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I AM GRANDO
Aug 20, 2006

K. Waste posted:

Does Star Wars play it lightly, or are you as an adult merely inured to its fantastic representation of conflict? 'Cause I remember being pretty freaked out by a drunk hairy bar beast getting its arm severed. Weird aliens screeched and lurched, pistols and laser swords were used liberally, as a child none of those things seemed particularly 'light' to me - they were all a part of the phantasmagoria of the films, not superficial content that I could just compartmentalize away as 'not real' or 'too amazing to be believed.' Growing up Catholic didn't help the perpetual blurring of spectacular depictions of violence and the supernatural and 'reality.'

You may like Star Wars, but your subjective aesthetic evaluation is really reductive - which has always been the only point. There is no "quidditative" quality of kids movies - the superficial content and readings of the overall 'tone' of kids movies are mutually reinforced constructions of adults in response to contemporary cultural, political, and philosophical preoccupations. This goes back to what you were implying about how Rogue One distills a compulsion of adults to sublimate their shame at liking kids stuff by trying to "make it adult." It's a meaningless accusation that you've only clarified with more essentialism.

Of course all movies meant for children are made by adults constructing a category from an adult point of view. Children don't make movies. Childhood is a category constructed by adults. You're the only one asking for something more than that, like there is another way of defining genre that we can prefer.

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I AM GRANDO
Aug 20, 2006

Hodgepodge posted:

Something being "for children" only really means that it can be enjoyed by both children and adults.

Except diapers I guess.

Yes. I don't mean it in a pejorative sense at all. A lot of really good movies are really good because they're made with kids in mind. Like, it doesn't mean the movies are dumb on purpose or anything.

I AM GRANDO
Aug 20, 2006

K. Waste posted:

Film genre does not mean what you think it means, which is derived from common sense essentialism. (Note: I have not said that you view the "quiddatative" qualities of "kids movies" as pejorative.)

Film genre is a critical category implying the syntactic and semantic relationships between films. Film genre does not refer to a preternatural 'essence' - the "quiddatative" quality of a single work - but to the rhetorical, cultural, and political narratives which emerge from patterns of films.

What you are referring to is not children's movie as genre - you are confusing critical terminology with market-demographic terminology. (This is the same problem people run into with "grindhouse" movies, which is now a home-video niche market.) When you and Lucas refer to children's or kid's movies, you are both referring to the marketplace, and to vague prejudices about what kinds of spectacles are 'for kids,' as opposed to Rogue One, which doesn't realize it's a kids movie and is trying to "make it adult." Except not, because when folks attempt to clarify how this is done, they end up just clarifying that Rogue One's depictions of violence and conflict are consistent with previous Star Wars films. Rather, folks are criticizing the film for their own self-awareness as adults about political and cultural metaphors, which were also always a part of Star Wars.

Children's film is a film genre. Only one of the Star Wars films qualifies even partially as a children's film.

How is this concept of the critical category not also essentialist or within capitalism? There is no outside of capitalism. Of course Star Wars has politics: it's reactionary like all fairy tales. What tastes gross to me is when a movie decides to throw a crying, dirt-smeared ethnically coded child into a battle involving space lasers and knee-high pig people, or to have the space-laser battle be the battle of Algiers but then right after a fantastical blind kung-fu man saves everyone. It's useless to use a stupid-rear end fantasy setting to say anything about real-world imperialism, especially if you're being so gutless as to avoid having the fantasy rebels be tainted by association with the terrorist label, so why crib poo poo so closely from horrors currently unfolding all around us as if anyone involved actually gives two shits about children being burned to death by tanks or drones? This is my subjective aesthetic judgment speaking. None of that means that Star Wars is somehow outside of politics, but it is a different sort of movie even though I agree with you that it has the same conservative politics, as do most movies.

I AM GRANDO
Aug 20, 2006

In Jedi she says she remembers their mom being kind, but also sad all the time, and that she died when Leia was young. That doesn't match Episode III, but why not just choose one version or another when two stories don't square? Maybe Jimmy Smits is still cruising around out there in space and can tell them in Episode VIII?

