Register a SA Forums Account here!
JOINING THE SA FORUMS WILL REMOVE THIS BIG AD, THE ANNOYING UNDERLINED ADS, AND STUPID INTERSTITIAL ADS!!!

You can: log in, read the tech support FAQ, or request your lost password. This dumb message (and those ads) will appear on every screen until you register! Get rid of this crap by registering your own SA Forums Account and joining roughly 150,000 Goons, for the one-time price of $9.95! We charge money because it costs us money per month for bills, and since we don't believe in showing ads to our users, we try to make the money back through forum registrations.
 
  • Locked thread
JFairfax
Oct 23, 2008

by FactsAreUseless

TomViolence posted:

I reckon Cary Fukunaga's direction and the performance of the two lead actors pretty much carried season one. Pizzolatto's writing was mainly cribbed from Ligotti and Lovecraft and a sort of generic pulp detective style that gelled really well in season one, but when he turned that approach to basically wholesale ripping off James Ellroy it fell flat due to a lackluster cast and shifting classic noir clichées to an incongruous present day setting.

I mean if you don't consider the direction and cinematography to be a pretty integral draw for season one, you need to rewatch episode 4's stash house stickup again. The differences in formal and technical proficiency are pretty stark between the two seasons and that brought season two's lackluster and derivative writing to the fore to its detriment.

season one hosed up by not exploring more of the institutional cover up of pedophilia and instead culminating in a 'crazy guy in the woods' thing

Adbot
ADBOT LOVES YOU

JFairfax
Oct 23, 2008

by FactsAreUseless
crazy guy in the bayou, whatever

  • Locked thread