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In the 60s belief in psychic powers was more socially acceptable than it is now. Some people thought it was real and assumed science would discover its secrets. Tragically, in the modern day we know the secret ingredient was crime.
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# ? Nov 6, 2021 15:05 |
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# ? Jun 3, 2024 16:01 |
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Zazz Razzamatazz posted:Not only that but it's amazingly fast to be able to go from one solar system to another in just 180 whatever years... I tend to give a pass to most sci fi shows when it comes to travel time in space, since the sheer magnitude of space makes it difficult to tell any sort of story that doesn't take place in a single solar system, if you're concerned with realism. It is a super huge bummer that it would literally take a hundred human lifetimes even for light to travel to the planet with the fish people, but if you want to tell a story about meeting the fish people you've gotta just speed up the ship somehow. That said, this show is kinda pushing it, but it's still whatever -- the Empire has instant travel that folds space, everyone else has to use ships that outperform lightspeed travel but still take decades (which is used as a caveat to skip time and insert characters into future time periods.)
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# ? Nov 6, 2021 15:12 |
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Phenotype posted:Despite that, I really liked this episode, including Empire's storyline. I was really disappointed to see him be so petty about the deposed priestess. Demerzel said it -- he'd already won, in such a convincing fashion as to bring even more glory to his line. I suppose it shouldn't be much of a shock considering that old painter guy that he vaporized in the first episode, but I like that they show him as a more textured character than Generic Ruthless Despot, and I was expecting him to leave her alive in disgrace as part of the elegant victory that he pulled off. Tom Guycot posted:I don't understand why Day would even give a poo poo about not seeing a vision. Hes not a member of this religion, so he certainly doesn't believe in whatever magic gods they worship, so why would he even expect to see a vision? Maybe the writers for the show are so ashamed that the author of the source material was an atheist that they felt they had to put in some "God's Not Dead"-like moment where the non-believer feels shame. This contrasts with how Gene Roddenberry's work as an atheist was followed up by the good religious storylines in DS9 galenanorth fucked around with this message at 15:56 on Nov 6, 2021 |
# ? Nov 6, 2021 15:49 |
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Phenotype posted:I tend to give a pass to most sci fi shows when it comes to travel time in space, since the sheer magnitude of space makes it difficult to tell any sort of story that doesn't take place in a single solar system, if you're concerned with realism. It is a super huge bummer that it would literally take a hundred human lifetimes even for light to travel to the planet with the fish people, but if you want to tell a story about meeting the fish people you've gotta just speed up the ship somehow. Thats not true, you can have hard sci-fi stories about the USS Enterprise traveling around the galaxy. Its just the journey is one-way and Earth will be a burnt out husk before they reach their first planet. But due to time dilation the crew of the exploration ship will experience everything just like a warp drive. To me thats a much more interesting story https://www.youtube.com/watch?v=JQnka2wNa_M
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# ? Nov 6, 2021 15:56 |
Rutibex posted:Thats not true, you can have hard sci-fi stories about the USS Enterprise traveling around the galaxy. Its just the journey is one-way and Earth will be a burnt out husk before they reach their first planet. But due to time dilation the crew of the exploration ship will experience everything just like a warp drive. If this premise sounds interesting, check out The House of Suns by Alastair Reynolds
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# ? Nov 6, 2021 16:01 |
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galenanorth posted:Maybe the writers for the show are so ashamed that the author of the source material was an atheist that they felt they had to put in some "God's Not Dead"-like moment where the non-believer feels shame. This contrasts with how Gene Roddenberry's work as an atheist was followed up by the good religious storylines in DS9 I don't think Asimov was an atheist, at least not in a crude sense. He had complex ideas Asimov posted:Why is it my favorite? For one thing I got the idea all at once and didn't have to fiddle with it; and I wrote it in white-heat and scarcely had to change a word. This sort of thing endears any story to any writer. Then, too, it has had the strangest effect on my readers. Frequently someone writes to ask me if I can give them the name of a story, which they think I may have written, and tell them where to find it. They don't remember the title but when they describe the story it is invariably 'The Last Question'. This has reached the point where I recently received a long-distance phone call from a desperate man who began, "Dr. Asimov, there's a story I think you wrote, whose title I can't remember—" at which point I interrupted to tell him it was 'The Last Question' and when I described the plot it proved to be indeed the story he was after. I left him convinced I could read minds at a distance of a thousand miles. quote:The story deals with the development of a series of computers, Multivac, and its relationships with humanity through the courses of seven historical settings, beginning on the day in 2061 that Earth becomes a planetary civilization. In each of the first six scenes, a different character presents the computer with the same question, how the threat to human existence posed by the heat death of the universe can be averted: "How can the net amount of entropy of the universe be massively decreased?" That is equivalent to asking, "Can the workings of the second law of thermodynamics (used in the story as the increase of the entropy of the universe) be reversed?" Multivac's only response after much "thinking" is "INSUFFICIENT DATA FOR MEANINGFUL ANSWER."
