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Sheng-Ji Yang
Mar 5, 2014


https://twitter.com/KrangTNelson/status/995024176623824900?s=19

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get that OUT of my face
Feb 10, 2007

Let us English posted:

Rock & Roll came about as a fusion between African American Music and European American country music.

I'll give you three guesses as to who got all the money.
cool fact: the guy who discovered Elvis said he was looking for a white guy that sounded black so he could sell the music better

using rock n roll as an example: if say that it's bad that it was first sold to the public as white music to make more money, you're good. if you say that it's bad for this kind of music to be allowed to blend in the first place, then you're an idiot. those are pretty much the boundaries

alternatively, it's like porn: you know it when you see it

Futuresight
Oct 11, 2012

IT'S ALL TURNED TO SHIT!

get that OUT of my face posted:

cool fact: the guy who discovered Elvis said he was looking for a white guy that sounded black so he could sell the music better

using rock n roll as an example: if say that it's bad that it was first sold to the public as white music to make more money, you're good. if you say that it's bad for this kind of music to be allowed to blend in the first place, then you're an idiot. those are pretty much the boundaries

alternatively, it's like porn: you know it when you see it

See, and I've said similar in another thread recently but whatever, but this is why cultural appropriation is a bad concept to use generally. If black artists were rewarded for their work in rock and roll, then that guy discovering Elvis wouldn't be a problem. The problem was not that Elvis made black music and sold it well because he looked white, it's that the artists he was cribbing from didn't sell well because they were black. Eliminate Elvis entirely and it's still messed up the black artists didn't get exposure because of their blackness.

The entire key to the situation being messed up is whether or not the original artists are deprived because of racism. It looks like appropriation is the problem because the point of appropriation is where it becomes clear. Before white artists adopt it and do well you could just think hey maybe white people just don't like rock and roll / rap / whatever, and the white artists proves that's not the case and it was some manner of racism that was keeping those artists down (maybe racism in the audience, maybe racism in promoters/DJs/etc). Thus all the negative gets foisted on the appropriation when it belongs on an earlier much more serious problem.

Much like culture itself, cultural appropriation can be an interesting descriptive area of study for Academia and can tell us things about how different groups behave and why. But it's really not a good idea to use it as a prescriptive concept in society. Nobody should be wondering whether something is part of their culture before they do it, or worry something is appropriation of another culture before they do it. Just do whatever and don't worry about culture, if it's "cultural appropriation" and wrong then it can be explained as wrong for entirely different reasons anyway. Like dude don't wear that headdress because that's an important symbol to some people and you're going to upset them by using it so frivolously. Done. No culture needed.

Grape
Nov 16, 2017

Happily shilling for China!

Patrick Spens posted:

To be clear, I'm not, and have never been Catholic. And the necessity of re-contextualization doesn't change its offensiveness. It becoming a new thing necessarily debases the original meaning.

Most Catholics wouldn't give even the remotest poo poo whatsoever about that.

viral spiral
Sep 19, 2017

by R. Guyovich

Wheeee posted:

even in this thread there are people attempting to create arguments which respect the idea of cultural appropriation, and nobody can actually construct a framework, because it is ultimately a facile bullshit idea

culture isnt special, no not even yours, and it is ever fluid and changing and evolving

identity politics is reactionary cancer

viral spiral
Sep 19, 2017

by R. Guyovich
I too get angry about "culture appropriation" in our globalized, ever-growing melting pot, because I'm woke.

get that OUT of my face
Feb 10, 2007

https://www.youtube.com/watch?v=1AbV8WJD90M

byob historian
Nov 5, 2008

I'm an animal abusing piece of shit! I deliberately poisoned my dog to death and think it's funny! I'm an irredeemable sack of human shit!

RaySmuckles posted:

a bunch of mop-headed british guys?

michael jackson ended up with that, do pay attention

RaySmuckles
Oct 14, 2009


:vapes:
Grimey Drawer

Futuresight posted:

See, and I've said similar in another thread recently but whatever, but this is why cultural appropriation is a bad concept to use generally. If black artists were rewarded for their work in rock and roll, then that guy discovering Elvis wouldn't be a problem. The problem was not that Elvis made black music and sold it well because he looked white, it's that the artists he was cribbing from didn't sell well because they were black. Eliminate Elvis entirely and it's still messed up the black artists didn't get exposure because of their blackness.

