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ATP_Power
Jun 12, 2010

This is what fascinates me most in existence: the peculiar necessity of imagining what is, in fact, real.


That was fascinating stuff about the art featured in the film, thanks for sharing that Snowglobe.

At the end Winston hands Wick a marker, and I'm pretty sure it's not John's. Is this another example of Winston bending the rules for John, or was it him giving John his completed marker as closure?

Given the ties to mythology throughout the series I feel like the third film has to be the "end times" for the criminal underworld as precipitated by John Wick.

I think there's also something to tease out about how the rules of the Continental and the High Table are represented and discussed in the films (especially with Winston and his relationship with John), but I don't have the pieces in place to write something about it.

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