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# ? Nov 6, 2021 16:04 |
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GABA ghoul posted:Yeah, this show is pretty far from hard sci-fi. In the first episode you already have: magic voodoo mathematics, psychic powers, a stone age village build on water and FTL travel. https://www.youtube.com/watch?v=DCqjR1gHyIQ
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# ? Nov 6, 2021 16:07 |
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Rutibex posted:Thats not true, you can have hard sci-fi stories about the USS Enterprise traveling around the galaxy. Its just the journey is one-way and Earth will be a burnt out husk before they reach their first planet. But due to time dilation the crew of the exploration ship will experience everything just like a warp drive. Yep, and the Enterprise is an ancient hunk of junk by halfway through the first season and the crew spends the rest of their days as an oddity in a space zoo after the first time they encounter any hostile aliens. It's just that it's a significant constraint on any story you're trying to tell, and it limits the stories that are able to be told. Star Trek wouldn't be Star Trek if they left the Federation a thousand years behind the first time they traveled. It's fine if you think stories that respect those rules are more interesting, but a lot of fun sci fi stories couldn't have been written at ALL without breaking them.
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# ? Nov 6, 2021 16:18 |
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The only way Gaal is getting to Synnax before the heat death of the universe in that pod is if she hopes for the best and Buck Rogers' herself into that black hole
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# ? Nov 6, 2021 17:02 |
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Phenotype posted:That said, this show is kinda pushing it, but it's still whatever -- the Empire has instant travel that folds space, everyone else has to use ships that outperform lightspeed travel but still take decades (which is used as a caveat to skip time and insert characters into future time periods.) In the podcast of the show, the word of god is that the non-jumpships don’t travel faster than light, and that the Foundation colony ship did about half the speed of light, so we have to assume that this galaxy is not much larger than our solar system. Glimpse fucked around with this message at 17:09 on Nov 6, 2021 |
# ? Nov 6, 2021 17:06 |
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DaveKap posted:I had to look up some examples and came to realize that my definition of hard sci-fi is way looser than it should be. I've always seen science fiction and fantasy as two sides of the same coin anyway. This opinion hasn't made me many friends among the more purist fans of either genre, but I stand by it -- they're basically just two very broad categories of setting where you can tell stories of unreal things. It's a matter of taste whether mixing the two genres is a good thing in any given work. They coexist happily in Star Wars or Buffy the Vampire Slayer or The Venture Brothers, but Lord of the Rings would not be improved by having a squadron of starfighters drop out of hyperspace. So it's perfectly valid to not like that Foundation is seemingly veering in a more fantasy-oriented direction.
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# ? Nov 6, 2021 17:32 |
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Hard sci-fi to me is giving it at least some minor effort to fit it within actual physical and mathematical constraints. I wish more sci-fi series would lean towards the way The Expanse does, even tho it annoys me that several seasons in, they still have small bits focusing on the characters clicking their magboot heels when they transition flight modes. And even they play pretty loose with time in space.
