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Arsenic Lupin
Apr 12, 2012

This particularly rapid💨 unintelligible 😖patter💁 isn't generally heard🧏‍♂️, and if it is🤔, it doesn't matter💁.


thunderspanks posted:

He said "blockbuster"

She, thanks.

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Total Meatlove
Jan 28, 2007

:japan:
Rangers died, shoujo Hitler cried ;_;
Nobody specified financially successful. It’s probably a good foil given the hallucinatory/escapist/absurdist elements of both.

GateOfD
Jan 31, 2023

So kawaii..
ones that were actually successful? no.

last one was the female ghostbusters, and that was a trainwreck

dodgeblan
Jul 20, 2019

Total Meatlove posted:

Sucker Punch?

lmao

dodgeblan
Jul 20, 2019
you know, those two things women love and feel themselves represented in- Sucker Punch and Barbie.

dodgeblan fucked around with this message at 18:55 on Aug 1, 2023

Hollismason
Jun 30, 2007
An alright dude.
Barbies the first blockbuster movie where patriarchy is specifically the main enemy

Arsenic Lupin
Apr 12, 2012

This particularly rapid💨 unintelligible 😖patter💁 isn't generally heard🧏‍♂️, and if it is🤔, it doesn't matter💁.


GateOfD posted:

ones that were actually successful? no.

last one was the female ghostbusters, and that was a trainwreck

I am apparently the only person in the world who loved the all-woman Ghostbusters.

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN

Arsenic Lupin posted:

It's not unusual for blockbusters to have "progressive" (whatever that means) views, but for a blockbuster to have in-your-face feminism? I don't remember the last time that happened. You may be able to cite a speech here, a speech there, but when was a blockbuster completely focused on the patriarchy and what it means and oh, yeah, good gags?

Ok, so how are you defining terms like "feminism" and "patriarchy"? There are self-proclaimed feminists who are hardcore reactionaries (e.g. Rowling), and The Barbie Movie talks a lot about patriarchy, without much along the lines of anticapitalism. It's a blind spot.

Even Sasha (at the start of the film, before her arc) adds a qualifier: complaining about sexualized capitalism. That's ambiguous, because "sexualized capitalism" can mean a capitalism supplemented by sexist ideology (e.g. where notions of sexual difference are used to naturalize inequality) and/or just the selling of sex (sexual imagery in advertising, etc.). Given the context, it seems that Sasha means the latter, but we'll never really know because the things she's expositing about aren't actually illustrated at all.

It's exactly like how, through a Marxist lens, all workers are exploited under capitalism but the word "exploitation" is used more casually across the political spectrum to refer to some kind of specific moral degradation (e.g. a view that, unlike "normal women", women working in the porn industry are being exploited because they're made to do sex things). There's a big difference!

In any case, removing the "sexualization" part and just calling Barbie a "symbol of capitalism" would remove a lot of that ambiguity. It would also, consequently, be far too directly anticapitalist for a Hollywood film. That's the kind of thing you can point out to do a critique of its ideology.

Why is the focus exclusively on the idea-of-a-doll and not the actual process of making and selling the plastic toys? Actual plastic Barbie dolls are rarely onscreen in this film.

SuperMechagodzilla fucked around with this message at 19:16 on Aug 1, 2023

Rarity
Oct 21, 2010

~*4 LIFE*~

Hollismason posted:

Barbies the first blockbuster movie where patriarchy is specifically the main enemy

Captain Marvel as well but it's not quite so explicit

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN

Hollismason posted:

Barbies the first blockbuster movie where patriarchy is specifically the main enemy

Unless that's a "Black Panther is the first ever black superhero movie" joke, this is an absolutely blinkered view.

Fuckin' Titanic, man! Frozen! Jurassic Park, even!

Star Wars Episode 7: The Force Awakens has a sexist villain. Like, this only makes sense if you're counting movies where a character turns to the camera and directly identifies the abstract concept of patriarchy as the villain.

Arsenic Lupin
Apr 12, 2012

This particularly rapid💨 unintelligible 😖patter💁 isn't generally heard🧏‍♂️, and if it is🤔, it doesn't matter💁.


