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Bilirubin
Feb 16, 2014

The sanctioned action is to CHUG


J_RBG posted:

Hey idiots how about an open-world book with loot

https://forums.somethingawful.com

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Jack B Nimble
Dec 25, 2007


Soiled Meat
I know it's silly but Knives Out "shamed" me into a second attempt at Gravity's Rainbow; previously I'd had a copy on audible and I gave up somewhere in chapter 2 because I couldn't tell reality from fantasy within a single paragraph. Accordingly, this time I opted for a print copy and also determined to notes as I went. It was better; I was more comfortable and better able appreciating the prose more, the evocative scenes, but I was still troubled by how confused I got, how often I had go back or re-read. But then I came here and:

mdemone posted:

Pynchon trained me out of that need to understand each reference and connection. If you go into GR trying to do that, for example, well....good luck.

Franchescanado posted:


Pynchon's fun for that reason. You're in over your head just like the characters. Clarity isn't always important to enjoying the story. It helps, I guess.


Well that's an unexpected bolt of empathy flung out of the swirling mess that is the internet; I thought it was just me! I feel like I can just relax and keep going now, thanks all for the Python and Joyce chat a few pages back.

Shibawanko
Feb 13, 2013

ThePopeOfFun posted:

Have any of you nerds read Remainder by Thomas McCarthy and want to give a take?

Basically, guy gets infinite money and tries to bring his memories into reality by hiring actors. This escalates right up to the end.

I read it a few years ago and can't stop thinking about it. Prose-wise, it's pretty clinical, but that detached, unfeeling perspective works so well to reveal all the obsession.

Edit: Here's the New York Times review

I have, thought it was alright but laying it on too thick with the symbolism

Franchescanado
Feb 23, 2013

If it wasn't for disappointment
I wouldn't have any appointment

Grimey Drawer

Jack B Nimble posted:

I know it's silly but Knives Out "shamed" me into a second attempt at Gravity's Rainbow; previously I'd had a copy on audible and I gave up somewhere in chapter 2 because I couldn't tell reality from fantasy within a single paragraph. Accordingly, this time I opted for a print copy and also determined to notes as I went. It was better; I was more comfortable and better able appreciating the prose more, the evocative scenes, but I was still troubled by how confused I got, how often I had go back or re-read. But then I came here and:



Well that's an unexpected bolt of empathy flung out of the swirling mess that is the internet; I thought it was just me! I feel like I can just relax and keep going now, thanks all for the Python and Joyce chat a few pages back.

Use this when you get confused:

Things That Happen (More Or Less) In Gravity’s Rainbow

mdemone
Mar 14, 2001

And then the second time you read it, use the Weisenburger guide to really freak out.

Srice
Sep 11, 2011

Jack B Nimble posted:

I know it's silly but Knives Out "shamed" me into a second attempt at Gravity's Rainbow; previously I'd had a copy on audible and I gave up somewhere in chapter 2 because I couldn't tell reality from fantasy within a single paragraph. Accordingly, this time I opted for a print copy and also determined to notes as I went. It was better; I was more comfortable and better able appreciating the prose more, the evocative scenes, but I was still troubled by how confused I got, how often I had go back or re-read. But then I came here and:



Well that's an unexpected bolt of empathy flung out of the swirling mess that is the internet; I thought it was just me! I feel like I can just relax and keep going now, thanks all for the Python and Joyce chat a few pages back.

It took me a few tries to really get into Gravity's Rainbow too. I'm super glad I stuck with it though, once it clicked I loved it even during the parts where I was confused as heck. Godspeed goon.

Bilirubin
Feb 16, 2014

The sanctioned action is to CHUG


Srice posted:

It took me a few tries to really get into Gravity's Rainbow too. I'm super glad I stuck with it though, once it clicked I loved it even during the parts where I was confused as heck. Godspeed goon.

Same.