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# ? Nov 6, 2021 17:54 |
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All fiction is fantasy really
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# ? Nov 6, 2021 17:59 |
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Glimpse posted:In the podcast of the show, the word of god is that the non-jumpships don’t travel faster than light, and that the Foundation colony ship did about half the speed of light, so we have to assume that this galaxy is not much larger than our solar system. But that doesn't make any sense either! That's what I mean -- at some point you just have to wave your hands and accept that in this universe it is somehow possible to cross half the galaxy in 38 years while also not exceeding the speed of light. Maybe the speed of light is a lot faster here? Or okay, maybe there's an entire galaxy's worth of stuff in the volume of a single solar system. Real life space travel is several orders of magnitude more difficult and time-consuming than you can really deal with while telling certain kinds of stories, so I usually don't mind telling myself "okay, it just works like that I guess" without thinking into it any deeper. Even something like The Expanse has to give up and handwave a magic gate once they want to write stories about humanity leaving the solar system.
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# ? Nov 6, 2021 18:04 |
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gohmak posted:She broke the ship by breaking a display screen, then jettisoned in a pod into the very same accretion disk that threatened the main ship. This is when it lost me as well.
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# ? Nov 6, 2021 18:36 |
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Yeh that was ridiculous, and how a lifeboat is now a tiny personal spaceship that can operate for hundreds of years without refueling or anything.
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# ? Nov 6, 2021 18:52 |
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Explicitly showing whether or not Day had the vision was a weird decision. It would have been much better if the whole thing was ambiguous.
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# ? Nov 6, 2021 19:33 |
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Phenotype posted:Yep, and the Enterprise is an ancient hunk of junk by halfway through the first season and the crew spends the rest of their days as an oddity in a space zoo after the first time they encounter any hostile aliens. That sounds like something I'd love to read. But I get you point, everything doesn't have to be hard sci-fi to be good, and insisting on that limits the kind of stories that can be told. I love those kinds of stories too. Dune and Foundation, and warhammer 40k are all great.
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# ? Nov 6, 2021 19:45 |
There's space to tell both hard sci-fi stories and soft sci-fi. It's not like by writing or reading one or the other precludes someone from doing the other.
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# ? Nov 6, 2021 20:03 |
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Rutibex posted:I think they already did, they showed the crew dead from space madness that's kinda disappointing if that's all they show, I'm hoping for at least a video of the crew eating each other while screaming latin
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# ? Nov 6, 2021 20:21 |
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The soft vs. hard sci-fi discussion is interesting, but that isn't the main problem with this show, IMO. The problem for me isn't a magic FTL drive, or mathematics that could give accurate predictions of the behaviour of collectives of trillions of people, hell even telepathy could be OK, the problem is that everything outside the Empire's Palace is aggressively stupid. Salvor and her coin flips seem to indicate she's in fact the cousin of Teela Brown from Ringworld, and innate luck was pretty dumb there too, but here, whoo boy. Gaal can just see the future now, because ???? And yes, Hari predicting the actions of individuals with magical mathemagics was already lame, but now he's uploaded himself to be a real cyber-boy after all and honestly I'm not even sure what is going on with that plot-line anymore. Everything about the Anacreonians was stupid one way or the other. For the first half of the season, roughly, the mysterious And now with the Space Pope Election plot-line, even brother Day has had some fairly dumb things going on, and never mind Demerzel. Even though the trek along the spiral was interesting, the whole vision business, just ugh. e: put some book spoiler tags just in case! Rappaport fucked around with this message at 21:44 on Nov 6, 2021 |
# ? Nov 6, 2021 20:57 |
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Yeah you just remind me that Voyager Doc style Seldon projection ruin the major set piece in the book Seldon pre-recorded prediction. Hey remember the geocities page you made 25 years ago? How about you just stealth edit it?