The entire key to the situation being messed up is whether or not the original artists are deprived because of racism. It looks like appropriation is the problem because the point of appropriation is where it becomes clear. Before white artists adopt it and do well you could just think hey maybe white people just don't like rock and roll / rap / whatever, and the white artists proves that's not the case and it was some manner of racism that was keeping those artists down (maybe racism in the audience, maybe racism in promoters/DJs/etc). Thus all the negative gets foisted on the appropriation when it belongs on an earlier much more serious problem.

Much like culture itself, cultural appropriation can be an interesting descriptive area of study for Academia and can tell us things about how different groups behave and why. But it's really not a good idea to use it as a prescriptive concept in society. Nobody should be wondering whether something is part of their culture before they do it, or worry something is appropriation of another culture before they do it. Just do whatever and don't worry about culture, if it's "cultural appropriation" and wrong then it can be explained as wrong for entirely different reasons anyway. Like dude don't wear that headdress because that's an important symbol to some people and you're going to upset them by using it so frivolously. Done. No culture needed.

:same:

El Pollo Blanco
Jun 12, 2013

by sebmojo
Love internet socialists trying to own the libs by handwaving the concept that institutional racism led to non-whites having their art stolen and monetised for white capitalist profit

Because they're mad someone on the internet said their dreds are racist once

Wheeee
Mar 11, 2001

When a tree grows, it is soft and pliable. But when it's dry and hard, it dies.

Hardness and strength are death's companions. Flexibility and softness are the embodiment of life.

That which has become hard shall not triumph.

read thread? no, post!

Taintrunner
Apr 10, 2017

by Jeffrey of YOSPOS

El Pollo Blanco posted:

Love internet socialists trying to own the libs by handwaving the concept that institutional racism led to non-whites having their art stolen and monetised for white capitalist profit

Because they're mad someone on the internet said their dreds are racist once

this is such a stretch that it was no surprise you leaned over here from D&D

byob historian
Nov 5, 2008

I'm an animal abusing piece of shit! I deliberately poisoned my dog to death and think it's funny! I'm an irredeemable sack of human shit!

Wheeee posted:

read thread? no, post!

hi welcome to c spam would you like to be a moderator

rudatron
May 31, 2011

by Fluffdaddy
cultural appropriation is a toxic concept.

by characterizing the normal process of imitation of form, that has always existed throughout history, as a collective 'intellectual property theft', it pathologizes a natural process as proof of criminality. It's also the unhealthy intrusion of the logic of capitalism into what should be regarded as the commons of art genre and styles.

It also doesn't enlighten anyone to the process of oppression, because real oppression is always material, and having to do with basic concerns of safety, prosperity, etc. But cultural appropriation creates a moral panic over the 'essence' of a culture been 'stolen', and paranoia about the authenticity/purity of a culture is always rooted in reactionary thought. In reality, nothing is ever pure/authentic, and insecurity over purity/authenticity is the prelude to attempting to 'purify'/'purge' elements that deviate from some set norm.

But worst of all, it imposes a false set of categories (white culture, african culture, etc.) onto something that you cannot place hard boundaries onto, and can easily to used to justify a sort of segregationist logic.

It is for these reasons, that the entire logic of 'cultural appropriation' must be discarded, because it is toxic.

A better way to examine cases of, for example, people being insensitive about native american headdresses or whatever, is to instead ask the question 'does this mock a race/ethnicity/culture? is it being used to degrade or disrespect others?'. This is a framework better equipped to answer questions of portrayal and such, than any previously presented (or, I claim, to be presented) ideas of 'cultural appropriation'.

rudatron has issued a correction as of 05:28 on May 12, 2018

Al!
Apr 2, 2010

:coolspot::coolspot::coolspot::coolspot::coolspot:

rudatron
May 31, 2011

by Fluffdaddy
how long does it take u to do 1 of those pixel art things

Al!
Apr 2, 2010

:coolspot::coolspot::coolspot::coolspot::coolspot:
that one took about 20 mins but i guess it takes ~2 hrs on average

Lindsey O. Graham
Dec 31, 2016

"We're not generating enough angry white guys to stay in business for the long term."

- The Chief






Conch Shell Corp posted:

That limo had a wife and kids



this poor child is now an orphan RIP

Lastgirl posted:

"you're the animals, you're the animals" I insist as I continue to spew vitriolic, divisive and shallow rhetoric

byob historian
Nov 5, 2008

I'm an animal abusing piece of shit! I deliberately poisoned my dog to death and think it's funny! I'm an irredeemable sack of human shit!

oh you finally showed up to the thread all about you :)

Lindsey O. Graham
Dec 31, 2016

"We're not generating enough angry white guys to stay in business for the long term."