Its really funny and fun and majestic and leaves you thinking about it for years

Heath
Apr 30, 2008

🍂🎃🏞️💦
GR was the first book I read where I became aware of the structure of the narrative can have an identifiable shape to it. The first hundred or so pages are a sort of chaotic mess rising up into something resembling a coherent narrative only to descend back into a fever dream at the end - a narrative arc in a literal sense, mimicking the trajectory of a rocket. That realization was mind-expanding and really changed what I thought a book could be.

mdemone
Mar 14, 2001

Fuuuuck now you guys are making me wanna reread it and I don't have time to get through GR before the end of the year if I'm gonna hit my reading goal (I'm not).

mdemone
Mar 14, 2001

Heath posted:

GR was the first book I read where I became aware of the structure of the narrative can have an identifiable shape to it. The first hundred or so pages are a sort of chaotic mess rising up into something resembling a coherent narrative only to descend back into a fever dream at the end - a narrative arc in a literal sense, mimicking the trajectory of a rocket. That realization was mind-expanding and really changed what I thought a book could be.

In terms of structure, it's also a mandala whose quadrants correspond precisely to the Christian liturgical calendar during the events of the book. And there is absolutely no way in hell anyone could get that on a first reading, because Pynchon dates his events by referring to contemporaneous things that made the British newspapers on a particular day.

Read Weisenburger and have your mind ripped out of your head and thrown in the trash.

Boatswain
May 29, 2012

Take the plunge! Okay! posted:

This reminds me, I’ve had Balestrini’s The Unseen on my shelf unread for years, I should probably read it. Which titles did you order?

That one and We Want Everything.

ThePopeOfFun posted:

Have any of you nerds read Remainder by Thomas McCarthy and want to give a take?

Basically, guy gets infinite money and tries to bring his memories into reality by hiring actors. This escalates right up to the end.

I read it a few years ago and can't stop thinking about it. Prose-wise, it's pretty clinical, but that detached, unfeeling perspective works so well to reveal all the obsession.

Edit: Here's the New York Times review

I've only read Satin Island and some of his essays, I like him and his project.

mdemone posted:


Read Weisenburger and have your mind ripped out of your head and thrown in the trash.

Not really into exoteric v. esoteric readings. Just enjoy the book and worry about gnosis later.

Boatswain fucked around with this message at 16:07 on Dec 13, 2019

chernobyl kinsman
Mar 18, 2007

a friend of the friendly atom

Soiled Meat
esotericism loving whips

Carthag Tuek
Oct 15, 2005

Tider skal komme,
tider skal henrulle,
slćgt skal fřlge slćgters gang



chernobyl kinsman posted:

esotericism loving whips

My local used book store has a whole section of esoterica, right next to the equally sized religion section (both are several shelves). I havent dared look too closely cause i have a bad tendency to buy myself poor just because i like a title/cover.

chernobyl kinsman
Mar 18, 2007

a friend of the friendly atom

Soiled Meat
i read melzer's philosophy between the lines: the lost history of esoteric writing last month and its a great place to start

Carthag Tuek
Oct 15, 2005

Tider skal komme,
tider skal henrulle,
slćgt skal fřlge slćgters gang



chernobyl kinsman posted:

i read melzer's philosophy between the lines: the lost history of esoteric writing last month and its a great place to start

thx for the rec, the blurb sounds super interesting! :)

Boatswain
May 29, 2012
Esoteric literature is not the same as esoteric reading.

Jrbg
May 20, 2014

Started Daša Drndić's Doppelgänger today. There's a scene where two old people in adult diapers wank each other off, peppered with Holocaust references. Sounds like the sort of thing you perverts are into

Jack B Nimble
Dec 25, 2007


Soiled Meat

chernobyl kinsman posted:

i read melzer's philosophy between the lines: the lost history of esoteric writing last month and its a great place to start

If anyone else is interested in this I found a republication of one chapter along with a podcast interview with the author:

https://econjwatch.org/articles/a-beginner-s-guide-to-esoteric-reading

Carthag Tuek
Oct 15, 2005

Tider skal komme,
tider skal henrulle,
slćgt skal fřlge slćgters gang



Boatswain posted:

Esoteric literature is not the same as esoteric reading.