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# ? Nov 6, 2021 21:32 |
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Rappaport posted:The soft vs. hard sci-fi discussion is interesting, but that isn't the main problem with this show, IMO…. I liked the vision part. Brother Day felt empathy with the old man and genuinely seemed like he wanted to see an actual vision but when he got nothing, he just went ahead and did the ruthless political move. Still think he shows some actual “soul” but, like his younger brother, sticks with the appearance and defaults to the norm when it doesn’t bring that revelation he hoped for. But I think he truly wanted it. To find the answers to questions he didn’t want to voice, including the question of his own “humanity.” I like this show but get frustrated with it every time. The Empire bits are good to great and the main reason I stick around but the rest? Seldon and Gaal’s thing is ok but I actually eye rolled at the “let me go” speech. She’s a special one and even the secret second foundation planet, which IS a cool idea, is bogged down in mediocrity. The worst part is everything to do with the Warden and Terminus arc. Just hackneyed trope sci if that reminds me of some Bruce Willis needs a paycheque vehicle. “I’m facing a bunch of armed baddies who are trying to kill us and working on disabling our shield. What should I do? I know stand out in the open with my one long rifle waiting for them!” “Let me sneak by right in front of the enemy - flawless plan!” “We need specialists! Let’s shoot most of them and then hope we didn’t kill anyone we need later!” “I hate this girl but I need her and my other specialists but just gonna let them be in danger constantly because I’m eeeeeviiil!” Just poo poo lazy writing and now, episodes in, I don’t care if any of them survive. Even the mysterious aliens from the outside hook bores me as, even if I hadn’t seen it before, I don’t trust it to escape the lovely Warden Scott Buck level screenplay miasma. Sucks as the show is beautiful to look at and I really am hooked on a third of it. I just want them to drop the Warden and Terminus after they get nuked by someone which is funny as they are the biggest ties to the books. Reminds me of how I disliked the characters from that Mist show. I never would have watched a second season of the Mist but did get some joy out of watching most of them die. Why won’t this show let me love it?
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# ? Nov 6, 2021 22:05 |
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The slow boat ships not being FTL by word of god is... incredibly dumb. It's fine having the imperial ships being instant travel and the other ships are slow boating with Trek style warp drive where it takes 70 years to get across the galaxy. Then again a smart adaptation that moves from Asimov a bit but keeps to the spirit would be the empire having a monopoly on jump gates which represent Roman roads and infrastructure starts to collapse on the outer rim and slow boat FTL is the only option. That would also make it harder for the empire to send off expeditions since it might take 5 years from the nearest gate to reach Terminus and by the time Foundation and Empire rolls around it might be a 20 year trip for Imperial ships and Foundation ships have faster FTL and intentionally avoid building a gate network. The AI upload for Seldon does seem to undermine the whole use of the pre-recorded holograms and the "oh snap" from predictions starting to go wrong. But in terms of major sins: Gaal being in charge of the First Foundation- A convoluted plot to make sure no psychohistorians are on Terminus makes sense and making sure she and Raych are with Hari to start the Second Foundation would be much more logical. This "twist" undermines the whole no psychohistorians on Terminus need. Spacers being empire genetically engineered- If you wanted Dune, then Goyer should duel Villenvue for it. This seems to undo the whole spacer conflict/robot backstory. No laws of robotics for robots- Again, why bother magic this an Asimov franchise if throwing that away? The plot twist with Demerzel should be that she "serves humanity" and follows the Zeroeth law. Gaal's prescience- Well it could be worse, Goyer could team up with Kevin J. Anderson. Oh poo poo I just doomed us all... The Lee Pace stuff is good, in the first episodes I thought the clone emperor part was a groaner since Goyer seems to be obsessed with "stagnant clone societies" but it's the best written and thought out parts of the show. As for the Terminus parts those actors deserve better scripts....