- The Chief

mrbradlymrmartin posted:

oh you finally showed up to the thread all about you :)

you know it hon!

byob historian
Nov 5, 2008

I'm an animal abusing piece of shit! I deliberately poisoned my dog to death and think it's funny! I'm an irredeemable sack of human shit!

Lindsey O. Graham posted:

you know it hon!

dont worry i still :member: how 2 make ur eggs sug

El Pollo Blanco
Jun 12, 2013

by sebmojo

Taintrunner posted:

this is such a stretch that it was no surprise you leaned over here from D&D

Lol I post in my country's d&d thread I must be a liberal reactionary

It's interesting because all the people I know irl who actually give a poo poo about cultural appropriation aren't white liberals yet d&d consistently disparages the concept as some kind of woke white people thing

I think there's a very big disconnect between how the concept is applied by idiots on the internet and the way minorities tend to view it, and I agree that its most fervent devotees take it way too far but the pushback against it is also way out of proportion for a concept that boils down to don't be an rear end in a top hat

I mostly agree with futuresight's post anyway

Sheng-Ji Yang
Mar 5, 2014


https://www.youtube.com/watch?v=qsrEAWcAvRg

RaySmuckles
Oct 14, 2009


:vapes:
Grimey Drawer
the idea of cultural appropriation makes we wonder if any of its proponents have ever been involved in a subculture

the whole experience of being in a subculture is listening to everyone bitch about who is the most pure, how institutional powers seek to oppress and co-opt their subculture, and complain that any mildly successful variant of their genre is a sellout or created by the labels to sell better.

swapping class for race, punk was appropriated too.

but once again, no one cares because the modern concept of cultural appropriation is inherently tied to race, despite the fact that cultural appropriation exists in all facets of cultural exchange. its the pairing with race that gives it the outrage factor and demands that it be taken seriously. but it also damages the idea because by making cultural appropriation exclusively tied to race it fails to be able to give simpler, more obvious answers like "black musicians got screwed because the country was racist and that's how capitalism works," instead opting for some weird sanctification of minority culture and demanding it be protected by segregation.

its all very strange

a funny example is all the people (or maybe just one guy a couple times) who said white people can't open a sushi restaurant. like, lol, come on buddy, people can make whatever loving food they want. lol at the thought that they should put on their menu "OWNER IS NOT JAPANESE". if you prepare japanese food good enough to open a restaurant then loving great.

people in this thread posted things like "the california role is not really japanese or sushi" which is so loving stupid. do you get upset too at modern american's complete transformation of germany's "hamburgers" or "frankfurters?"

after the chinese dress thing there was allegedly a massive outpouring of support from china with people saying things like (not a quote) "we think its great that people in america celebrate our culture!" but then it was argued that "the actual chinese peoples' opinions don't matter because its really more about the immigrants who experienced racism first hand here, and that their experience of ostracization over rules the actual people from china." all of this compounded even more by the fact that the chinese themselves are jumping whole hog onto western culture and absolutely no one gives a flying gently caress about that.

i think it all stems from american exceptionalism. the truth is american culture is sort of closed off, despite ironically being a meltingpot. we're quick to judge and hyper reactionary. we really believe that what we have is already the best. so there is no sharing, only stealing, dominating, appropriating. from what i understand places like great britain had a very different approach to other cultures. they were more than happy to say "dag that indian food is way better than ours. lets just co-opt all their cooking and for generations to come people will think chicken tikka masala is indian!" the originators still get shut out from any economic benefits because that's capitalism. like, maybe if american's were more open to at least paying lip service to the cultures we were stealing from it wouldn't be as much of a deal, or rather, the power dynamics of economics would be more thoroughly apparent

Slim Jim Pickens
Jan 16, 2012
its when corporations turn elements of a marginalized culture into intellectual property op

get that OUT of my face
Feb 10, 2007

Slim Jim Pickens posted:

its when corporations turn elements of a marginalized culture into intellectual property op
it's telling that the people who bray about cultural appropriation the loudest almost always do it towards individuals and not towards corporations. indeed, when a corporation actively does it, they're "woke"

SimonCat
Aug 12, 2016

by Nyc_Tattoo
College Slice
In an example of how it nothing is authentic, I knew Chinese immigrants to the US who opened a Chinese food restaurant that served the same Americanized Chinese food as everywhere else and their kitchen staff (all the cooks) were Mexicans.

byob historian
Nov 5, 2008

I'm an animal abusing piece of shit! I deliberately poisoned my dog to death and think it's funny! I'm an irredeemable sack of human shit!

