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4 > 5 > R1 > 1 > 3 > 6 > 7 > 2. Droids are people. on the thread title.
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# ¿ Oct 10, 2017 03:04 |
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# ¿ May 15, 2024 18:25 |
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I feel like it's really only spoilery if you repeatedly rewatch and dissect it. Mostly outside of a couple of moments I just have a lot of fleeting impressions of places and characters. There's one big part in particular that's almost certainly a fakeout (Ren targeting Leia), and the rest are moments you could probably predict would happen (although Snoke and Rey is a surprise).
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# ¿ Oct 10, 2017 03:13 |
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Davros1 posted:I'm not. It's lazy. It's like when a popular series regular leaves, so the producers panic at the thought of losing popularity, so they replace that character with someone who's just like them, but they overcompensate by telling the audience that the new character is even better than the last one.
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# ¿ Oct 10, 2017 03:17 |
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YouTube version is up.oddium posted:the gorilla arm at-ats rule
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# ¿ Oct 10, 2017 03:25 |
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lelandjs posted:Where the gently caress does Finn keep getting lightsabers from
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# ¿ Oct 10, 2017 03:38 |
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oddium posted:4 and 7 kind of float around each other but yeah berserker posted:Agreed actually, I kinda like them both equally.
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# ¿ Oct 10, 2017 03:45 |
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Elotana posted:Trailers usually have unfinished CGI kilus aof posted:Adama never sends the Pegasus anywhere.
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# ¿ Oct 10, 2017 04:08 |
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The trailer music since the Disney takeover has really been on point. I like the use of the new themes in the TLJ trailers, and it goes to show how nicely Williams' sequel material fits with the previously existing music.
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# ¿ Oct 10, 2017 04:35 |
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Rip Testes posted:What all is being re-purposed from ESB? Say Rey has some sort of vision of poo poo going down and leaves Luke to take care of it, which seems likely from the trailers. You can make that parallel mean something: have Luke reflect on his own history in a similar situation, show how Rey's approach and Luke's differ, something like that. Or you can just have it repeat the plot point beat for beat. The former is what the PT does well, I think, while the latter is the last act of TFA. Lord Hydronium fucked around with this message at 16:10 on Oct 10, 2017 |
# ¿ Oct 10, 2017 16:08 |
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Kinda want to see this loop back and forth.
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# ¿ Oct 10, 2017 21:21 |
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Seaniqua posted:ask and ye shall receive
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# ¿ Oct 10, 2017 22:11 |
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thrawn527 posted:Ben finds out, while training away from his parents, that he is the son of Darth Vader.
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# ¿ Oct 11, 2017 02:11 |
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MonsieurChoc posted:As proof, people who discover the Star Wars prequels without baggage usually don't have the same weird hatred. They either liked them or didn't like them like normal movies.
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# ¿ Oct 11, 2017 05:56 |
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The MSJ posted:Disney ignore the Prequels, except for all the times they market Prequel era stuff like another returning Clone Wars character in Rebels (and Rogue One), the new Clone Captain toys, and Battlefront 2 being introduced with a Naboo map (after players of the first EA Battlefront demand more PT content). Hell, the last Star Wars movie to come out had actual prequel characters in it, so the idea that Disney is ignoring them sounds a lot more like wishful thinking.
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# ¿ Oct 11, 2017 15:25 |
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SuperMechagodzilla posted:Jimmy Smitts appears in Rogue One, and the entire plot is about the aftermath of Episode 3. The narrative of Rogue One also addresses the specific issues raised by the prequels (droid personhood, the failure of the Republic's liberal centrism, etc.). For a movie set just before ANH, Rogue One really does a nice job of using both the PT and OT in good measure to craft its setting. Lord Hydronium fucked around with this message at 20:20 on Oct 11, 2017 |
# ¿ Oct 11, 2017 20:17 |
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Bongo Bill posted:Rogue One extends the ending montage from Revenge of the Sith all the way to the opening shot of A New Hope. thrawn527 posted:To be fair, the Mon Mothma scenes from ROTS were cut, so they're not really part of the PT.
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# ¿ Oct 11, 2017 20:27 |
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euphronius posted:Uh it's in a bunch of Star Wars movies. 4? 5?
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# ¿ Oct 11, 2017 20:32 |
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I always view Clone Wars as more of a jumped-up TV pilot, even though it was in theaters.