SuperMechagodzilla posted:

Ok, so how are you defining terms like "feminism" and "patriarchy"? There are self-proclaimed feminists who are hardcore reactionaries (e.g. Rowling), and The Barbie Movie talks a lot about patriarchy, without much along the lines of anticapitalism. It's a blind spot.
Show me a blockbuster movie where a character looks directly at another character and makes a lengthy speech about how the patriarchy is oppressing her. Show me one where "the patriarchy" is mentioned repeatedly, and is furthermore instantiated and recognized. You're trying to shift the grounds here. The fact that Rowling calls herself a feminist doesn't mean that the movies based on her work make any attempt to address feminism.

quote:

Why is the focus exclusively on the idea-of-a-doll and not the actual process of making and selling the plastic toys? Actual plastic Barbie dolls are rarely onscreen in this film.
At this point you're touching on "Why isn't this the movie I would make, with the same IP?" Gerwig made the movie that interested her, touching on the themes she found funny and/or cared about.

Bogus Adventure
Jan 11, 2017

More like "Bulges Adventure"

QuoProQuid posted:

i remember sucker punch more for being extremely horny and garish more than any other qualities.

That says more about you than the movie, not gonna lie

QuoProQuid
Jan 12, 2012

Tr*ckin' and F*ckin' all the way to tha
T O P

Bogus Adventure posted:

That says more about you than the movie, not gonna lie

don't want to turn this into the snyder thread, but i eagerly await the day when i am able enjoy one of zachary's movie instead of a bunch of straight men sitting me down and explaining to me what a deep and insightful skewering of nerd culture im watching and how all the male gaze-y shots are actually empowering

CapnAndy
Feb 27, 2004

Some teeth long for ripping, gleaming wet from black dog gums. So you keep your eyes closed at the end. You don't want to see such a mouth up close. before the bite, before its oblivion in the goring of your soft parts, the speckled lips will curl back in a whinny of excitement. You just know it.
I came out of seeing Sucker Punch in theaters thinking of it as a noble failure, and my opinion has never wavered. Snyder was trying to make a hell of a movie. He failed, but respect for taking the swing.

Killer soundtrack, though.

Simply Simon
Nov 6, 2010

📡scanning🛰️ for good game 🎮design🦔🦔🦔
Sucker Punch rules I watched it twice for the fight scenes and how dark it goes

SuperMechagodzilla posted:

Like, this only makes sense if you're counting movies where a character turns to the camera and directly identifies the abstract concept of patriarchy as the villain.
that is the entire core of the argument tho

Cessna
Feb 20, 2013

KHABAHBLOOOM

Arsenic Lupin posted:

It's not unusual for blockbusters to have "progressive" (whatever that means) views, but for a blockbuster to have in-your-face feminism? I don't remember the last time that happened. You may be able to cite a speech here, a speech there, but when was a blockbuster completely focused on the patriarchy and what it means and oh, yeah, good gags?

Mad Max: Fury Road
Thelma and Louise
Alien/Aliens
Hidden Figures
Mulan

(That's just off the top of my head.)

Bogus Adventure
Jan 11, 2017

More like "Bulges Adventure"

QuoProQuid posted:

don't want to turn this into the snyder thread, but i eagerly await the day when i am able enjoy one of zachary's movie instead of a bunch of straight men sitting me down and explaining to me what a deep and insightful skewering of nerd culture im watching and how all the male gaze-y shots are actually empowering

If my identity invalidates my opinion on the matter, then there are others who may qualify to explain why a movie about the girls who are betrayed and exploited by the law enforcement and foster care system (which is likely personal given that Snyder has adopted children) isn't meant to be titillating:

https://www.themarysue.com/why-its-time-to-release-zack-snyders-sucker-punch/

quote:

The negative backlash against Sucker Punch is especially peculiar considering that many accused the film of condoning the very subject matter that the film was critiquing. Snyder has repeatedly and consistently stated in interviews spanning from 2011 to 2021 that the film is an indictment of the misogynistic parts of geek culture that objectify women. In a post-Me-Too world, it is considerably easier to understand and articulate the subject matter of the film. Oscar Isaac’s bone chilling performance as the villainous Blue Jones can easily be seen as emblematic of the powerful studio executives, producers, CEOs, etc. that have been exposed as subjugating women (or people from other genders) through coercion or brute force. Blue Jones sees the women in the brothel as his possessions, and his obsession with trying to own and violate Babydoll is deeply unsettling.