SimonCat posted:

In an example of how it nothing is authentic, I knew Chinese immigrants to the US who opened a Chinese food restaurant that served the same Americanized Chinese food as everywhere else and their kitchen staff (all the cooks) were Mexicans.

it was the same recipes in the chinese restaurants with chinese staff i worked in, the new management just didnt give a poo poo about quality after taking over

Mandoric
Mar 15, 2003

RaySmuckles posted:

the idea of cultural appropriation makes we wonder if any of its proponents have ever been involved in a subculture

the whole experience of being in a subculture is listening to everyone bitch about who is the most pure, how institutional powers seek to oppress and co-opt their subculture, and complain that any mildly successful variant of their genre is a sellout or created by the labels to sell better.

swapping class for race, punk was appropriated too.

but once again, no one cares because the modern concept of cultural appropriation is inherently tied to race, despite the fact that cultural appropriation exists in all facets of cultural exchange. its the pairing with race that gives it the outrage factor and demands that it be taken seriously. but it also damages the idea because by making cultural appropriation exclusively tied to race it fails to be able to give simpler, more obvious answers like "black musicians got screwed because the country was racist and that's how capitalism works," instead opting for some weird sanctification of minority culture and demanding it be protected by segregation.

its all very strange

a funny example is all the people (or maybe just one guy a couple times) who said white people can't open a sushi restaurant. like, lol, come on buddy, people can make whatever loving food they want. lol at the thought that they should put on their menu "OWNER IS NOT JAPANESE". if you prepare japanese food good enough to open a restaurant then loving great.

people in this thread posted things like "the california role is not really japanese or sushi" which is so loving stupid. do you get upset too at modern american's complete transformation of germany's "hamburgers" or "frankfurters?"

after the chinese dress thing there was allegedly a massive outpouring of support from china with people saying things like (not a quote) "we think its great that people in america celebrate our culture!" but then it was argued that "the actual chinese peoples' opinions don't matter because its really more about the immigrants who experienced racism first hand here, and that their experience of ostracization over rules the actual people from china." all of this compounded even more by the fact that the chinese themselves are jumping whole hog onto western culture and absolutely no one gives a flying gently caress about that.

i think it all stems from american exceptionalism. the truth is american culture is sort of closed off, despite ironically being a meltingpot. we're quick to judge and hyper reactionary. we really believe that what we have is already the best. so there is no sharing, only stealing, dominating, appropriating. from what i understand places like great britain had a very different approach to other cultures. they were more than happy to say "dag that indian food is way better than ours. lets just co-opt all their cooking and for generations to come people will think chicken tikka masala is indian!" the originators still get shut out from any economic benefits because that's capitalism. like, maybe if american's were more open to at least paying lip service to the cultures we were stealing from it wouldn't be as much of a deal, or rather, the power dynamics of economics would be more thoroughly apparent

I think there's room to resist lowest-common-denominator domesticization, especially in America where the guiding national ethos is so alien to most of the rest of the world. But the sushi thing in particular is a hilarious example because the industry's absolutely packed with Koreans, Chinese, and never-even-visited-the-old-country sansei and yonsei making their money off looking the part. And there's nothing wrong with them making sushi, the fault is with the culture that's using it as a shibboleth for cosmopolitanism but doesn't have a conception of craftsmanship to know "learned from Jiro Ono" from "learned from Jerry, late-night line cook at Benihana" and so settles on "not visibly pink" as a proxy.

Lindsey O. Graham
Dec 31, 2016

"We're not generating enough angry white guys to stay in business for the long term."

- The Chief

mrbradlymrmartin posted:

dont worry i still :member: how 2 make ur eggs sug

:kimchi:

byob historian
Nov 5, 2008

I'm an animal abusing piece of shit! I deliberately poisoned my dog to death and think it's funny! I'm an irredeemable sack of human shit!

sunny side down, rear end up, 8 it? ;-*

magnavox space odyssey
Jan 22, 2016

El Pollo Blanco posted:

Love internet socialists trying to own the libs by handwaving the concept that institutional racism led to non-whites having their art stolen and monetised for white capitalist profit

Because they're mad someone on the internet said their dreds are racist once

viral spiral
Sep 19, 2017

by R. Guyovich
just imagine getting angry over a white person with dreadlocks lmao

Woke people get angry about completely idiotic poo poo like this


Or a white person making sushi in a restaurant.