i dont think anybody meant esoteric in the syncretic/eclectic sense

EmmyOk
Aug 11, 2013

Reading Dictionary of the Khazars and it’s pretty cool. Started at the start but read any entries that take my fancy or any that are noted as appearing in all three books

The North Tower
Aug 20, 2007

You should throw it in the ocean.
Can someone remind me of the book about the guy who rewrites Don Quixote exactly as it is?

thehoodie
Feb 8, 2011

"Eat something made with love and joy - and be forgiven"
It's Borges, "Pierre Menard, Author of the Quixote"

The North Tower
Aug 20, 2007

You should throw it in the ocean.

thehoodie posted:

It's Borges, "Pierre Menard, Author of the Quixote"

Thank you!

surf rock
Aug 12, 2007

We need more women in STEM, and by that, I mean skateboarding, television, esports, and magic.
Are people still big on Hemingway?

Not having read anything of his before, I picked up A Moveable Feast. About 20 pages in and... I thought his whole thing was being economical with his writing? There's so much setting description, ugh.

3D Megadoodoo
Nov 25, 2010

surf rock posted:

Are people still big on Hemingway?

Not having read anything of his before, I picked up A Moveable Feast. About 20 pages in and... I thought his whole thing was being economical with his writing? There's so much setting description, ugh.

Maybe there's a reason he didn't have it published?

surf rock
Aug 12, 2007

We need more women in STEM, and by that, I mean skateboarding, television, esports, and magic.
Oh, this is posthumous? Usually the first time I read something, I try to go in blind. Well, if he never had the chance to edit it, that would make sense. I'll try something else of his.

surf rock fucked around with this message at 14:15 on Dec 23, 2019

3D Megadoodoo
Nov 25, 2010

e: oh nevermind

Franchescanado
Feb 23, 2013

If it wasn't for disappointment
I wouldn't have any appointment

Grimey Drawer

surf rock posted:

Are people still big on Hemingway?

Not having read anything of his before, I picked up A Moveable Feast. About 20 pages in and... I thought his whole thing was being economical with his writing? There's so much setting description, ugh.

I think Hemingway's "economical writing" has more to do with his use of negative space than minimal prose. He leaves room for the reader to fill in the blanks instead of directly telling you characters emotions or internal thoughts. The Sun Also Rises, for instance, has pages and pages devoted to a few hours of a fishing trip and bull fights. You can read it for the descriptions, or you can read them as manifestations of the internal struggles of the characters.

"Up In Michigan" and "The End of Something" are good examples of his negative space writing, although "Hills Like White Elephants" is the most well-known example of this, as well as one of his best stories.

If you want vivid minimal prose as well as negative space, then read The Old Man and the Sea. If you want one of his longer novels, try The Sun Also Rises, A Farewell to Arms, or For Whom the Bell Tolls.

Franchescanado fucked around with this message at 14:53 on Dec 23, 2019

surf rock
Aug 12, 2007

We need more women in STEM, and by that, I mean skateboarding, television, esports, and magic.

Franchescanado posted:

I think Hemingway's "economical writing" has more to do with his use of negative space than minimal prose. He leaves room for the reader to fill in the blanks instead of directly telling you characters emotions or internal thoughts. The Sun Also Rises, for instance, has pages and pages devoted to a few hours of a fishing trip and bull fights. You can read it for the descriptions, or you can read them as manifestations of the internal struggles of the characters.

"Up In Michigan" and "The End of Something" are good examples of his negative space writing, although "Hills Like White Elephants" is the most well-known example of this, as well as one of his best stories.

If you want vivid minimal prose as well as negative space, then read The Old Man and the Sea. If you want one of his longer novels, try The Sun Also Rises, A Farewell to Arms, or For Whom the Bell Tolls.

That is super helpful, thank you!

3D Megadoodoo
Nov 25, 2010

He left out the best story, i.e. To Have and Have Not :arghfist::butt:

Squalid
Nov 4, 2008

Franchescanado posted:

I think Hemingway's "economical writing" has more to do with his use of negative space than minimal prose. He leaves room for the reader to fill in the blanks instead of directly telling you characters emotions or internal thoughts. The Sun Also Rises, for instance, has pages and pages devoted to a few hours of a fishing trip and bull fights. You can read it for the descriptions, or you can read them as manifestations of the internal struggles of the characters.