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# ? Nov 6, 2021 23:06 |
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Rappaport posted:(book stuff) and since Hari is a cyber-boy, are they even going to do the "hologram predictions"? What would be the point, if the man is actually sci-fi-alive? And if not, what is the point of the fainting couch monolith? And then there's everything about stephenthinkpad posted:Yeah you just remind me that Voyager Doc style Seldon projection ruin the major set piece in the book Seldon pre-recorded prediction. Hey remember the geocities page you made 25 years ago? How about you just stealth edit it? Yup (book stuff) one of my favorite part of the books, was how each story lead you down a path of "seldon was right all along, now that its all over we got a recording and he knew exactly what would happen!", culminating in Riose who's entire story is a living man's will against the dead hand of hari seldon, and the heroes of the foundation don't even do anything and only find out they won after the fact from a newspaper, because it was the forces of history and human behavior that made it so they would win the whole time (incidentally, man I hope the show has the balls to have the heroes of the Riose story just dick around on Trantor for a month accomplishing nothing only to find out they won off screen, lol). However, in the very next story, all the predictive power of psychohistory thats been built up in previous chapters, and all the planning of Seldon comes crashing down in dramatic fashion when the vault opens during a crisis and starts playing some completely wrong pre recorded message that has nothing to do with anything going on. If its just AI seldon communication with each crisis 'chosen one', it just kills that. likewise if they spend all their time going on about how incomplete and wrong psychohistory maths are, and "outliers" and stuff, when it does come crashing down, it won't have an impact because the audience was never lulled into believing in the mathmatics of it in the first place. Somethings been bugging me that I just kind of realized. Psychohistory is predicated on social and group dynamics on a large scale, and the crisis revolve around that scale, but on the show, this entire crisis is resting on this one ancient ship that just happened to have jumped in next to their system. Its the only reason the Huntress invaded in the first place. There is no way that could have ever been predicted, no one thought the ship was real, or knew where it was, and was making random jumps on top of that. The only way the events going on now can exist as a crisis along the plan would be if Seldon and crew found the ship, and programmed it to arrive in the system at that time and even then.... thats pretty far fetched that everything that followed would have followed. I mean, yeah the whole concept of psychohistory is obviously quakery for a story gimmick, but the events should at least be large scale dynamics so they're more believable in universe. Like, at the very least it shouldn't come down to someones reflexes in a duel. One person in charge of larger events is one thing to suspend disbelief for, one person dodging a gun shot is another. The other thing thats been bugging me a lot, is the way they changed the characters. I have no problem with any of the casting choices, and gender swaps are great as the story was a sausage fest and no ones gender played any part in their character or stories so its a good change. However, Its getting to be a reoccurring theme, Salvor Hardin is a woman and instead of being a cunning politician and manipulator behind the scenes, she now is a huge emotional ball of weeping and screaming and fighting. Gaal was a pretty non character, but mostly a kind of generic book worm grad student, who is now a woman and huge emotional mess weeping and screaming all the time. Demrezel is now a woman (even though... I mean its technically whatever it wants as a robot) and instead of a very logical creature bound by laws to not harm people, is a weepy, emotional, religious murderbot. Its not that people can't or shouldn't have emotional reactions, but, the characters who weren't gender swapped and even the original characters (salvor's boyfriend, dad, cleons, that imperial door opener commander) are mostly pretty rational, sensible acting while all the women gender swaps are huge emotional wrecks. Its god drat insulting, and maybe thats whats been in the back of my head bothering me. Even though its not really following the story, might want to spoiler some of the book stuff there for the people who haven't read it I do love the idea of jump gates as roads and all that. Go send them a spec script because that sounds way better than whats going on with Terminus as it is, lol.