This one is a deeper dive

https://www.thecompanion.app/zack-snyder-sucker-punch/

CapnAndy
Feb 27, 2004

Some teeth long for ripping, gleaming wet from black dog gums. So you keep your eyes closed at the end. You don't want to see such a mouth up close. before the bite, before its oblivion in the goring of your soft parts, the speckled lips will curl back in a whinny of excitement. You just know it.

Bogus Adventure posted:

If my identity invalidates my opinion on the matter, then there are others who may qualify to explain why a movie about the girls who are betrayed and exploited by the law enforcement and foster care system (which is likely personal given that Snyder has adopted children) isn't meant to be titillating
Right, they're not meant to be, but they are. Even the asylum level of reality is sexier than it should be. (Also the movie isn't helped by its recursively fictional/allegorical structure and the actual plot being kinda nonsense.)

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN

CapnAndy posted:

Even the asylum level of reality is sexier than it should be.

Uh, in what way is it sexy?

CapnAndy
Feb 27, 2004

Some teeth long for ripping, gleaming wet from black dog gums. So you keep your eyes closed at the end. You don't want to see such a mouth up close. before the bite, before its oblivion in the goring of your soft parts, the speckled lips will curl back in a whinny of excitement. You just know it.

SuperMechagodzilla posted:

Uh, in what way is it sexy?
Sorry, the fake asylum, where they're all dancer/escorts. Not the real one.

Bogus Adventure
Jan 11, 2017

More like "Bulges Adventure"

CapnAndy posted:

Right, they're not meant to be, but they are. Even the asylum level of reality is sexier than it should be. (Also the movie isn't helped by its recursively fictional/allegorical structure and the actual plot being kinda nonsense.)

This is "sexy"? I thought it was horrifying:

https://www.youtube.com/watch?v=nmXG0dDrNQc

I'm not here to argue that one person's take is definitively correct and another's is wrong since the interpretation of art is inherently subjective. The movie I saw was about a girl who tries to save her younger sister from her stepfather's sexual abuse, and ends up being institutionalized in a corrupt system that takes advantage of the people they are meant to care for. She makes a plan to escape with her fellow prisoners, and uses her "dancing" or exploitation as a distraction so that others can get the items they need to escape the facility. In the end, she sacrifices herself so that one of her friends can escape. The plot is complicated and I'm not going to say that everything works perfectly, but I saw nothing titillating about the movie beyond pretty people being cast to play the parts. It's a horrifying gut punch.

EDIT: Saw your above reply after I posted. I read the "fake asylum" where they are dancers as how the people in charge saw the girls, not how the girls saw themselves. :shrug:

CapnAndy
Feb 27, 2004

Some teeth long for ripping, gleaming wet from black dog gums. So you keep your eyes closed at the end. You don't want to see such a mouth up close. before the bite, before its oblivion in the goring of your soft parts, the speckled lips will curl back in a whinny of excitement. You just know it.

Bogus Adventure posted:

EDIT: Saw your above reply after I posted. I read the "fake asylum" where they are dancers as how the people in charge saw the girls, not how the girls saw themselves. :shrug:
That's a valid reading, but I think also part of why the movie just doesn't work in the end -- apart from "the action sequences are the dances", it's really loving hard to track the metaphors. I think the only real thing is the opening scene up to the transition into the fake asylum reality, and everything after that is Babydoll flashing back to the escape attempt that was elided over in the opening scene's time skips, but that means that the fake asylum is how she chooses to romanticize the whole thing and ugh it just doesn't work, every time with this movie, you try to pick it up and it crumbles like sand.

Bogus Adventure
Jan 11, 2017

More like "Bulges Adventure"
Another way of reading it is that she is pretending/imagining in order to compensate with an inherently traumatic experience. If anything is being romanticized, it's the adventures to get the key items needed for the escape.