"Up In Michigan" and "The End of Something" are good examples of his negative space writing, although "Hills Like White Elephants" is the most well-known example of this, as well as one of his best stories.

If you want vivid minimal prose as well as negative space, then read The Old Man and the Sea. If you want one of his longer novels, try The Sun Also Rises, A Farewell to Arms, or For Whom the Bell Tolls.

When I was reading The Sun Also Rises the fishing trip scene stuck out to me as kind of weird and clunky, not fitting well with the rest of the book. So after I finished and I looked up the context in which Hemingway wrote the book, I wasn't surprised to find that while the story is mostly based on an actual trip Hemingway took with his friends, that scene was complete invention. In Hemingway's real trip when he got to the river a chemical spill had caused a toxic algae bloom and killed all the fish. While much of the book is basically his actual vacation, that was his idealized vision of the perfect day fishing, and I think that contributed to the scene breaking with the minimalism of much of the rest of the novel.

Philthy
Jan 28, 2003

Pillbug
I dived into A Moveable Feast last month blind wondering what was up as well. After you get what it is, it becomes a bit more enjoyable. I'm glad I read it.

Also, read up on how this book was made when you finish. It has a unique backstory surrounding it worth knowing about.

cda
Jan 2, 2010

by Hand Knit
Threw A Moveable Feast away when I realized it was not a review of different Drive Thrus.

Nanomashoes
Aug 18, 2012

Rupi Kaur Is the Writer of the Decade
The young Canadian poet understands better than most of her contemporaries how future generations will read.
By RUMAAN ALAM
December 23, 2019

quote:

Rupi Kaur has published two books: 2015’s Milk and Honey, 2017’s The Sun and Her Flowers. Her epigrammatic verse is spare, the offspring of classical aphorism (if you’re feeling generous) and the language of self-help. The poems have a confessional, earnest manner; disarmingly full of feeling, they can be easy to dismiss. Nevertheless, Rupi Kaur, a Canadian poet who is not yet 30 years old, is the writer of the decade.

Kaur’s writing is not itself to my taste. She writes, in “the breaking”:

did you think i was a city
big enough for a weekend getaway
i am the town surrounding it
the one you’ve never heard of
but always pass through

Beyond the affectation of the lowercase letters, I find the metaphor impenetrable—the speaker is ... a suburb? Further, I’m not an especial fan of the line drawings (they look like outsider art) that often accompany her poetry.

But Kaur’s achievement as an artist is the extent to which her work embodies, formally, the technology that defines contemporary life: smartphones and the internet. (Perhaps you could say the same of the novels now considered classics that were originally published serially in newspapers.) I’d argue that many of the writers currently being discussed as the most significant of the last decade write in direct opposition to the pervasive influence of the internet. Karl Ove Knausgaard, Rachel Cusk, and Ben Lerner (to name but three of our best) are interested in the single analog consciousness as a filter through which to see the world. If you think their experiment is the most important of the last 10 years, you’re probably (sorry) old.

The next generation of readers and writers views reality through a screen. Kaur, born in 1992, was 15 when the iPhone debuted. The majority of her readers have never known adulthood without that gizmo’s mitigating influence. On Instagram, Kaur doesn’t just share selfies and drawings; she publishes. Kaur’s books have sold more than 3.5 million copies, an incredible number for any poet but the more remarkable when you consider that surely some percentage of her readership has never owned one of those books.

Popularity does not generally correlate to artistic significance, but Kaur’s is an unusual case. That her work crumbles under traditional critical scrutiny is not really the point. There are readers who will forever think of Kaur as the first poet they loved. Even if they outgrow her—as is inevitable: I can no longer bear Salinger or Kerouac or Auster or many of the writers I adored as a younger reader—the lines in Milk and Honey will be a common text for the fortysomethings of 2035.