Wheeee
Mar 11, 2001

When a tree grows, it is soft and pliable. But when it's dry and hard, it dies.

Hardness and strength are death's companions. Flexibility and softness are the embodiment of life.

That which has become hard shall not triumph.

owning the libs by being white

Al!
Apr 2, 2010

:coolspot::coolspot::coolspot::coolspot::coolspot:

some idiot that doesnt know what shes talking about probably posted:

Within current debates about race and difference, mass culture is the contemporary location that both publicly declares and perpetuates the idea that there is pleasure to be found in the acknowledgment and enjoyment of racial difference. The commodification of Otherness has been so successful because it is offered as a new delight, more intense, more satisfying than normal ways of doing and feeling. Within commodity culture, ethnicity becomes spice, seasoning that can liven up the dull dish that is mainstream white culture. Cultural taboos around sexuality and desire are transgressed and made explicit as the media bombards folks with a message of difference no longer based on the white supremacist assumption that “blondes have more fun.” The “real fun” is to be had by bringing to the surface all those “nasty” unconscious fantasies and longings about contact with the Other embedded in the secret (not so secret) deep structure of white supremacy.

...

To make one’s self vulnerable to the seduction of difference, to seek an encounter with the Other, does not require that one relinquish forever one’s mainstream positionality. When race and ethnicity become commodified as resources for pleasure,the culture of specific groups, as well as the bodies of individuals, can be seen as constituting an alternative playground where members of dominating races, genders, sexual practices affirm their power-over in intimate relations with the Other.

...

Cultural appropriation of the Other assuages feelings of deprivation and lack that assault the psyches of radical white youth who choose to be disloyal to western civilization. Concurrently, marginalized groups, deemed Other, who have been ignored, rendered invisible, can be seduced by the emphasis on Otherness, by its commodification, because it offers the promise of recognition and reconciliation. When the dominant culture demands that the Other be offered as sign that progressive political change is taking place, that the American Dream can indeed be inclusive of difference, it invites a resurgence of essentialist cultural nationalism.The acknowledged Other must assume recognizable forms. Hence, it is not African American culture formed in resistance to contemporary situations that surfaces, but nostalgic evocation of a “glorious” past.

...

Those progressive white intellectuals who are particularly critical of “essentialist” notions of identity when writing about mass culture, race, and gender have not focused their critiques on white identity and the way essentialism informs representations of whiteness. It is always the non-white, or in some cases the non-heterosexual Other, who is guilty of essentialism. Few white intellectuals call attention to the way in which the contemporary obsession with white consumption of the dark Other has served as a catalyst for the resurgence of essentialist based racial and ethnic nationalism,Black nationalism, with its emphasis on black separatism, is resurging as a response to the assumption that white cultural imperialism and white yearning to possess theOther are invading black life, appropriating and violating black culture. As a survival strategy, black nationalism surfaces most strongly when white cultural appropriation of black culture threatens to decontextualize and thereby erase knowledge of the specific historical and social context of black experience from which cultural productions and distinct black styles emerge. Yet most white intellectuals writing critically about black culture do not see these constructive dimensions of black nationalism and tend to see it instead as naive essentialism, rooted in notions of ethnic purity that resemble white racist assumptions.

Main Paineframe
Oct 27, 2010

RaySmuckles posted:

a funny example is all the people (or maybe just one guy a couple times) who said white people can't open a sushi restaurant. like, lol, come on buddy, people can make whatever loving food they want. lol at the thought that they should put on their menu "OWNER IS NOT JAPANESE". if you prepare japanese food good enough to open a restaurant then loving great.

people in this thread posted things like "the california role is not really japanese or sushi" which is so loving stupid. do you get upset too at modern american's complete transformation of germany's "hamburgers" or "frankfurters?"

