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the board that I used to make my super neat pedalboard is back in stock and I'm sorely tempted to grab one while they're available so I can rebuild it http://www.halemicro.com/wp/products/umc32m/ these things are GRRRRRRRREAT
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Feb 21, 2015 05:24
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SmokaDustbowl posted:I like Reason it's pretty neat reason is cool but sometimes the audio gets messed up, about 50% of the time when somebody sees Reason on your screen they start emanating an uncontrollable high-pitched whining noise
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Feb 21, 2015 06:51
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gently caress HATERS MAKE BEATS any way you want
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Feb 21, 2015 06:51
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they did a song on the first powerpuff girls soundtrack thing which i remember because we were all tragically nerdy weeaboos and i was working in a record store then
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Feb 21, 2015 07:08
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you guysssssssss are making me look at music programs and basses again AUUUUUUUUGH HAPPENING INTENSIFIES its fun when this happens
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Feb 21, 2015 07:25
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SmokaDustbowl posted:I always thought the access virus was neat OHHHHH MY GOD I WANTED ONE OF THESE SO GOD drat BAD that and the novation bass station 
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Feb 21, 2015 07:31
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trufacts i still cane the poo poo out of the bass station VST, i just really like the sound of it
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Feb 21, 2015 07:32
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SmokaDustbowl posted:access virus was such a rich kid toy it reminds me of neurofunk, heineken and cocaine
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Feb 21, 2015 07:41
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echinopsis posted:i have no where near enough money to buy those things i am jealous. at least piracy is very cheap this is why i like my sampler angle. true, i dont have the analog oscillators and all that, but i get a: really good filtering ( https://www.youtube.com/watch?v=tNH2g6Q_RgA) and the ability to use it, well, as a sampler. and it was 37 dollars plus shipping because nobody thinks samplers can do anything any more
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Feb 21, 2015 20:00
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evacuate meatspace posted:i'd be interested to see what you come up with. do you do that multiple looper/chain select thing? before i bugged out of town i did manage to finish two all non drum tones are bass guitar https://soundcloud.com/jonny290/shadow-of-moon https://soundcloud.com/jonny290/crumbling that max thing looks cool as hell! and yeah ableton's looper is rough. i figure it out well enough tho
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Feb 23, 2015 16:23
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its me i'm installig asio4all for my ensoniq audiopci and its 1998 and im feelin like a B O S S
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Feb 23, 2015 18:20
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that being said, the experience of hooking up one's first real deal no bullshit pro audio interface and slamming the latency sliders all the way down and it still works is p amazing when i had that echo layla it would do like 0.8 mS latency with no skipping at 44k
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Feb 23, 2015 22:54
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the overhead and setup and system tie-in is the real bitch. anybody can run ableton or a shitload of this and that. it takes real planning, testing, and organization to get your macros and midi Y's and virtual audio cables and this and that set up. and its an even bigger challenge to make that setup reproducible and stable live shows are murphy's law land. everything always breaks and fucks up I'm writing a snippet/track a day, i have really bad phones/monitors right now though so its all mixed dumb. just remembering my renoise keyz http://yourlisten.com/jonny290/thwang bad http://yourlisten.com/jonny290/derrrr less bad i know its all stock patches more or less (well first track is sequenced drums) but hey i am saving new files and thats all that matters
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Feb 24, 2015 18:54
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my generalized goal for this year is to crank out somewhere between 2 and 8 tracks that im happy with and maybe play a couple shows later in the fall to promote
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Feb 24, 2015 19:00
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thanks for the listen unless, and i would like to take this opportunity to ensure that you do not get a "OH MY GOD DO NOT CRITIQUE MY ART" vibe when I say the following, because I certainly do not mean it as such: lol dude i am writing this poo poo with loving Logitech H800 bluetooth headphones from work, we can revisit eq and mixdown chat around, like, july or so when i can get some proper earpieces
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Feb 24, 2015 22:00
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somebody should get subtractive, somebody additive, somebody FM, umm extra credit wavetable?