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# ¿ Oct 12, 2017 02:09 |
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Brother Entropy posted:it's boring because it's rushed, it's far more interested in speeding along to the next epic setpiece or OT callback than slowing down to provide a larger context for why anything is happening or characterizing any of its new cast(except kylo ren) Look at something like the Death Star segment of ANH for comparison. There's parts with nonstop action - everything from entering the detention level to leaving the garbage compactor is one big setpiece, for example - but there's also lots of moments in between where everything can pause for some nice little character building conversations and to ease the tension before it builds up again. Luke snapping at Han in the control room, Han making fun of Chewie after the trash compactor, Leia making fun of the Falcon. Obi-Wan has a pretty quiet and uneventful trip to the tractor beam, which both lets the tension build in his subplot and contrasts with everyone else making a ruckus all over the Death Star. For the characters being trapped in the enemy's home base, it's surprisingly slow, but it works because of that. TFA has a couple of those moments (the little montage of Rey's life stands out in particular), but they're few and far between after the first act. E: Now that I think about it, Star Trek 09 had this same issue in its second act, so it seems to be a general problem Abrams has. Lord Hydronium fucked around with this message at 00:37 on Oct 13, 2017 |
# ¿ Oct 13, 2017 00:33 |
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Zeris posted:I'm not a fan of Portman's performance, but I also find her character unrealistically bending to fit the needs of Anakin's development. When he's a snot in front of her staff, she has no problem putting him down; when he makes her uncomfortable she tells him so immediately (and then the boundary-setting is immediately forgotten in the next interaction); when he tries to be a Good Boy and stay on Tattooine per Windu's orders, she forces him to leave with her. These actions simultaneously speak to someone who knows exactly what they want, and someone who has no idea what they want. Padme's character doesn't quite come together as a result. I think your post is a good articulation of the issue I have with Padme; she feels a lot more like an obstacle for Anakin to overcome in his own arc than someone with her own feelings and motivations. Her best scene is probably the one where they talk politics in the field, because you can actually see Padme's own personality coming through strongly, where it conflicts with Anakin's, and the roots of the oncoming tragedy as she convinces herself that Anakin is just kidding. I know that a lot of people probably think that the last thing AOTC needs is more love story, but the deleted scenes with Padme's family - which would have gone right in that gap that gives me the most pause - might have really helped, both in giving Padme more of her own character outside of Anakin and in giving them time to grow closer before they go full requited love in the lake country.
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# ¿ Oct 13, 2017 21:59 |
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Bongo Bill posted:The voyage through the core of Naboo rhymes with the asteroid field chase in The Empire Strikes Back. It isn't just the big monsters. Jar Jar panics and Qui-Gon telepathically sedates him, in much the same way that they switched off a panicking C-3PO. E: Just to have something substantial here, you mention that it highlights how superior the Jedi feel to Jar Jar, but the comparison also really makes me feel for Threepio, and just how weird it is that the characters in ESB can casually turn a person off. Threepio isn't exactly respected throughout the OT, but he's usually disrespected in the way you would a human, with insults and threats. Offhandedly treating him like a piece of machinery is actually kind of strange and stands out. Lord Hydronium fucked around with this message at 01:47 on Oct 16, 2017 |
# ¿ Oct 16, 2017 01:32 |
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Solo II: Duet
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# ¿ Oct 18, 2017 04:15 |
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jivjov posted:Fun fact, if we treat A New Hope as occurring in May 1977, then the events of The Force Awakens would have taken place in 2011. Besides, Star Wars takes place well before the 1930s :
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# ¿ Oct 18, 2017 18:14 |
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R2 had a girlfriend in Legends. She was of course pink and had heels:
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# ¿ Oct 21, 2017 05:28 |
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Snooze Cruise posted:I only learned earlier this year that people will say "at, at" instead of "a, t, a, t" and it has destroyed my entire foundation of the world.
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# ¿ Nov 5, 2017 03:34 |
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teagone posted:Oh wait, the press release straight up says this lmao.
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# ¿ Nov 10, 2017 00:06 |
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And still no complete release of any of the prequel soundtracks.
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# ¿ Nov 11, 2017 19:45 |
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turn left hillary!! noo posted:Are you talking vinyl, because I have the 2-disc complete Phantom Menace score on CD.
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# ¿ Nov 11, 2017 20:27 |
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Mechafunkzilla posted:Bareback a Dewback
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# ¿ Nov 19, 2017 07:02 |
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jivjov posted:What's the history of trailer music making it to the final film? I really hope the more intense version of the Jedi Steps theme is in the final cut of TLJ
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# ¿ Dec 5, 2017 01:29 |
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The MSJ posted:
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# ¿ Dec 7, 2017 01:41 |
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Schwarzwald posted:I'm not trying to say that the Phantom Menace is the equal to Jurassic Park (or Oedipus) but rather to point out that criticizing it for not having an immediately identifiable main protagonist or main antagonist (Palpatine, btw) is very limiting. Many stories don't have main protagonists or antagonists. Many well respected stories don't. AOTC would have been a better argument, since its antagonist changes from Zam to Jango to Dooku right up to the very end where we learn that it was Palpatine all along, but again, that just makes it different, not an inherently bad narrative choice.