However, it's clear that we are not going to change each others' minds, and that's fine. I see the movie holding up fine despite critics railing against projected flaws that reveal their own prejudices and thought processes. Different things speak to different people, which is why the Barbie movie is an important and valuable cinematic achievement (especially for those who are not terminally online).

SuperMechagodzilla
Jun 9, 2007

NEWT REBORN

CapnAndy posted:

Sorry, the fake asylum, where they're all dancer/escorts. Not the real one.

But that goes back to what I just wrote earlier, about the conflation of exploitation as moral degradation and exploitation of workers under capitalism.

Not to derail this too far, but Sucker Punch does have the same Matrix-like structure as Barbie, the Lacanian triad of Symbolic/Imaginary/Real.

In the Barbie Movie, this aligns with the everyday symbolic reality of "the real world" (aka the matrix), the fantasy world of Barbieland, and the Real-reality of Mattel's entirely-offscreen overseas factories (with brutal working conditions, etc.). Illustrating this same logic, Sucker Punch is primarily about sex work, because that's the symbolic reality - the matrix - that the characters inhabit in their everyday lives, while the asylum is the underlying nightmare of brutal slavery and whatnot.

Anyways, the problem of sex work isn't the sex part. It's everything around that, which creates these massive power imbalances that result in workers being endangered, underpaid, etc. It's like saying the problem of Nestle selling bottled water is the water part. Stop drinking water!

Arsenic Lupin
Apr 12, 2012

This particularly rapid💨 unintelligible 😖patter💁 isn't generally heard🧏‍♂️, and if it is🤔, it doesn't matter💁.


Cessna posted:

Mad Max: Fury Road
Thelma and Louise [1991]
Alien/Aliens [1979, 1986]
Hidden Figures
Mulan [1998]

(That's just off the top of my head.)
Dates mine.

Thelma and Louise is about how much it sucks to be a woman in our society. Hidden Figures is about how much it sucks to be Black and a woman in our society. Mad Max: Fury Road is about how much it sucks to be a woman in a dystopian society.

There is a big difference between being a movie with strong feminist themes and being a movie that has this speech.

quote:

"It is literally impossible to be a woman. You are so beautiful, and so smart, and it kills me that you don't think you're good enough. Like, we have to always be extraordinary, but somehow we're always doing it wrong.

"You have to be thin, but not too thin. And you can never say you want to be thin. You have to say you want to be healthy, but also you have to be thin. You have to have money, but you can't ask for money because that's crass. You have to be a boss, but you can't be mean. You have to lead, but you can't squash other people's ideas. You're supposed to love being a mother, but don't talk about your kids all the drat time. You have to be a career woman but also always be looking out for other people. You have to answer for men's bad behavior, which is insane, but if you point that out, you're accused of complaining. You're supposed to stay pretty for men, but not so pretty that you tempt them too much or that you threaten other women because you're supposed to be a part of the sisterhood.

"But always stand out and always be grateful. But never forget that the system is rigged. So find a way to acknowledge that but also always be grateful. You have to never get old, never be rude, never show off, never be selfish, never fall down, never fail, never show fear, never get out of line. It's too hard! It's too contradictory and nobody gives you a medal or says thank you! And it turns out in fact that not only are you doing everything wrong, but also everything is your fault.

"I'm just so tired of watching myself and every single other woman tie herself into knots so that people will like us. And if all of that is also true for a doll just representing women, then I don't even know."

If the word "patriarchy" appears in any of the movies you list, I'm going to be very surprised.

e: Fabulous interview with Gerwig herself, right before the movie opened. The interviewer asks some very intelligent questions.

ee: The Barbie Movie isn't the holy grail of movies. It has significant flaws. But it is doing one thing (see above) that I have not seen a movie do in a long time, if ever.

Arsenic Lupin fucked around with this message at 22:21 on Aug 1, 2023

KVeezy3
Aug 18, 2005

Airport Music for Black Folk

Arsenic Lupin posted:

Dates mine.

Thelma and Louise is about how much it sucks to be a woman in our society. Hidden Figures is about how much it sucks to be Black and a woman in our society. Mad Max: Fury Road is about how much it sucks to be a woman in a dystopian society.

There is a big difference between being a movie with strong feminist themes and being a movie that has this speech.

If the word "patriarchy" appears in any of the movies you list, I'm going to be very surprised.

e: Fabulous interview with Gerwig herself, right before the movie opened. The interviewer asks some very intelligent questions.

ee: The Barbie Movie isn't the holy grail of movies. It has significant flaws. But it is doing one thing (see above) that I have not seen a movie do in a long time, if ever.

I'm not sure I'm following what you're putting down here. Are you saying that the explicit nature of this speech renders feminism more substantially than any other blockbuster ever? Are you dismissing ideological critique entirely?

SuperMechagodzilla posted:

...
Even Sasha (at the start of the film, before her arc) adds a qualifier: complaining about sexualized capitalism. That's ambiguous, because "sexualized capitalism" can mean a capitalism supplemented by sexist ideology (e.g. where notions of sexual difference are used to naturalize inequality) and/or just the selling of sex (sexual imagery in advertising, etc.). Given the context, it seems that Sasha means the latter, but we'll never really know because the things she's expositing about aren't actually illustrated at all.
...

This phrase of gender criticism, "sexualized capitalism" really captures the entirety of the film for me. When has capitalism not been drawn along sexualized lines; or in other words, what is non-sexualized capitalism?

KVeezy3 fucked around with this message at 22:36 on Aug 1, 2023

dodgeblan
Jul 20, 2019
yes there is a difference between a movie that has clear subtext of the patriarchy being bad and sucking for women and a movie where the villain states he is 'doing patriarchy' and the hero looks into the camera and says 'hey have you ever noticed how hard it is to be a woman and maybe it shouldn't be so hard', doubly so if the second case is a huge mainstream success

what you think about that difference is up to you and how much you think it's good when things are spelled out really blatantly

Cessna
Feb 20, 2013

KHABAHBLOOOM

Arsenic Lupin posted:

There is a big difference between being a movie with strong feminist themes and being a movie that has this speech.

If the word "patriarchy" appears in any of the movies you list, I'm going to be very surprised.

This seems to be a VERY fine distinction.

Of course I can't find a movie with that speech - each movie has a unique script. And use of the term "patriarchy" in everyday non-academic speech is a relatively recent development.

I don't want to get into nitpicking here or even argue. I just think that there have been strong feminist movies prior to Barbie even if they don't have the same speech or use a specific word. Sure, there aren't enough, and it's absurd that I have to go back to the past - but they do exist.

KVeezy3
Aug 18, 2005

Airport Music for Black Folk

dodgeblan posted:

yes there is a difference between a movie that has clear subtext of the patriarchy being bad and sucking for women and a movie where the villain states he is 'doing patriarchy' and the hero looks into the camera and says 'hey have you ever noticed how hard it is to be a woman and maybe it shouldn't be so hard', doubly so if the second case is a huge mainstream success

what you think about that difference is up to you and how much you think it's good when things are spelled out really blatantly

You're leaving out how a film depicts patriarchy and feminism, which I think is pretty important for the discussion at large.

trevorreznik
Apr 22, 2023

dodgeblan posted:

I saw the movie, thought it was really funny and kinda heartwarming

as a man who is terminally online the mom's feminism speech landed with a thud

I wonder if you weren't someone who has encountered the same speech a thousand times verbatim would it be effective? Does that person exist?

My (not very online) Wife saw the movie and said she enjoyed it until the speech, which was simply depressing to her

Rarity
Oct 21, 2010

~*4 LIFE*~

SuperMechagodzilla posted:

Unless that's a "Black Panther is the first ever black superhero movie" joke, this is an absolutely blinkered view.

Fuckin' Titanic, man! Frozen! Jurassic Park, even!

Star Wars Episode 7: The Force Awakens has a sexist villain. Like, this only makes sense if you're counting movies where a character turns to the camera and directly identifies the abstract concept of patriarchy as the villain.