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# ? Nov 6, 2021 23:36 |
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My theories/opinions, show spoilers only though I have read book 1 of the series: The jump-ship's jumping patterns aren't random, they're predictable. Based on the most reliable rumours of its sightings throughout the galaxy, Hari Seldon or some kinda psychohistory AI figured out the pattern. He designed the Foundation to be most likely exiled to Terminus so that they would have a chance at acquiring it. In the early episodes, not having a jump drive was a big deal to Hari. Acquiring an old (and therefore good) imperial Flagship vessel would mean the Foundation could protect itself instead of being at the mercy of every small band of space jerks. This would also let them acquire more power to maintain influence during the fall of the Empire. While they were probably hoping for more reliable protection from the Empire early on, the whole point of their operation is that the Empire would weaken to the point where they couldn't protect something in the outer rim in short order, so facing their first hostile military conflict and coming out on top with unassailable weaponry would be a top priority. muscles like this! posted:Explicitly showing whether or not Day had the vision was a weird decision. It would have been much better if the whole thing was ambiguous. I agree. For a show that could be 'cerebral' they always gotta hammer home "this is what's happening right now, what's happening right now is this." Same with the Gaal revelation, it could have been one third of the length of flashbacks easily. I usually hate 'this is the plot twist' flashbacks but that one could have been good. Also Gaal being psychic is just kinda boring to me. The show already has math that can loosely predict the future, like that's literally the main point of the show. If there's people in the galaxy walking around who can see the future why don't they just ask them lol. Also while I kinda agree things we see in a show should be real unless it's a major gimmick of the show, I'm okay with them showing the vision because it looked cool and things looking cool is the show's greatest strength. Might as well use it. However it would def. have been wrong to show the fake vision but then not show the real non-vision. I think Day was (not morally but practically) right to kill that priestess. Even if she was rebuked now she wasn't permanently defeated just because he went for a walk. That religion has trillions of followers, plenty of room for a schism big enough to be disruptive to his authority. Also if the Huntress' plan were to succeed he would be about to experience a great lesson in not dealing with potential rebels in half-measures, something I think we already saw him learning when he was Dawn.
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# ? Nov 6, 2021 23:42 |
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Metropolis posted:
Seems like an accurate organized religion especially the whole bit about giving away the life savings to go on death march pilgrimage.
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# ? Nov 6, 2021 23:49 |
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Is the Warden in Gi Joe? She has a sneak shot and uses it to shoot the weapon out of the huntress hand?
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# ? Nov 7, 2021 00:04 |
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Metropolis posted:I think Day was (not morally but practically) right to kill that priestess. Even if she was rebuked now she wasn't permanently defeated just because he went for a walk. That religion has trillions of followers, plenty of room for a schism big enough to be disruptive to his authority. Also if the Huntress' plan were to succeed he would be about to experience a great lesson in not dealing with potential rebels in half-measures, something I think we already saw him learning when he was Dawn. Though it does feel kind of odd to have an entire sub-story that ends up in a win for the empire. I thought the empire was supposed to be collapsing not learning valuable life lessons and growing as a person
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# ? Nov 7, 2021 00:05 |
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i just realized gaals initial trip made took 37 years so all the dumb poo poo that happened on the ship with holo hari happened at the same time as the terminus timeline. they made it seem as if the plots would converge, but nope gaal is gone for another 100 years! i guess the only significance is that the second foundation hasn't been set up by the time the anachreon crisis is takes place on terminus.
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# ? Nov 7, 2021 00:18 |
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Blowdryer posted:i just realized gaals initial trip made took 37 years so all the dumb poo poo that happened on the ship with holo hari happened at the same time as the terminus timeline. they made it seem as if the plots would converge, but nope gaal is gone for another 100 years! One of the most annoying characters on the show and she decided to go with a 100 years of shutting the gently caress up route. Please don't throw me in the briar patch...
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# ? Nov 7, 2021 00:31 |
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Tom Guycot posted:I don't understand why Day would even give a poo poo about not seeing a vision. Hes not a member of this religion, so he certainly doesn't believe in whatever magic gods they worship, so why would he even expect to see a vision? He didn't give a poo poo, he was always going to fake it, the plant was always going to be his vision. He gives a poo poo that a Robot could have a vision when he couldn't though.
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# ? Nov 7, 2021 01:09 |
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Blowdryer posted:i just realized gaals initial trip made took 37 years so all the dumb poo poo that happened on the ship with holo hari happened at the same time as the terminus timeline. they made it seem as if the plots would converge, but nope gaal is gone for another 100 years! I think there's a decent possibility the warden's random space jump will end up right in front of Gaal's pod, so her being absent for 100+ years isn't all that guaranteed. Why doesn't the ghost ship stink, anyway? All those bodies just defrosted.
