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Winners in bold. * Indicates Golden Globe winner and traditional favorite going into the Academy Awards The show is on February 26th this year. As ever, general Oscar chat of years gone by is welcome, in addition to the usual bitching about nominees. Best Picture Arrival Fences Hacksaw Ridge Hell or High Water Hidden Figures La La Land* (PARTICIPATION AWARD) Lion Manchester by the Sea Moonlight* (YOUR WINNER AND NEEEWWWW BEST PICTURE) Lead Actor Casey Affleck, Manchester by the Sea* Andrew Garfield, Hacksaw Ridge Ryan Gosling, La La Land* Viggo Mortensen, Captain Fantastic Denzel Washington, Fences Lead Actress Isabelle Huppert, Elle* Ruth Negga, Loving Natalie Portman, Jackie Emma Stone, La La Land* Meryl Streep, Florence Foster Jenkins Supporting Actor Mahershala Ali, Moonlight Jeff Bridges, Hell or High Water Lucas Hedges, Manchester by the Sea Dev Patel, Lion Michael Shannon, Nocturnal Animals Supporting Actress Viola Davis, Fences* Naomie Harris, Moonlight Nicole Kidman, Lion Octavia Spencer, Hidden Figures Michelle Williams, Manchester by the Sea Best Director Damien Chazelle, La La Land* Mel Gibson, Hacksaw Ridge Barry Jenkins, Moonlight Kenneth Lonergan, Manchester by the Sea Denis Villeneuve, Arrival Animated Feature Kubo and the Two Strings, Travis Knight and Arianne Sutner Moana, John Musker, Ron Clements and Osnat Shurer My Life as a Zucchini, Claude Barras and Max Karli The Red Turtle, Michael Dudok de Wit and Toshio Suzuki Zootopia, Byron Howard, Rich Moore and Clark Spencer* Animated Short Blind Vaysha, Theodore Ushev Borrowed Time, Andrew Coats and Lou Hamou-Lhadj Pear Cider and Cigarettes, Robert Valley and Cara Speller Pearl, Patrick Osborne Piper, Alan Barillaro and Marc Sondheimer Adapted Screenplay Eric Heisserer, Arrival Fences, August Wilson, Fences Allison Schroeder and Theodore Melfi, Hidden Figures Luke Davies, Lion Barry Jenkins; Story by Tarell Alvin McCraney, Moonlight Original Screenplay Mike Mills, Twentieth Century Women Taylor Sheridan, Hell or High Water Damien Chazelle, La La Land* Yorgos Lanthimos, Efthimis Filippou, The Lobster Kenneth Lonergan, Manchester by the Sea Cinematography Bradford Young, Arrival Linus Sandgren, La La Land Greig Fraser, Lion James Laxton, Moonlight Rodrigo Prieto, Silence Best Documentary Feature 13th, Ava DuVernay, Spencer Averick and Howard Barish Fire at Sea, Gianfranco Rosi and Donatella Palermo I Am Not Your Negro, Raoul Peck, Remi Grellety and Hebert Peck Life, Animated, Roger Ross Williams and Julie Goldman O.J.: Made in America, Ezra Edelman and Caroline Waterlow Best Documentary, Short Subject 4.1 Miles, Daphne Matziaraki Extremis, Dan Krauss Joe’s Violin, Kahane Cooperman and Raphaela Neihausen Watani: My Homeland, Marcel Mettelsiefen and Stephen Ellis The White Helmets, Orlando von Einsiedel and Joanna Natasegara Best Live Action Short Film Ennemis Interieurs, Selim Azzazi La Femme et le TGV, Timo von Gunten and Giacun Caduff Silent Nights, Aske Bang and Kim Magnusson Sing, Kristof Deak and Anna Udvardy Timecode, Juanjo Gimenez Best Foreign Language Film A Man Called Ove, Sweden Land of Mine, Denmark Tanna, Australia The Salesman, Iran Toni Erdmann, Germany Film Editing Joe Walker, Arrival John Gilbert, Hacksaw Ridge Jake Roberts, Hell or High Water Tom Cross, La La Land Nat Sanders and Joi McMillon, Moonlight Sound Editing Sylvain Bellemare, Arrival Wylie Stateman and Renee Tondelli, Deep Water Horizon Robert Mackenzie and Andy Wright, Hacksaw Ridge Ai-Ling Lee and Mildred Iatrou Morgan, La La Land Alan Robert Murray and Bub Asman, Sully Sound Mixing Bernard Gariepy Strobl and Claude La Haye, Arrival Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace, Hacksaw Ridge Andy Nelson, Ai-Ling Lee and Steve A. Morrow, La La Land David Parker, Christopher Scarabosio