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Feb 25, 2015 03:35
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wayfinder posted:hey now i have 1 (one) official release out on a label im technically not a hobbyist any more!!!! Same, I had a track signed to a record label. It sold literally one copy on Beatport. I'm a pro! and im the exact opposite, im bored of synths but give me a jazz bass and a rack of fx and i will entertain myself until end of world bobbilljim posted:it owuld be cool to have an app that you coudl wire everything up with pretend wires including your pc mic and speakers and headphones kX drivers for audiopci used to do this
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Feb 26, 2015 02:20
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the "oh i'd love to build stuff up" thing only works if you almost obsessively go at it from a modular level and save your components in libraries for building blocks later if you try to build a good sounding synth from scratch every time you will a: get burnt out or b: end up writing "'"chiptunes"'" cause you're sick of connecting blocks and say ehh a square wave's good enough
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Feb 26, 2015 02:27
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jony ive aces posted:linku lol that was a five year contract i signed in 2002. that shits long gone
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Feb 26, 2015 03:01
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live is fun, but i always gravitate towards loopy clip based tracks when i get in there.
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Mar 4, 2015 23:25
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i make 'dance music' so if i ever want a thing played out by a DJ it's gotta be on the fuckin' beat. otherwise, yeah, lets roll tape and rock out
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Mar 4, 2015 23:59
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sysex? shiiiiit. try moving 100mb of samples via MIDI SDS. you basically just leave it alone for a week
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Mar 7, 2015 22:08
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ppl laughed when i spent 3 days trying to get a scsi1 card working but when i finally did and dumped a bunch of samples, i blew out the crotch of my pants like somebody stuck a quarter stick of dynamite down there
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Mar 7, 2015 22:08
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everybody just drop a bunch of tracks itt and in six months we'll put a comp together ill do the ascii nfo thing
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Mar 13, 2015 05:50
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gently caress you trig ive got the beanbag song in my head
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Mar 14, 2015 01:26
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Trig Discipline posted:that's actually from a whole album of beanbag-oriented activity songs for kids. there's one called "shake your beanbag" that i think i could proably turn into the summer's next great twerkalong sounds cool. shame it got sacked
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Mar 14, 2015 02:11
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is that a fuckin enormo breakout panel i like
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Mar 20, 2015 16:22
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Granbar posted:looking forward to when the whole DAW is in the cloud and can be accessed through a browser. have some cloud storage as well for VSTs and samples. latency + i would freak the gently caress out if my cloud repo was down and my trcks were missing. I would literally fly to SF and murder somebody if I spent years dumping tracks into their cloud thing and it disappeared or got bought by beatport or w/e
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Mar 20, 2015 20:49
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Trig Discipline posted:dang the microtonal editing in bitwig is p badass with standup bass neato i continued my "work on tracks on the bus" habit every day this week. it makes the 55 minute ride so much faster. ive caught a couple ppl peeking over my shoulder out of the corner of my eyee as i beat on Renoise the music is bad of course but its strictly a sketch generation exercise
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Mar 21, 2015 02:36
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you might even say the wealth trickles down
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Mar 21, 2015 02:41
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Granbar posted:wish i knew how a tracker worked. probably easier to use renoise on the bus without a mouse as compared to ableton? yep. keyboard supremacy its pretty impossible to use the trackpad with the bumps and jostles, but keyboard is fine also im one of those ppl that does not get nausea reading in the car or w/e, that helps
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Mar 21, 2015 02:52
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Luigi Thirty posted:but i keep just making little loops instead of finishing anything! this is me, and everybody else
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Mar 21, 2015 19:22
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| # ¿ May 18, 2024 05:44 |
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if you guys liked my ozark bass attack stuff you will probably love this podcast mix by Fanu http://www.drumandbassnews.net/drum-and-bass/fanu-breaks-n-beats-podcast-8.html
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Mar 21, 2015 20:46
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