This is a different matter from a shared pop culture touchstone, such as Top 40 songs or sitcoms. The mantle of poet accords Kaur a kind of legitimacy, as it always has; you could write about her work for your college application essay. Readers who know about poetry might think Kaur’s work is dumb; those for whom Kaur is their first exposure to the medium think it profound. It doesn’t matter if you believe that title of poet belongs only to the likes of Wallace Stevens or Gwendolyn Brooks. Kaur has seized it for herself.

And she deserves it. Kaur cannily understands the contradiction that we want technology—in this case, a very powerful computer—to connect us to real people. She uses her verse, her drawings, her photographs, to give us persona, which is the next-best thing, and also an age-old poetic technique. It is easy for some readers (snobs like me) to dismiss Kaur’s self-representation as posture, or performance. I think this reflects a mostly generational divide. But can’t you imagine a younger Anne Sexton taking a selfie, or Elizabeth Bishop sharing a snapshot of the sea?

Kaur’s verse is compact in part because she’s thinking within the parameters of a smartphone screen, which is not that radical when you consider that many poetic forms are about artificial constraint. Think of hers as an Oulipian project. I also feel she’s onto something: The canonical poetry most likely to endure the next century is the one that can fit comfortably within the glowing window we spend so much of our time gazing into.

Technology has already trained us to read differently, which in turn has started to change the literature. The Crying Book, a recent nonfiction work by Heather Christle (also a poet), is organized into perfect swipe-size snippets of text. It doesn’t cohere as an argument so much as it overwhelms (maybe, alas, bores), like the internet’s infinite scroll. You can lament the death of the transitional sentence if you like; I’d say you should expect much more work like this.

A couple of decades ago, a handful of the avant-garde wanted a prose that assumed the shape—synaptic, irregular—of hypertext. That work remains mostly experimental (which is to say, a niche concern). Kaur’s poetry does something similar, but the experiment was a success. I was forced to read Robert Frost as a schoolboy and understood poetry to be metaphoric musing; Kaur’s young readers want to engage with her work, and will expect a poetry of brevity and brute feeling. They might enjoy Frost, but they’d also like an Instagram of those woods on a snowy evening. And Kaur (and her descendants) will deliver.

Kaur has used her own tools—her phone, her body and face (it doesn’t hurt that Kaur is strikingly beautiful), her sketches—to dismantle the master’s house: Many American readers consider a young woman of color our most prominent poet. Even if I think they’re wrong, it’s hard not to be thrilled by this fact.

A decade is an arbitrary thing, but the one now ending gave us remarkable writing. The artistry and sustained off-line attentions of Knausgaard, Cusk, and Lerner; the intimate multivolume epics of Elena Ferrante and the curiously under-discussed Jane Smiley; more singular and lovely novels than I could ever list here. Those are a matter of the past. I don’t know if we’ll be reading Rupi Kaur a decade or two hence, but I suspect we’ll be reading as she taught us to.

doug fuckey
Jun 7, 2007

hella greenbacks
thanks I hate it

Sham bam bamina!
Nov 6, 2012

ƨtupid cat
Merry Christmas to you too.

chernobyl kinsman
Mar 18, 2007

a friend of the friendly atom

Soiled Meat

quote:

The young Canadian poet understands better than most of her contemporaries how future generations will read.

powerful blackpill

ThePopeOfFun
Feb 15, 2010

Was it a GOON who turned Yahoo answers into Rupi posts?

Heath
Apr 30, 2008

🍂🎃🏞️💦

chernobyl kinsman posted:

powerful blackpill

This poo poo makes me unbelievably depressed because I can actually feel the internet making me dumber and I take refuge in long form literature for that reason. An entire generation growing up that way is revolting to think about.

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doug fuckey
Jun 7, 2007

hella greenbacks
this will make you feel better im sure
https://thebaffler.com/latest/instapoetry-roberts

quote:

“For me, poetry is like holding up a mirror and seeing myself,” Rupi Kaur, the best-selling Instapoet of all time, has said. In other words, this is the poetry of capitalism.

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