I AM GRANDO
Aug 20, 2006

Nielsen posted:

I went looking for a TFA review by him as well and lo and behold:

http://www.nationalreview.com/article/428730/star-wars-demystified


hahaha well...

and keep us updated on the facebook feed :3:

I'm shocked as all hell that he writes for the National Review. His attacks on "liberals" always struck me as being in the CLR James sense and not in the George Will sense. Is he such a contrarian that he'll eagerly go to bed with people who would love to put his former colleagues at Out Magazine into concentration camps?

Also, he likes 2001? Who could have predicted that?

I AM GRANDO
Aug 20, 2006

Soggy Cereal posted:

You guys are building a lot of mystique around someone you would ordinarily vilify as a cranky old conservative man.

I don't think he is conservative. Until like half an hour ago I thought he was a socialist.

I AM GRANDO
Aug 20, 2006

Armond White isn't dumb, but he seems like a right oval office, and I'm glad on some level that as his star falls he'll spend the rest of his working days somewhere where half the people reflexively clutch their purses or momentarily start in fear whenever he has to visit the office.

I AM GRANDO
Aug 20, 2006

BravestOfTheLamps posted:

I too fantasize about people I don't like being subject to racism.

I wouldn't but the National Review is full of monsters. They endorsed Cruz. They only exist in the first place because Buckley wanted a platform to support Barry Goldwater.

I AM GRANDO
Aug 20, 2006

Nielsen posted:

I specifically highlighted that piece White wrote about the liberal appropriation of the hope bit because I couldn't have put it better into words myself like White and SMG did above.
White may be a kook for half of his reviews but some of the stuff he writes is spot on imo. So thanks poster who linked him, some interesting stuff.

After binge reading a bunch of White's stuff he seems keenly aware of the cheap poo poo hollywood sells you; usually the appearance of progressive values but no substance. Which, as a euro lefty looking at american liberals strikes a chord with me.

"Rebellions are built on Hope" is such weak drivel you could apply it to Trump/Hillary in equal measures. The actual rebellion in our time going on right now is one of (right wing) nationalism in the west so take that for whatever.

R1 therefore imo couldn't have gone far with hammering home its implied message, if it's even there. I feel it's so weak that it's just a general 'anti-imperialism' thing which we're going to see more often now. (15 years too late folks)

It's very hard to criticize neoliberalism and be wrong, and it's impossible to defend it and be correct.

I AM GRANDO
Aug 20, 2006

Maxwell Lord posted:

The way I see it both these things need addressing. There is a danger of a more authoritarian fascist order resulting from all this- it's no guarantee and there's every chance the Trump administration's ineptitude will get in the way of any real tyranny, but on the other hand it's not like actual fascist governments were particularly competent. It's the sort of thing where you just can't safely assume "it can't happen here". So, yeah, some effort needs to be put forward to make sure this doesn't metastasize. Some fretting is justified. That doesn't detract from the deeper, more long term work of addressing the failures of capitalism that are at the root of all this, but you can't ignore the immediate danger either.


This is a picture of college students in Kabul, Afghanistan in 1978. I keep a copy of it in my wallet to remind me that we can always lose what we have if we become conceited arrogant pricks and disappear up our own assholes like a certain solvenian Hegel fan who endorsed Trump:


I guess maybe some of those ladies were able to see Star Wars in a theater before reactionary elements armed with CIA-provided rockets blew them all up for wearing pants and learning to read.

I AM GRANDO
Aug 20, 2006

SuperMechagodzilla posted:

The NSA is not supplying white supremacist groups with military-grade weaponry in a covert proxy war against 'women in college'. America is not turning into Afghanistan. Get some perspective.

The point of A New Hope is that you are already the Empire. Leia is a well-meaning Imperial. Alderann is an Imperial planet. The basic narrative of A New Hope is that Luke cycles through a collection of potential future worlds. Leaving the status quo of the desert is extremely difficult for him. The question posed in the film is "what world will Luke choose for himself?" And the film simultaneously questions his choices. Alderann is a wrong choice. In a subtle shift in perspective, Luke perceives Alderann as a capitalist hell - as in They Live. Alderann was a wrong choice. Yavin is the best choice, and even that is criticized by the time we reach Episode 5.