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# ? Nov 7, 2021 01:13 |
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darkgray posted:Why doesn't the ghost ship stink, anyway? All those bodies just defrosted. This was my first thought. Why are they taking off their space suits on a ship full of corpses? It's not like it's just skeletons, these frozen corpses that are soon going to thaw out and start stinking.
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# ? Nov 7, 2021 01:16 |
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rafikki posted:If this premise sounds interesting, check out The House of Suns by Alastair Reynolds Also, Pushing Ice Chasm City On the Steel Breeze by Alastair Reynolds. Aurora by Kim Stanley Robinson
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# ? Nov 7, 2021 01:18 |
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Metropolis posted:The jump-ship's jumping patterns aren't random, they're predictable. Based on the most reliable rumours of its sightings throughout the galaxy, Hari Seldon or some kinda psychohistory AI figured out the pattern. He designed the Foundation to be most likely exiled to Terminus so that they would have a chance at acquiring it. In the early episodes, not having a jump drive was a big deal to Hari. Acquiring an old (and therefore good) imperial Flagship vessel would mean the Foundation could protect itself instead of being at the mercy of every small band of space jerks. This would also let them acquire more power to maintain influence during the fall of the Empire. While they were probably hoping for more reliable protection from the Empire early on, the whole point of their operation is that the Empire would weaken to the point where they couldn't protect something in the outer rim in short order, so facing their first hostile military conflict and coming out on top with unassailable weaponry would be a top priority. (Book spoilers) Remember, in the books, Anacreon DID find a derelict Imperial battleship, with which they directly threatened the Foundation. Hardin even had the Foundation's technicians fix the ship up for them first, which seemed inexplicable at the time. But the whole point of psychohistory was that the addition of that randomly-found ship (which more or less doubled Anacreon's naval strength) didn't matter in the slightest. Without the ship, Anacreon still would have tried to attack the Foundation at about that same time, and they still would have had overwhelming force on their side, and they still would have lost the war before it began for exactly the same reason. The ebb and flow of history is much bigger than single events like stumbling across one derelict. I'm still trying to give the show the benefit of the doubt here, and I don't consider "it's different from the book" to be a valid criticism all on its own. It's a different time and a different medium, of COURSE they're going to make changes. But with this one... I just don't see what the writers are going for or why they thought it was a good change. At the risk of repeating myself, the Trantor/Emperor storyline bears almost no resemblance to anything from the books, but it's very compelling on its own. But with the Anacreon/Ghost-ship storyline, I'm barely even interested at this point.
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# ? Nov 7, 2021 01:18 |
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Cojawfee posted:This was my first thought. Why are they taking off their space suits on a ship full of corpses? It's not like it's just skeletons, these frozen corpses that are soon going to thaw out and start stinking. Also they don't know exactly what went wrong. Maybe don't expose yourself to potential space plagues?
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# ? Nov 7, 2021 01:19 |
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That whole plot line is stupid. You're 30 years in the future, everyone you loved is dead, you are in the middle of space. It sucks, but you might as well ride this thing out, and see where it leads. No, float me off in to oblivion, that sounds like a better plan.
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# ? Nov 7, 2021 01:19 |
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Phenotype posted:
From the first Expanse Novel, the premise was always Hard Science Fiction meets Soft. Hyperion is the inverse.
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# ? Nov 7, 2021 01:27 |
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# ? Jun 3, 2024 16:01 |
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darkgray posted:I think there's a decent possibility the warden's random space jump will end up right in front of Gaal's pod, so her being absent for 100+ years isn't all that guaranteed. Random Terminus cannon fodder #3 restored the environmental systems before she was pointlessly killed off. The old empire sure knew how to make good air scrubbers, can clean the smell of corpse right out of a ship.
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# ? Nov 7, 2021 01:36 |