and Stuart Wilson, Rogue One: A Star Wars Story Production Design Patrice Vermette, Paul Hotte, Arrival Stuart Craig, Anna Pinnock, Fantastic Beasts and Where to Find Them Jess Gonchor, Nancy Haigh, Hail, Caesar! David Wasco, Sandy Reynolds-Wasco, La La Land Guy Hendrix Dyas, Gene Serdena, Passengers Original Score Mica Levi, Jackie Justin Hurwitz, La La Land* Dustin O’Halloran and Hauschka, Lion Nicholas Britell, Moonlight Thomas Newman, Passengers Original Song Audition (The Fools Who Dream), La La Land — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul Can’t Stop the Feeling, Trolls — Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster City of Stars, La La Land — Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul* The Empty Chair, Jim: The James Foley Story — Music and Lyric by J. Ralph and Sting How Far I’ll Go, Moana — Music and Lyric by Lin-Manuel Miranda Makeup and Hair Eva von Bahr and Love Larson, A Man Called Ove Joel Harlow and Richard Alonzo, Star Trek Beyond Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson, Suicide Squad Costume Design Joanna Johnston, Allied Colleen Atwood, Fantastic Beasts and Where to Find Them Consolata Boyle, Florence Foster Jenkins Madeline Fontaine, Jackie Mary Zophres, La La Land Visual Effects Craig Hammack, Jason Snell, Jason Billington and Burt Dalton, Deepwater Horizon Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould, Doctor Strange Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon, The Jungle Book Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff, Kubo and the Two Strings John Knoll, Mohen Leo, Hal Hickel and Neil Corbould, Rogue One: A Star Wars Story Notable Controversies/Stories/Snubs -Six black actors and five black directors this time -No nomination for Amy Adams -Mel Gibson nominated Name Change fucked around with this message at 06:25 on Feb 27, 2017 |
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Jan 24, 2017 21:51
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I will just say, with the caveat that I have hardly seen everything nominated, that I am rather tired of Hollywood showering the most awards on movies about Hollywood and acting. At a certain point it's like, get over yourselves.
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Jan 24, 2017 21:58
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Vegetable posted:white people were pretty poo poo this year. Tell us something we don't know
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Jan 25, 2017 00:31
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quote:It was two years in a row, wasn't it? Alongside record low viewing numbers. Standard TV is practically dead, so expect that trend to continue. The viewership, not the No Black People. Shageletic posted:EDIT: At this point Meryl Streep is stopping the recognition of younger stars. lmbo All the actresses mysteriously disappearing after age 35 clearly have Meryl Streep to blame
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Jan 28, 2017 00:18
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MorgaineDax posted:No one I know has cable, so what's a person to do? Let me sign up somewhere to pay to watch the stupid things online, and I'd probably pay a good $25 for the whole evening. You don't even have to take the ads out. Comcast is quickly moving toward Internet TV, for one, but their stream quality is the drizzling shits.
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Jan 28, 2017 00:36
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Obstacle2 posted:If I recall correctly, Netflix bought the film after it was screened and then tried to have it run in theaters briefly and was essentially boycotted by the theater chains because it was going to debut simultaneously on Netflix. This is almost certainly why Manchester by the Sea went to theaters.