Rogue One's narrative is different because Rogue One is about different characters. All the coexisting worlds emerge out of Jyn's repressed past - everything skipped over with the title card. These are places she would have been if she stayed with her father, or with Saw. The protagonist characters are haunted by the past, but have no future. Traveling between different worlds is easy for them, but it brings no comfort. Jyn ends up at Yavin very early in the narrative - and then leaves. There is no shocking revelation that the Republic is the Empire. Both the Empire and the Republican Rebels are external to her. They appear only as a dark spot on the horizon of these tiny, fractured worlds.

The 'best' world ends up not being Yavin but Scarif - resembling an Elysium-like 'gated community', its mix of tropical paradise and military installation is remarkably similar to Yavin's jungle base. And of course Scarif is threatened with laser-destruction the same way Yavin will be.

Going beyond A New Hope, Rogue One doesn't just equate the Republic with the Empire. It equates the Rebellion with the Empire.

Despite your uncharitable misreading, I am pretty shocked to see you blow the old It Can't Happen Here trumpet. I'm sure that there were professors in Kabul explaining that this isn't the Paris Commune right up until the brave Mujahideen fighters showed up to cut their heads off with saw blades. It's quite End-Of-History of you, especially since your boy Zizek got just what he wanted and neoliberalism's inevitable death spasms have begun at just the time authoritarian nativism has taken root. I hope you're not counting on being white protecting you.

It's always good to be aware of where and when you're alive, or else you might end up like good liberal boy George Lucas, who could never have guessed that his escapist rejection of complex storytelling in favor of a heroic war narrative like he enjoyed as a boy would feed the same cultural forces that abetted Reagan's extraordinary popularity. Fairy-tale morality that on its own is perfectly unremarkable allowed rhetorical excesses that cast America as Luke Skywalker against an evil empire. His only revenge: trolling his rich neighbors by using his millions to build low-income housing near them. A liberal redeemed, imo.

I AM GRANDO
Aug 20, 2006

One thing I will say in Zizek's favor is that he was probably the first scholar to call Episode I "a very bad movie."

I AM GRANDO
Aug 20, 2006

Yeah, Malcolm's conversion to Islam had no effect on how he saw himself and certainly didn't provide any traditions for him to act within. Not a bit.

I AM GRANDO
Aug 20, 2006

Original Star Trek is all about collapsing social systems and leaving people in chaos with no alternative while Captain Kirk laughingly explains that they'll enjoy the challenge of building a society for themselves. He's really a very bad socialist and racist against totalitarian computer intelligences and omnipotent blobs.

I AM GRANDO
Aug 20, 2006

In Star Trek they're communists, or at least have a universal basic income. They never tell you this, but Captain Kirk calls capitalism barbaric or some poo poo.

I AM GRANDO
Aug 20, 2006

Halloween Jack posted:

OTOH, I think Gladney is referencing a particular episode where a computer totally controlled the lives of these orange people while making them immortal. Kirk destroys the machine and IIRC leaves them adrift. These are people who don't remember how to grow food, or gently caress.

Also the one where space ladies steal Spock's brain, where they also don't know about farming or loving. And Spock liked being their computer.

Also he collapses Space Rome and just leaves them to enjoy their thousand years of darkness without saying poo poo about crop rotation or preserving libraries. This one also confirms that Jesus is real and just shows up on other planets sometimes, which is no big deal to Captain Kirk.

I AM GRANDO
Aug 20, 2006

But in the cartoon they free the devil and let him just blast off into space, which is pretty baller.

I AM GRANDO
Aug 20, 2006

Danger posted:

The goal isn't to apologize for Disney's responsibility to it's shareholders, it's to arrive at a redemptive, even if oppositional, reading of the film as a cultural artifact. Like, Armond White's reading is not at all glowing but is useful as a lens to interpret what it is saying about the world.

Isn't this basically a waste of time though? Star Wars is and always will be a commodity to exchange under capitalism. There are much more direct and relevant ways to diagnose the fundamental contradictions of capitalism. Aren't we better off reading political philosophy and learning how to make bombs in the basement and/or organizing politically?

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I AM GRANDO
Aug 20, 2006

Phi230 posted:

I always wanted to know the conservative reaction to Generation Kill

Conservatives loved Stephen Colbert when he was doing the Colbert Report. They watched in numbers equal to self-identified liberals. Their reasoning: "he is just joking."

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