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# ¿ Dec 11, 2017 01:53 |
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Danger posted:If so, he movie is going to be prequel level divisive.
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# ¿ Dec 11, 2017 01:56 |
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It sounds from the reviews I've read that Johnson isn't afraid to get weird, which is what I want to hear. I've been thinking recently about what it is exactly that's appealing about Star Wars and how that relates to the new movies, and a big part of it is the sense that the universe is a near-infinite canvas. I mean, the first film of the series is a sci-fi fantasy samurai Western war movie, and I think the best Star Wars movies (and even EU) recognize that the franchise is at its best when it's expanding on that weird mish-mash and pushing into new territory. It's a tremendously adaptable franchise, capable of telling a wide variety of stories, themes, characters, and settings while still having whatever that common thread is that makes it Star Wars and not some other franchise. And that's a thing that I think R1 got and TFA didn't, and everything I've heard about Johnson and TLJ makes me hope/think that he got it too.
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# ¿ Dec 13, 2017 00:42 |
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Let's focus on the important issues: does this mean that we can get the fanfare back at the start of the movies?
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# ¿ Dec 13, 2017 08:13 |
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Milky Moor posted:I wonder when we'll see something that acknowledges that the prequels happened, be it a character or a world. Something definitive. Otherwise, I do think they're going to just reboot them.
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# ¿ Dec 15, 2017 07:40 |
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Milky Moor posted:Bail Organa and Mustafar? What're the other two?
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# ¿ Dec 15, 2017 15:28 |
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Milky Moor posted:OT character and not explicitly identified as Coruscant. Same thing as Mustafar it is but also isn't. Like really, this idea feels more like "I wish Disney would ignore the prequels."
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# ¿ Dec 15, 2017 16:16 |
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Movie owned. Luke owns. Porgs own. More collected thoughts later, since I just finished seeing it. But I'm coming out of this one with a much better feeling than I did from TFA.
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# ¿ Dec 18, 2017 01:38 |
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# ¿ May 15, 2024 18:25 |
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I love Rogue One, I think I've made that clear. And I loved TLJ (I think; I'll wait until the immediate post-watch buzz has died down to form a more solid opinion), and the funny thing is, it's for some of the exact opposite reasons as Rogue One. R1 feels like a very focused, consistent movie, where Edwards had a specific vision for a type of Star Wars story that hadn't really been done in the franchise (in movie form, at least) and everything in the movie is purposed towards the end of delivering that vision. TLJ on the other hand, is Rian Johnson's gloriously unchecked id. It's him being given a chance to do Star Wars and going nuts, throwing the whole drat kitchen sink in and then some. It's big and weird and sprawling and doesn't always cohere, but by god, is it fun to watch. It is, in short, the most like George Lucas' Star Wars this franchise has been since he left it, so no wonder it's going to be controversial. It's not perfect - the entire Poe/Holdo/fleet plot just feels kind of weird, and it's paced really oddly slow for a movie where everything else is so breakneck; the beginning of the movie took a while to click for me, with the tone going a little too self-aware at times; Canto Bight is a narrative dead end, but it's a lot of fun so I forgive it; it's got a few too many climaxes - but it gets Star Wars in a way that TFA didn't. It's the Star Wars that gave us the cantina sequence and a backwards talking Muppet samurai monk and a slug crime boss and a water world inhabited by grey aliens. It's a Star Wars that feels unbounded, and not just pushing around the stuff people loved as a kid back in 1977. And not to poo poo on TFA too much, but it's kind of funny that a lot of people (including myself) assumed that it would look better in retrospect after we knew the answers to all its mystery box questions. TLJ answers most of those questions, but the answers are interesting in a way that makes the movie asking the questions look more boring for hiding them. It's like, "Why were you making this a mystery when you could have been doing this cool poo poo instead?" Example: I was convinced Rey had to be a secret Skywalker to make that plot worth its time, and not only did they make her a child of nobody, they made that reveal a really awesome character moment between her and Kylo. Also my audience was no fun, there wasn't a single reaction to Luke doing the Force Hologram thing and I had to stop myself from reacting noisily even though that was the best drat moment of the film.
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# ¿ Dec 18, 2017 03:27 |