Arcsquad12 posted:

I watched the trailer for the fourth episode of Origin. Am I right in assuming from the footage that they will actually show Operation British?

mr. stefan posted:

its common enough that a famous singer reciting the gihren zabi funeral speech at a concert was met with striaght up applause and cheers.

Tomino, 1998 posted:

What I want modern day Gundam fans to understand is that Gundam wasn't nurtured by the PlaModel enthusiasts. It was young women who first came to the after recording studio, and Gundam is a work that began with their support. And it was a work that had no connection to the popularity of Gundam PlaModels. So I think the most important thing is creating a work that will attract those kind of girls to it again. I don't think movies as an entertainment industry can succeed without touching on that kind of fundamental portion.

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Amuro Ray, Who Might Have Been Japanese
Women have such a myriad of ways of enjoying a work. It’s truly commendable. Any time I try slipping things in to appeal to them specifically, it proves entirely unnecessary (laughs).

Gundam was a project where the character designs were settled on very easily. A big-eyed boy with curly hair who wasn’t cheerful or, frankly, especially handsome… in other words, an anime hero quite unlike the ones who had come before him. When Tomino, the director, approached me with this concept for the lead, I had already been imagining such a character. It was as if we had read each other’s minds, and Amuro’s design was quickly finalized.

Since Amuro wasn’t going to be handsome, we decided to make his adversary Char Aznable good-looking instead. This move was inspired by Sharkin of Raideen (a show Tomino and I had worked on previously) who had been well-received by female fans; through him I learned villains could also make a strong impression. But since being attractive by itself isn’t interesting, Char needed an individual element to distinguish. Thus, the mask to conceal his face. This had the added benefit of giving him an air of mystery! Call it haphazard or superficial of us (laughs).

As for Bright Noa, he’s nineteen but mentally much older. Role-wise, he’s the middle management type. So I gave him his hairstyle imagining he’d develop a widow’s peak in a few years (laughs).

The biggest factor behind us being able to design the cast so freely was the TV programming agency getting lax with their inspections. Normally they’d go over everything and make demands, like: The hero must be Japanese! He must be handsome and he must be cheerful! But with Gundam, they let it all pass. I had even thought up a backup setting for Amuro that changed the Ray in his name to Rei and listed his birthplace as being in the mountains of Shimane, but we didn’t up needing it (laughs). On the subject, the characters of Mirai Yashima and Hayato Kobayashi came from this hidden agenda of wanting to portray the Japanese in supporting instead of starring roles for a change. That’s also why they’re shorter and plumper, with smaller eyes (laughs).

Regarding the costumes, I tried to add some fun touches. I felt that the Federation uniforms would look unappealing if the colors were too military-like, so I went with a 19th century-esque, French Tricolore-inspired overall palette. In contrast, I gave the Zeon uniforms more traditional coloring, hoping to evoke the image of pre-war Germany; less Nazi, more Prussian. I wanted outfits that kids could cosplay by dressing up their school uniforms. I even hoped the really dedicated girls would do pair looks with their boyfriends (laughs). And sure enough, the cosplayers appeared. I remember ecstatically exclaiming: “Yes! There they are!”

quote:

A Work Becomes Appealing The More People Play With It
Looking back, Gundam came out during the transitional period when anime was moving away from the standard hero route of story-telling. So while it’s a military drama, there are still some unrealistic bits. Take Char’s cape, for example. I wanted him to wear one, but if it were too long, it would look cartoonish… so I made it waist-length. As for his helmet, those horns serve no purpose beyond being dangerous, but I figured an anime character requires some extra ornamentation (laughs). I troubled myself over these details a lot, and even taking the middle road, things got messy (laughs).

But there were people who had fun with such details via parody. I remember them calling Char’s cape ‘The Cockroach Mantle’ and remarking on how he looked ‘pretty adorable’ scurrying away from battle in it (laughs). Garma, the narcissist rich boy, got called cute and became far more popular with female fans than we anticipated. Even the freckled weakling Kai had admirers. As for Amuro, many girls said he was the kind of character they couldn’t leave alone, that they wanted to take care of him.

This was around the time light parody doujinshi culture, which included yaoi, was growing with women at the core. It was completely unlike the old-mannish parody works being made up until then. It was fresh, and took me by surprise. Some were angered by it, claiming it made a mockery of the source material, but I didn’t think so. It was brand-new culture. So while keeping in mind issues of copyright, be it parody, fangirling, yaoi or cosplay… I’d like to encourage everyone to continue enjoying Gundam in their own unique way.

Darth Walrus posted:

Thunderbolt has issues with its female characters, and they're most apparent in the arc that the anime covers. So hope you don't find that too offputting.

Ethiser posted:

Thunderbolt manga spoilers. The federation captain is still alive and has amnesia. She's a part of an evil Buddhist Newtype cult.

Azran posted:

I never watched G Gundam but I was under the impression Sai was a girl

Bloody Pom posted:

Woah hold up SRW V has a competent English translation? I thought the Singapore releases were always hilariously bad?

Snooze Cruise posted:

Origin makes Amuro cuter, Sayla badasser, and has plenty of Kai Time.

Every hour should be a Kai Time hour.

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“During the Obama administration there was a plan to send people to Mars. It's complete nonsense. There's no point in doing that. There's nothing there.

“The idea that we need to escape the Earth due to environmental pollution is just science fiction. I suppose this might be a quite shocking remark to make but the solution should be to stop the human population from growing any further and find some way to reduce it by at least half over a period of time. We need to re-organise and plan our civilisation to use the available natural resources on the planet for the next ten thousand years or so. I'd almost say that capitalism in its current form shouldn't be really allowed. I believe the modern world is a miserable result of the entire world focusing only about the economy.”

MitchFM posted:

I think I entirely hate all of UC Gundam ... I'm going in order, from 0079 I am at ZZ. The pain is unbearable, Tomino is a horrible producer/director... All that teemage angst is unbearable the running gag with kids aboard the ship while fighting a major war The story board just doesn't run to well for me

Arcsquad12 posted:

Does Origin confirm or deny the Zabi's involvement with Revil's escape following the destruction of the Ananke?

Improbable Lobster posted: