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David D. Davidson posted:...and that is why Kennedy and to die. That issue went on sale in late November 1963, only a few days after Dallas. Must have been an awkward time around the DC offices.
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# ¿ Jul 16, 2020 14:03 |
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# ¿ May 14, 2024 07:53 |
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MorningMoon posted:loving what Uh huh. It was during the Geoff Johns run on Avengers. See, "Dell Rusk" is an anagram of "Red Skull," and it was all so terribly clever. There was also a big mystery over who the Teen Titans villain Wildebeest really was, which ended in a long, wet fart during the "Titans Hunt" storyline. It was Jericho. And, of course, Monarch. How Wonderful! posted:I think that for as divisive as "Planet X" was and as clumsily as the character was handled post-Morrison, the actual issue that reveals Xorn's secret was really well paced and does a killer job of setting up a mounting sense of dread. I remember reading that issue when it was new and my hands shaking by the last page. "Mister Xorn ... why is that map upside down?" Selachian fucked around with this message at 18:25 on Sep 6, 2020 |
# ¿ Sep 6, 2020 18:22 |
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Jerusalem posted:It's been a long time since I read it, but if I remember correctly Magneto was using a drug (which itself was generated by a mutant, or actually the mutant WAS the drug? I can't exactly remember) that upped his powers but made him dangerously unstable mentally which was the explanation for why he was pulling the dumb poo poo? "Planet X" was the next to last arc on Morrison's run -- he ended with "Here Comes Tomorrow," which wasn't really that good anyway. And yes, "Planet X" was almost immediately retconned away by Claremont over in Excalibur.
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# ¿ Sep 13, 2020 05:12 |
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MadDogMike posted:OK, the totality of my familiarity with this whole plotline is just the stuff I gleaned in passing from this vid, is that actually accurate as to how batshit the whole thing is? Seriously, I think X-men might be less of a comic and more of a soap opera stuck in "let's do weird episodes" mode. Pretty much, although it was more extreme in this case because you had writers fighting over what the status quo of the X-Men should be. Morrison shook things up a lot during his run on New X-Men, and while it can be debated (and has been debated, endlessly) whether his changes were good ideas or too extreme, the more traditional X-Men writers like Claremont and Austen worked fast to heap dirt most of them the moment Morrison moved on.
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# ¿ Sep 15, 2020 01:37 |