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Jan 28, 2017 23:47
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Paragon8 posted:Also The Witch. (I haven't seen The Love Witch yet) Studios make decisions and schedule releases way ahead of time on stuff they want to put up for contention and then spend money accordingly.
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Jan 31, 2017 21:06
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I'm choosing the funniest possible article I could find to describe the situation with the immigration EO and the Oscars: http://www.vox.com/culture/2017/1/31/14426858/cancel-the-oscars
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Feb 2, 2017 08:50
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BeanpolePeckerwood posted:Selma is a pretty drat accurate account of that moment in time. Other than LBJ turning heel on MLK, yes
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Feb 17, 2017 19:27
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The major political campaign for The Revenant at the Oscars was "this was really hard to make and a miserable shoot."
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Feb 21, 2017 22:01
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Food for thought:quote:The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the Academy; there were 220 members of the Editing Branch in 2012.[4] The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees.[3] The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the Academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of Academy voters, and the winner is selected by members of the editing chapter. https://en.wikipedia.org/wiki/Academy_Award_for_Best_Film_Editing Given that you're never getting Film Editing nominees substantially different from the Best Picture nominees, it's clear that these aren't the Film Theory Awards.
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Feb 22, 2017 19:44
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http://www.theonion.com/infographic/onions-2017-oscar-picks-55372
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Feb 25, 2017 06:18
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Kawabata posted:Oh, I knew you'd play the "they didn't sanitize it enough for you" card. But that wasn't the issue, because if you read my post (which doesn't look like you did, it just looks like you're annoyed because I don't like the movie you love) you'd remember that I read Northup's book before watching 12 Years a Slave. So yes, I expected all the evil and the brutality but what I didn't expect was the tone they chose to go for. The movie was dull (and it really didn't need to be, considering the excellent source material) because it felt like passion of the christ: slavery edition. After finally watching Zero Dark Thirty I cannot believe it got nominated for anything. Setting aside the torture issue, it's loving boring. Although, I think the point the movie was trying to make was that it was a POV film, letting you watch intelligence officers unreliably narrate the facts to themselves. The December 2009 Chapman base bombing is the most obvious "something bad is going to happen" sequence in film history, but all of the characters are psyched that they found a guy who is going to give up Bin Laden. Or the ending, where everyone acts like an organized murder/robbery is a big turning point, but the film itself is telling you that the facts on the ground are no different than before. I think that was the point. But holy poo poo it's just a way too long movie with a bunch of office characters that they could have frankly cut.
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Feb 26, 2017 21:03
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GonSmithe posted:
Best Picture: La La Land Lead Actor: Casey Affleck Lead Actress: Emma Stone Supporting Actor: Mahershala Ali Supporting Actress: Viola Davis Best Director: Damien Chazelle Animated Feature: Zootopia Animated Short: Piper Adapted Screenplay: Moonlight Original Screenplay: Manchester by the Sea Cinematography: La La Land Best Documentary Feature: OJ: Made in America Best Documentary, Short Subject: The White Helmets Best Live Action Short Film: Ennemis Interieurs Best Foreign Language Film: The Salesman Film Editing: La La Land Sound Editing: Hacksaw Ridge Sound Mixing: La La Land Production Design: La La Land Original Score: La La Land Original Song: City of Stars Makeup and Hair: Star Trek Beyond Costume Design: La La Land Visual Effects: The Jungle Book
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Feb 27, 2017 00:53
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Oscars Contest
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Live at the Academy Awards! https://www.youtube.com/watch?v=KybuIy0wKXk&t=42s
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Feb 27, 2017 06:23
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The winners are updated in da OP.
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Feb 27, 2017 06:26
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https://twitter.com/AP_Images/status/836086280312221698/photo/1?ref_src=twsrc%5Etfw
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Feb 27, 2017 06:46
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