...

i think it all stems from american exceptionalism. the truth is american culture is sort of closed off, despite ironically being a meltingpot. we're quick to judge and hyper reactionary. we really believe that what we have is already the best. so there is no sharing, only stealing, dominating, appropriating. from what i understand places like great britain had a very different approach to other cultures. they were more than happy to say "dag that indian food is way better than ours. lets just co-opt all their cooking and for generations to come people will think chicken tikka masala is indian!" the originators still get shut out from any economic benefits because that's capitalism. like, maybe if american's were more open to at least paying lip service to the cultures we were stealing from it wouldn't be as much of a deal, or rather, the power dynamics of economics would be more thoroughly apparent

lmao

you read my posts and understood them to mean the exact opposite of what I was saying

the california roll was an example of americans not engaging in cultural appropriation. i cited that as a comparison to the treatment of cultural elements from peoples we enslaved and genocide. a significant portion of "Southern" cuisine originated from Native Americans, West Africa, or African-American slaves

some cuisines get absorbed into "American" cuisine while others retain their recognition as distinct cultural cuisines. and there seems to be a distinct correlation between the likelihood of absorption and how racist Americans are against that culture

and while I'm generally in favor of the melting pot thing of breaking down cultural barriers rather than insisting that things only belong to a certain culture, the whole "actually, monolithic cultures don't exist" thing bothers me because there have been a lot of instances of oppressors deliberately trying to destroy a culture and force the group that held that culture to assimilate. if distinct minority cultures don't exist and hold no importance, does that mean it was fine for Canadian authorities to establish special schools for the purpose of Canadianizing First Nations kids?

viral spiral
Sep 19, 2017

by R. Guyovich

Wheeee posted:

owning the libs by being white

What about a black sushi chef?

Lastgirl
Sep 7, 1997


Good Morning!
Sunday Morning!

RaySmuckles posted:

the idea of cultural appropriation makes we wonder if any of its proponents have ever been involved in a subculture

the whole experience of being in a subculture is listening to everyone bitch about who is the most pure, how institutional powers seek to oppress and co-opt their subculture, and complain that any mildly successful variant of their genre is a sellout or created by the labels to sell better.

swapping class for race, punk was appropriated too.

but once again, no one cares because the modern concept of cultural appropriation is inherently tied to race, despite the fact that cultural appropriation exists in all facets of cultural exchange. its the pairing with race that gives it the outrage factor and demands that it be taken seriously. but it also damages the idea because by making cultural appropriation exclusively tied to race it fails to be able to give simpler, more obvious answers like "black musicians got screwed because the country was racist and that's how capitalism works," instead opting for some weird sanctification of minority culture and demanding it be protected by segregation.

its all very strange

a funny example is all the people (or maybe just one guy a couple times) who said white people can't open a sushi restaurant. like, lol, come on buddy, people can make whatever loving food they want. lol at the thought that they should put on their menu "OWNER IS NOT JAPANESE". if you prepare japanese food good enough to open a restaurant then loving great.

people in this thread posted things like "the california role is not really japanese or sushi" which is so loving stupid. do you get upset too at modern american's complete transformation of germany's "hamburgers" or "frankfurters?"

after the chinese dress thing there was allegedly a massive outpouring of support from china with people saying things like (not a quote) "we think its great that people in america celebrate our culture!" but then it was argued that "the actual chinese peoples' opinions don't matter because its really more about the immigrants who experienced racism first hand here, and that their experience of ostracization over rules the actual people from china." all of this compounded even more by the fact that the chinese themselves are jumping whole hog onto western culture and absolutely no one gives a flying gently caress about that.

i think it all stems from american exceptionalism. the truth is american culture is sort of closed off, despite ironically being a meltingpot. we're quick to judge and hyper reactionary. we really believe that what we have is already the best. so there is no sharing, only stealing, dominating, appropriating. from what i understand places like great britain had a very different approach to other cultures. they were more than happy to say "dag that indian food is way better than ours. lets just co-opt all their cooking and for generations to come people will think chicken tikka masala is indian!" the originators still get shut out from any economic benefits because that's capitalism. like, maybe if american's were more open to at least paying lip service to the cultures we were stealing from it wouldn't be as much of a deal, or rather, the power dynamics of economics would be more thoroughly apparent

sir this is a dead comedy forum

Oh Snapple!
Dec 27, 2005

my college's former quarterback opened up a sushi place in Tuscaloosa called Ajian and tbh I laugh every time I pass by it.

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magnavox space odyssey
Jan 22, 2016

This is well written and all, and thought provoking besides, but how does the author explain/justify how this writing is only useful for America and its race relations, as opposed to being some universal thing that can be used to understand all humans under God's heavenly light? :angel:

  • Locked thread