Thank you for mansplaining feminism

Lobster Henry
Jul 10, 2012

studious as a butterfly in a parking lot

dodgeblan posted:

what you think about that difference is up to you and how much you think it's good when things are spelled out really blatantly

I have to admit, I was surprised by the extent to which I thought the movie did manage to make a virtue out of its bluntness. Usually I’m disgruntled when the subtext becomes text in a big grandstanding speech, largely because it punctures my smug self-satisfaction at comprehending media all by myself.

The whole enterprise of “a barbie movie” is ethically compromised probably beyond any hope of redemption. Just going “gently caress it” and saying the stuff out loud, unambiguously, pretty much directly to camera, knowing you’ll reach a massive and appreciative audience, is maybe - maybe - a reasonable way of working around that fact. (Or maybe it’s nothing more than the high-profile co-opting of tumblr-style feminism for the purposes of corporate promotion.)

But it’s also close to the vital centre of the movie for me, judging by the plain and pragmatic test of “what do I remember most clearly.”* It’s been a week and I’m not sure I could tell you what happens after the barbies get deprogrammed. They pass some, uh, legislation? Ken accepts himself? The execs do… something? Stereotypical barbie learns some kind of life lesson I guess, and goes to the “real world” to do… well, something.

So the howl of discontent sticks in my mind; the band-aid applied, maybe not so much.

*going by the same test, the true centre of the movie is simply the set-up: the idea of barbieland itself, and thoughts of death

trevorreznik
Apr 22, 2023
From the last page of discussion it sounds like Mattel figured out the prototype in how to make a profitable movie where a character turns to the camera to lament the patriarchy - simply base the movie on a famous brand marketed to girls.

I'm actually curious if anything similar will pop up in the future Mattel offerings or if Gertwig is the only one who can pull it off.

trevorreznik fucked around with this message at 23:16 on Aug 1, 2023

Rarity
Oct 21, 2010

~*4 LIFE*~
The Barney movie had better be a deconstruction of industrialisaton's effect on indgineous wildlife :mad:

Xealot
Nov 25, 2002

Showdown in the Galaxy Era.

Arsenic Lupin posted:

Mad Max: Fury Road is about how much it sucks to be a woman in a dystopian society.

There is a big difference between being a movie with strong feminist themes and being a movie that has this speech.

I mean, dystopian fiction is literally always about the actual society that made it. I don't see why the word "patriarchy" needs to show up in Fury Road for it to be considered a searingly and overtly feminist commentary on real-world patriarchy. This is a film where the villain is a Mega Trump warlord with a private harem of child brides, a dairy farm of human women, and an army of teenage boys brainwashed by manosphere poo poo as religion. The inciting action is the female lead liberating the child brides after they paint slogans like "We are not things" all over the walls. It's hyperbolic, but so is the Mojo Dojo Casa House.

Barbie is clearly speaking to a particular version of bourgeois feminism as it pertains to modern life under capitalism. But I...seriously doubt anyone missed the relevant feminist message of Mad Max: Fury Road circa 2015.

trevorreznik posted:

From the last page of discussion it sounds like Mattel figured out the prototype in how to make a movie where a character turns to the camera to lament the patriarchy - simply base the movie on a famous brand marketed to girls.

I'm actually curious if anything similar will pop up in the future Mattel offerings or if Gerwig is the only one who can pull it off.

If the Lena Dunham Polly Pocket movie happens, that's probably where they'd try it. Seems like there's some obvious subtext to mine from the premise of an innocuous and unthreatening tableau of feminine domesticity that's easily contained within your pocket.

Sure hope Lena Dunham doesn't actually end up making it, though....

Xealot fucked around with this message at 23:15 on Aug 1, 2023

Bogus Adventure
Jan 11, 2017

More like "Bulges Adventure"

Lobster Henry posted:

I have to admit, I was surprised by the extent to which I thought the movie did manage to make a virtue out of its bluntness. Usually I’m disgruntled when the subtext becomes text in a big grandstanding speech, largely because it punctures my smug self-satisfaction at comprehending media all by myself.

Movies are written for the broadest of audiences, and when you have a message sometimes it is best to say it straight into the camera. Otherwise, people miss it for years. Starship Troopers is the one that always comes to mind because it went over the heads of many people who watched movies for a living, lmao:

https://www.rogerebert.com/reviews/starship-troopers-1997

Roger Ebert posted:

"Starship Troopers'' is the most violent kiddie movie ever made. I call it a kiddie movie not to be insulting, but to be accurate: Its action, characters and values are pitched at 11-year-old science-fiction fans. That makes it true to its source. It's based on a novel for juveniles by Robert A. Heinlein. I read it to the point of memorization when I was in grade school. I have improved since then, but the story has not.

The premise: Early in the next millennium, mankind is engaged in a war for survival with the Bugs, a vicious race of giant insects that colonize the galaxy by hurling their spores into space. If you seek their monument, do not look around you: Bugs have no buildings, no technology, no clothes, nothing but the ability to attack, fight, kill and propagate. They exist not as an alien civilization but as pop-up enemies in a space war.

Human society recruits starship troopers to fight the Bug. Their method is to machine-gun them to death. This does not work very well. Three or four troopers will fire thousands of rounds into a Bug, which like the Energizer Bunny just keeps on comin'. Grenades work better, but I guess the troopers haven't twigged to that. You'd think a human race capable of interstellar travel might have developed an effective insecticide, but no.

It doesn't really matter, since the Bugs aren't important except as props for the interminable action scenes, and as an enemy to justify the film's quasi-fascist militarism. Heinlein was of course a right-wing saberrattler, but a charming and intelligent one who wrote some of the best science fiction ever. "Starship Troopers'' proposes a society in which citizenship is earned through military service, and values are learned on the battlefield.

Heinlein intended his story for young boys, but wrote it more or less seriously. The one redeeming merit for director Paul Verhoeven's film is that by remaining faithful to Heinlein's material and period, it adds an element of sly satire. This is like the squarest but most technically advanced sci-fi movie of the 1950s, a film in which the sets and costumes look like a cross between Buck Rogers and the Archie comic books, and the characters look like they stepped out of Pepsodent ads.

Ebert was so close. This guy, though...

https://content.time.com/time/subscriber/article/0,33009,987338,00.html

Richard Schicksel posted:

There is not, indeed, a base they fail to touch. The enemy is never particularized, so we never have a sympathetic thought for them. And scattered through the movie are online equivalents of those old-fashioned, pseudo-documentary short subjects designed to keep the home front heated up--cheerfully massed soldiers stretching as far as the lens can see, overheated descriptions of atrocious enemy behavior, that sort of thing.

Pretty funny. But not always very funny. For Starship Troopers contains an unexplored premise. There are two classes in this futureworld: civilians, who have sacrificed voting privileges for material ease, and warriors, who earn the right to rule by their willingness to die for the state. In short, we're looking at a happily fascist world. Maybe that's the movie's final, deadpan joke. Maybe it's saying that war inevitably makes fascists of us all. Or--best guess--maybe the filmmakers are so lost in their slambang visual effects that they don't give a hoot about the movie's scariest implications.

lmao

Rarity posted:

The Barney movie had better be a deconstruction of industrialisaton's effect on indgineous wildlife :mad:

I'm really wondering what the Polly Pocket-Lena Dunham joint is going to be.

e;fb

Panfilo
Aug 27, 2011
Probation
Can't post for 5 days!
I hope Mighty Max gets a poignant musical number in the Polly Pocket movie too.

KVeezy3
Aug 18, 2005

Airport Music for Black Folk

Rarity posted:

Thank you for mansplaining feminism

Will any woman always have the more truthful version of feminism than any man? To cite the Barbie movie's infatuation with the gender dynamics of the Supreme Court, where does Amy Coney Barrett fall along these lines?

ungulateman
Apr 18, 2012

pretentious fuckwit who isn't half as literate or insightful or clever as he thinks he is
also while you can debate whether smg really is a highly advanced chatbot that does not actually exist, they have said they don't identify themselves as male

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Steve Yun
Aug 7, 2003
I'm a parasitic landlord that needs to get a job instead of stealing worker's money. Make sure to remind me when I post.
Soiled Meat
The Uno movie should just be an adaptation of Trading Places

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